The Richest Girl in the World

I came to this film because I'd just seen its musical remake, The French Line, a campy colour affair with Jane Russell, 'presented by' Howard Hughes. The French Line isn't unwatchable, although one may want to peep through one's fingers during the cowgirl dance number, but it is outstandingly dated in terms of male-female relations. Jane Russell's richest-girl-in-the-world is warned from the start that she will put men off with her rootin' tootin' tomboyish get-up & behaviour, but it's her money and power that will really convince them she's wearing the pants.

I am mad about Joel McCrea and I like Hopkins a lot. I wanted to see what the original was like. And of course, because it's the 30s there's no such issue. Men and women can be knockabout pals, Joel McCrea is enchanted when Hopkins thrashes him at billiards, they get drunk together, fall asleep smoochily together and the happy ending is wonderfully engineered: you relax your modern PC concerns even though the penultimate scene features McCrea picking her up (protesting wildly) and (off-camera) locking her in his car. It squeaked into cinemas pre-Hays, too, so the last couple of scenes in particular are pretty racy and very funny. The two leads play beautifully together and Fay Wray is always good.

Heiress Dorothy Hunter (Miriam Hopkins) was left an orphan by the Titanic sinking. She is known as the Richest Girl in the World. She was raised by fellow survivor John Connors who kept her in reclusive isolation. So much so that only her inner circle knows what she looks like. When she is to meet her business managers, her secretary Sylvia Lockwood (Fay Wray) takes her place as her double. Her fiancé cancels their wedding and she's perfectly fine with it. She didn't love him anyways. After his comment, she wonders if any man would love her for her and not her money. Instead of announcing the cancellation, she continues with the engagement party where she meets Tony Travers (Joel McCrea) while pretending to be Sylvia. She keeps pushing him to woo the heiress Dorothy as a test of his real motivation. Sylvia is eager to join the ruse despite her new husband's objection.

This has some fun screwball concept. It's able to stay light and fluffy. The main issue is that Tony has to thread the needle in this movie. He has to play along with Dorothy's crazy test but he also can't play along with her. The story is actually set up for a love triangle but this movie isn't trying for one. Everything is kept light as there is never any doubt of the two leads getting together. No matter how hard Dorothy pushes, Tony is never really convincing in his pursuit of rich Dorothy. This is fine but it could have been more interesting.

Thanks to a fine and intelligent script by Norman Krasna and to some very good acting, this is a very entertaining and charming little film, about a "poor" rich girl (sort of Barbara Hutton type), seeking for true, "uninterested" love.

Miriam Hopkins is very good and looks pretty as Miss Dorothy Hunter, "the richest girl in the world", and works very well for the first time (they did four more pictures in the following years) with Joel McCrea, who is thoroughly believable as a regular average guy, being (unknowingly) tested by this heiress, who's pretending to be a secretary.

Beautiful Fay Wray, who had worked with McCrea once in 1932, in the very good chiller "The Most Dangerous Game", also at RKO, is excellent as the heroine's pal and secretary, Sylvia, who has to pass as the millionairess, and old pro Henry Stephenson is just right as Hopkin's Tutor.

This nice little movie (short by to today's standards) has good pacing, real, likeable romance and some funny (not so screwballish)situations, even some pretty racy ones (due to the fact that "married" Sylvia impersonates "single" Dorothy), considering it was made in the 1930s, so I believe it must have been released before the Production Code was fully enforced in 1934.

When a movie stars Joel McCrea, you can pretty much guarantee it will be enjoyable...and so I wasn't surprised that I enjoyed this film. It's cute and enjoyable and Miriam Hopkins is quite nice as well.

When the film begins, you learn that the heiress Dorothy Hunter is a bit of an enigma. No one knows what she looks like and folks about to meet her are curious what she looks like. However, what they don't realize is that this 'Dorothy Hunter' is a fake...hired by the real one (Hopkins) because she wants to retain her privacy. This has created a problem, however. How will she meet men and how will she handle it when she meets a nice guy? Well, she gets to try this out when Tony (McCrea) enters her life. She CONTINUES to pretend to be someone else and her assistant continues to pretend to be Dorothy. The problem is that Tony finds he's falling for BOTH women!

This is a sweet film and the stars do a nice job...almost nice enough to give this one an 8. The script isn't easy to believe but the cast do their best to breath life into it.

"The Richest Girl in the World" is reclusive Miriam Hopkins (as Dorothy Hunter). She attracts men, but wonders if it is possible to find true love. After breaking off an engagement, Ms. Hopkins meets attractive Joel McCrea (Anthony "Tony" Travers) in her regular guise, pretending to be pretty secretary Fay Wray (as Sylvia). Hopkins uses Ms. Wray to switch roles, so she can play pool rather than attend business meetings. When Mr. McCrea meets Hopkins, he is quite taken, but winds up on a canoe date with Wray, instead. Hopkins and Wray's husband Reginald Denny (Phillip "Phil" Lockwood) knock their boat over. Hopkins decides to test McCrea by encouraging him to pursue "fake" heiress Wray. It sounds silly, but everyone manages to make it mildly engaging. Norman Krasna's script even received an "Oscar" nomination. Mentor Henry Stephenson (as Connors) and maid Beryl Mercer (as Marie) are also good.

****** The Richest Girl in the World (9/21/34) William A. Seiter ~ Miriam Hopkins, Joel McCrea, Fay Wray, Reginald Denny