Cardinal Richelieu

It is always interesting,nay funny,to see how Hollywood broaches FRench history.To make Louis XIII a bon vivant fond of young maidens whereas he was misogynous and is known for only having had two (platonic)affairs with women is the contrary of what we learn in history books.On the other hand,the king's homosexuality was never proved :he had favorites but they could possibly have been only good friends.

On the other hand,George Arliss is Richelieu as a French person can imagine it.He is a shrewd adamant man,with a great fondness for cats .He was hated by the queen and the queen mother Marie De Medicis whose regency was a disaster .The movie shows how disinterested he was:he used to work for the king's throne,preparing the absolute monarchy which would come into bloom with the Sun King in 1661.He fought against the nobles -who ,after his death would rebel in the days of "La Fronde" - and against the protestants (the siege of La Rochelle is depicted in "Les Trois Mousquetaires").

The story is a bit far-fetched -the Cardinal goes as far as to pretend he is dead;the nobles who see his "dead body" take naiveté to new limits-but rather entertaining.

1935's "Cardinal Richelieu" turned out to be the Hollywood finale for acclaimed British star George Arliss, so adept at portraying larger than life historical figures. Here, it's the notorious Cardinal, often depicted as a villain yet acting on behalf of King Louis XIII (Edward Arnold) to ward off treachery within his inner circle, chiefly from top aide Baradas (Douglass Dumbrille), who takes every opportunity to convince the King that Richelieu is the real enemy. While Arliss chose to film stories or plays that were old fashioned, one cannot condemn his acting as barnstorming; he remains calm and rational, coolly weighing his options before deciding on a plan of action, letting others act up a storm, unable to wrest the screen away from his commanding stillness (indeed a larger than life performer, sadly underrated nowadays). The unobtrusive love interest is supplied by Maureen O'Sullivan and Cesar Romero, while among the agitators attempting to get Parisians to revolt against Richelieu is a 29 year old John Carradine, appearing at the 41 minute mark, billed 31st out of a cast numbering 36: "Down with Richelieu! He's not in favor with the King, why should we listen to him? Down with him!"

When most of us hear the name Cardinal Richelieu, we think of the evil bad guy from The Three Musketeers. Vincent Price, Tim Curry, and Christoph Waltz have portrayed him - and they always play bad guys! However, in this 1935 biopic, he's supposed to be a good guy. George Arliss plays the cardinal, and he spends the whole movie making master plans for the greater good: protecting King Louis XIII from assassination and betrayal. George Arliss was very famous in the early silver screen, but if you don't like his style, you probably won't like this movie.

I watched it for Cesar Romero, who plays the young, handsome romantic lead. In full "musketeer gear", armed with a wig and a sword, he falls madly in love with the equally beautiful Maureen O'Sullivan in one evening. It's a whirlwind courtship, and they vow to marry - but they haven't even learned each others' names! When George Arliss orders Cesar to marry a woman of his choice, even threatening him with an execution order if he refuses, Cesar does refuse. He loves Maureen and won't marry anyone else. It turns out Maureen is George's daughter, and he was playing a little joke on the couple. It's a very cute scene, but the rest of the movie is a little boring by comparison. And Edward Arnold's thick New York accent feels out of place as the French king, especially when everyone else is trying to hard to be in a period piece.

Year 1935 was definitely the year for Rowland V Lee to speak of history of France, and more precisely Cardinal Richelieu character; because this very year, the director gave us THE THREE MUSKETEERS, also speaking of Richelieu, but in a supporting role, whilst in this movie - CARDINAL RICHELIEU - the latest is the lead character. I have always been astonished by the interest that the Hollywood film industry took for history of France. More than England.... This movie is maybe accurate and faithful is not bad at all but very talkative and destined to history goers. I don't crave for it but don't mind my opinion, that's just an opinion. Good acting and directing.

This is really a terrific movie, surprisingly underrated. To begin with, George Arliss is flawless and dazzling in the role of l'Eminence Rouge. I wish someone would someday make a serious Fu Manchu movie, faithfully bringing Sax Rohmer's creation to the screen, and I can only imagine George Arliss in the role of Fu Manchu. Cardinal Richelieu and Fu Manchu have a lot in common.

Even though Alexandre Dumas isn't credited for the story, all of the action comes straight out of Dumas.