Black Fury

Let's look at 1935: I don't think there's anyone reviewing now who went to the movies that year, so we have to rely on video. I've seen about 100 films from that year; many have not been preserved. "The Informer"won the Oscar, and a worthy film it was. "A Night at the Opera," "ChinaSeas," "The Good Fairy" "Lives of a Bengal lancer," "Naughty Marietta,"and "The Devil Is a Woman" also came out that year, all great films. "Black Fury" was better than any of them. It's gripping from the first frame to the last. It's as realistically set, and politically sensitive, as any Hollywood film. The closest political thriller I've seen to it is "Massacre" (1934). I loved it for the big factors, like digging itself into an impossible hole, then managing to escape, and Muni's performance. Also for the small ones, like all the supporting performances and the fact that the union happens to be integrated.

Never realized that Paul Muni, (Joe Radek) played in a film concerning miners in Pennsylvania and gave such an outstanding performance beyond anything I realized he had accomplished in his long career on the silver screen. In this film Joe Radek is an immigrant to this country, however, he is very clever in many ways and seeks justice for his fellow workers in the coal mine in which the town people work. Karen Morley,(Anna Novak) gives a great supporting role to this film and really loves Joe Radek and what he is trying to accomplish. The town is controlled by the coal mine owners and Barton MacLane,( McGree )along with William Gargan,(Slim Johnson/Company Police bully the people in the town along with J Carrol Nash,(Steve Croner) who all work against the miners and control their living conditions. There is a big problem trying to establish a Labor Union and there is a constant battle between the very poor and rich people of the community. Paul Muni gave the best performance I have ever seen in this Classic 1935 film, don't miss this picture.

Paul Muni was one of the most acclaimed and respected actors of his era...so much so that he nearly won the Oscar for Best Actor...as a write-in candidate! And, I must admit that when Muni is on, he's great. But occasionally I see a performance and wonder why it was so beloved...such as his over-the-top Eastern European-American, Joe Radek, in "Black Fury". Now I am not saying it's a bad film...just his performance.

As for the story, it's an interesting tale of both a union and management being manipulated into striking....and Joe is an unwitting dupe in the process. But, being a decent sort of guy at heart, he does what anyone would do in this situation...blow up the mine! Well, at least that's the crazy message you get in this picture!

Overall, an engaging and interesting film with many flaws...including its leading man's performance and the crazy vigilante message it promotes. A genuinely odd but entertaining picture.

Paul Muni, David Thomson once wrote, was the '30s' idea of a great actor: He never looked the same twice. Here he's a hail-fellow-well-met Eastern European immigrant coal miner in a dreary Pennsylvania burg, deceived by union busters and weighed down by a ten-ton accent. Indeed the screenplay seldom rises above a fifth-grade literacy level, the better to illustrate the goodheartedness of these poor but honest laborers. But five minutes of Muni, and you've seen the whole performance -- a Zorba-the-miner "life force" who yells all his lines and sounds unfortunately like Steve Martin's wild-and-crazy-guy character from Saturday Night Live in the '70s.

Warners does come up with a convincingly grimy set and a capable stock-company supporting cast, but the dramaturgy is connect-the-dots. One miner shouts and sways the whole crowd, then another, then another -- what a gullible bunch this must be. The evil cops and management figures are so absurdly evil that nuance is lost. The third act does whip up to an exciting blow-up-the-mine climax, but then it's resolved in headline montages, as if Warners suddenly ran out of money, or film. And Michael Curtiz -- I didn't think this fine director was capable of this -- stages the crowd scenes clumsily, shifting point of view confusingly and slapping the mise-en-scene together hard, with loud music. Certainly the studio is on the side of the angels, arguing for a fair day's pay for a fair day's work, and as a '30s sociological curio the movie is not without interest. But Muni's monotonous bluster and an elementary script combine to create a cinematic cave-in.

In 'Black Fury', Paul Muni gives one of his best performances, and also appears on screen in one of his more plausible make-ups. This time he plays a Slavic immigrant, uneducated but keenly intelligent, working in an American coal mine. Muni's hair is dyed blond, yet looks realistic, and his own Eastern European facial features work with this characterisation ... not against it, as they did for some of his other roles. The film also features a fine performance from John Qualen, a prolific character actor whose film appearances were often marred by unconvincing and unnecessary foreign accents of the "yumpin' yiminy!" sort. In 'Black Fury', Qualen's flavour-of-the-month accent is less obtrusive than usual, and it actually works for the character he plays: a Polish-American miner.

Joe Radek (Muni) is a miner in a 'company town', where all the labourers are poorly-paid and live in squalid shanties. Radek and his fellow miners work in extremely dangerous conditions. The company that owns the mine also owns all the local businesses, and the local police force also work for the mining company. The cops have no interest in justice: they're bullies whose only concern is to keep the locals quiet and subservient to the company. The head cop is a slimy sadist named McGee, well-played by Barton MacLane. Radek's buddy Shemanski (Qualen) gets drunk one night and makes the mistake of criticising company policy: staggering home that night, he has a fatal 'accident' arranged by McGee's goons.

To call attention to various grievances, Radek fills the mineshaft with dynamite. He packs several days' worth of food for himself, then he takes McGee hostage at gunpoint and brings him into the mine. Radek chains McGee to the pit face, slightly out of reach of Radek's food supply. If Radek's demands aren't met, he's going to blow up the mine ... with himself and McGee inside. After they've been in the mine for several days, there's one harrowing shot of the starving McGee chained to the wall, begging Radek for food. The film ends with one of those slam-bang action climaxes that Warner Bros did so well, spiced with some social commentary that doesn't get too preachy.

The film boasts an excellent supporting cast, filled with actors who are (mostly) more obscure than usual, which helps us to immerse ourselves in the action. Karen Morley, quietly beautiful, gives a fine performance, and Michael Curtiz (a very underrated director) does his usual superlative work.

'Black Fury' is based on a story by Michael A. Musmanno, a Pennsylvania lawyer of Italian descent. Late in his life, Musmanno devoted several decades to writing a book called 'Columbus *WAS* First' (his emphasis), which purported to prove that no European explorers reached the Americas before Columbus. Musmanno's claims for Columbus have long since been disproven, but 'Black Fury' is an excellent film. I'll rate this movie 9 points out of 10.

Trivia note: Shortly after this movie was released, Warner Brothers released a Loony Toon starring Porky Pig as a hunter who had a dog named Black Fury. What a shameless plug!