The Return of Chandu

Bela Lugosi gets to play one of his rare good guy roles in a serial based upon the long running radio hit (which was also the source of a feature film where Lugosi played the villain.) Lugosi cuts a fine dashing figure and its sad that he didn't get more roles where he could be the guy in command in a good way. Here Chandu returns from the East in order to help the Princess Nadji who is being hunted by the leaders of the cult of Ubasti who need her to bring back from the dead the high priestess of their cult. This is a good looking globe trotting serial that is a great deal of fun. To be certain the pacing is a bit slack, more akin to one of Principals (the producing studios) features then a rip roaring adventure, but it's still enjoyable. This plays better than the two feature films that were cut from it because it allows for things to happen at their own pace instead of feeling rushed or having a sense that "hey I missed something". One of the trilogy of three good serials Lugosi made, the others being SOS Coast Guard and Phantom Creeps

I enjoyed this serial. I got it in a set with two other chapter serials from the same era, Flash Gordon and Radar Men. Cheap sets, cheesy dialog and Bela's overacting surprisingly add up to an engrossing combination. It was strange to see him in the uncharacteristic role of good guy/hero, but he pulled it off with his usual exotic charm. While I watched I could imagine what it must have been like to see these one episode per week in the theater. The exotic natives must have really scared the pants off kids in the 30s, a time when there was much less sophistication and knowledge of the world. These episodes hold up much better than the Flash Gordon series from that time period.

Unlike others on this site, I really enjoyed the dreamlike spookiness of CHANDU and I assume PRINCIPAL Pictures were absorbed into REPUBLIC the following year along with Monogram and Mascot. I was watching each chapter or two with a smart 3 year old and we eagerly looked forward to the next episode, probably in the right spirit as it was meant to be seen. For a cheap production using leftover sets it has some really effective eerieness and apprecizated the MUMMY - like pagan witchcraft on offer. We both loved the wizardy cat costumes, the cardboard temples and madness that pervaded each chapter. The opening titles and the Gong intro is wonderful. CHANDU almost works because of the mangy production values and is very enjoyable on any level.

The Black Magic cult of Ubasti needs to kidnap the last known living princess from Egypt so they can sacrifice her to their cat god. However, the good swami Chandu won't let this happen and spends most of the movie fighting these evil goons until they are, naturally, vanquished.

Since this film is called THE RETURN OF CHANDU, you can rightly assume it is a sequel. Just a short time earlier, Edmund Lowe starred as the Westerner who learned the secrets of the yogis. Using these great mental powers, he was able to save a kidnapped scientist and stop the death ray from being used on mankind! For a Saturday morning escapist suspense film, it was a dandy and Bela Lugosi was there to provide wonderful color as the evil villain.

Oddly, in this film, Lowe is nowhere to be seen and Lugosi actually plays Chandu!! So in the first film he was a super-villain and here a super-hero! Plus, in the first film he had a wife and kids, while in this film he hangs with his sister and her two grown kids and by the end of the film he's wooing a young lady!! Talk about continuity problems!!!

This film is a bit similar to the plot in the original, since it involves kidnapping but the level of excitement and the many, many wonderful and weird story elements from the original film are missing. Missing as well is the comic relief--making this film good, but certainly nowhere near the film the original was. Oddly, while it was made by Universal Studios, the film looked pretty cheap and was an obviously low budget film. Apparently, originally, this film was the first half of a serial of the same name. The second half was retitled CHANDU ON THE MAGIC ISLAND and is significantly worse than this first half. Still, it is entertaining and fans of Bela Lugosi will no doubt find it worth seeing.

A final note--The DVD version of this film I saw was from Passport Video and was of very dubious quality (it came in "The Bela Lugosi Box"). This company specializes in releasing public domain films and consistently does nothing to clean up the prints. This one was almost unwatchable due to terrible sound and no captioning. Also, Passport imprints their logo at the bottom right corner of the screen--which seems like a lot of nerve considering they didn't pay for the film!! Public domain AND emblazoning their name across it like they made the film?! Gimme a break. See if you can find a different and cleaner version.

This might have worked better as a silent feature as it mixes up it's mythologies to allow Bela Lugosi's eponymous character (aka. "Chandler") to race to the rescue of the imperilled Egyptian princess "Nadji"(Maria Alba). Why? Well it seems that some Pharaonic cult from ages past has decided that she's the reincarnation of a goddess. What's slightly confusing is that they seem to want to sacrifice her so the goddess ("Ossana") can, well, reincarnate! Anyway, never let the plot get in the way of a rather pointlessly abridged version of the serialisation as it takes us through approximately one third of the story before we run out of reels and must search for him on his "Magic Island" film which doesn't come along til next year. To be fair, I like the genre and they do try a little with the score to create some sense of mystical peril and hypnotics, but Lugosi is at his most wooden here as he fears "grave danger" for the princess as if he were buttering his toast and Alba goes into dramatic overdrive as the damsel in distress. The "Yogi" says have faith, but somehow I fear this ought to have just stayed as a weekly serial with the odd cliffhanger and the slightest sense of jeopardy which is distinctly lacking here.