Romance in Manhattan

Francis Lederer spent years of work to come up with the $50 he has to have to enter the United States as an immigrant. He even built up an $8 reserve on top of that. When the authorities at Ellis Island tell him it's been raised to $200, he's disconsolate. He jumps out of the porthole and swims, exhausted to land.... and discovers he has lost his $58. He wanders the street and sneaks into the back of a burlesque house, where Ginger Rogers stakes him to a couple of doughnuts and a couch in the room she share with her brother, Jimmy Butler.

It's a very sweet movie, with the men who administer the laws not cruel, not impatient, just doing their jobs. Certainly how you read that depends a lot on how you feel about immigration, but to me that makes it worse; Lederer is so anxious to be an American, that only the cruelest person could deny him that boon; fortunately for these uncaring bureaucrats, it's not them, it's rules. Under the Production Code, there was no way they could be villains. The fact they were sending him back to a Europe that in four years would be at war would not occur to them, and if it did, what could they do about it? At least in the movie, it turns out well for Lederer.

With J. Farrell MacDonald, Helen Ware, Donald Meek, Sidney Toler and Oscar Apfel.

I love this little movie. Ginger Rogers is at her best here -- sweet, engaging, human -- and Francis Lederer is perfect as the illegal alien with a huge heart. As a Ginger Rogers film, this ranks right up there with Primrose Path and Roberta in my Hall of Favorites. Romance in Manhattan creates a mythopoeic USA that triumphs over Depression era America through a large dose of Hope. Folks in 1935 probably needed a film like this, but I think it works well to mute the horrors of 2020 also. See it.

I have seen over 2,000 classic films in the last 6 years, and somehow I let this one slip by me. It is rare that I uncover a new classic film favorite, but I did with this film.

"Romance in Manhattan" works so well thanks to the wonderful performances by Ginger Rogers and especially Francis Lederer. I would have loved to see him hit stardom, but he had a long career and lived 100 years despite not becoming a household name. Lederer is so charismatic and handsome in this film with such an exuberant spirit. A young Ginger Rogers is lovely, has great chemistry with Lederer, and is a loving sister.

There are two subplots, but this is mostly about a man coming to America to live the "American Dream" which he does while finding romance along with it. If that appeals to you, then I highly recommend this delightful little gem.

A couple of funny comments and one humorous scene at the end do not a comedy make. Especially when it has so many elements of drama - an illegal immigrant escaping, jobless and hungry people, a city strike and some violence, a villainous lawyer, school truancy, and placement in an orphanage. No, "Romance in Manhattan" is not a comedy romance, but a drama with romance. And not so much romance, as respectful love. The sacrificial kind, as well.

Francis Lederer stars as Karel Novak, an immigrant from Czechoslovakia who must be returned to Europe because he didn't have the increased amount of money for immigration. It had jumped from $50 to $200. Distraught and knowing the hardship and time it would take to raise the money working in Europe, he jumps ship as it's leaving New York.

The rest of this film is the story of an immigrant trying to make it in the U.S. And, perhaps typical of European immigrants who had such positive outlooks and attitudes when coming to America. Only those who had endured the struggles most of them had in their home lands could comprehend their joy and happiness even with hardships in America.

Novak meets Sylvia Dennis (played by Ginger Rogers), who is herself struggling and trying to make it as an actress. She is just 19 and has been taking care of a younger brother, Frank, who is around 12. This is a good story about decency among people, hard work, sacrifice and friendship. It also shows some hard sides of humanity - a glimpse of violence from a labor strike, and a shyster lawyer. The New York City police are seen in a good light as compassionate as well as sticking to duty. J. Farrell MacDonald, as Officer Murphy, befriends Karel, Sylvia and Frank. Perhaps the experience of many Irish facing antagonism when immigrating to the U.S. tempered Murphy and some others.

Anyway goodness and kindness win out in the end. This is a good film that portrays an aspect of American life that was common for many people in the early decades of the 20th century. Younger audiences well into the 21st century who aren't inclined toward history will likely be bored.

Here are a couple of favorite lines from the film.

Karel Novak, "This house is so elegant. You have carpet, really." Sylvia Dennis, "Yes, and cockroaches too." Novak, "Cockroaches! Isn't it wonderful."

Sylvia Dennis, "Frank, did you ever stop to think what a wonderful place New York is?" Frank Dennis, "Sure - ain't we got the Giants and the Yanks?"

Wonderful heartfelt and humane, this superb RKO programmer from 1935 shows just how far America and its political friends have strayed from what it fair and decent. Probably a B+ feature in its day (I personally hope it was more) ROMANCE IN MANHATTAN as made by what possibly was craftsman Euro escapees keen to work in the US film industry, clearly shows that with a reasonable RKO budget, anyone deserves a break and a true chance at love in a new country. A lovely mature film with great ideals and kindness with excellent production values and genuine affection for one man's plight, this truly great (small) film has its heart exactly right and is a mini major on the RKO schedule that might have affected the senses of millions in its day. A depression romance with a good mind to show the masses what is genuinely 'right' ROMANCE IN MANHATTAN shows what good manners and commonsense can prove, simply. The RKO cinema chain of its day with 3000 seat movie palaces across the USA and elsewhere would have allowed this simple but effective genuine film to reach it's intended good mannered suburban and country audiences, thus genuinely allowing the very Man this film is about to be a contributing cog in the great wheel of American capitalism and success so fouled today. In Australia where I live, we now have a nationwide TV channel that shows these RKO films in pristine DVD clarity...in every meaning of that statement. This is a good film: in every imaginable way. This film is actually about how real people feel. A real find and unjustly neglected...except in Australia!