David Copperfield

This film is not just "okay", its a masterful adaptation of one of the world's great novels. Whatever shortcomings it may have for modern audiences due to its age and the technical limitations of the time are more than compensated for by the immense care and effort lavished on the production and a cast that is impeccably "right". Truly, this is one of the finest jobs of casting you could imagine, as MGM was blessed at this time to have a slate of brilliant and irreplacable character actors. My favorites: W.C. Fields at his peak, born to play Micawber; the inimitable and wonderful Edna May Oliver, Betsy Trotwood to a T; and Lennox Pawle, unforgettable as Mr. Dick. And if I wanted to be really tiresome, I could probably name 8 others. Dickens would have been pleased!

I agree with the commentator who offered an opinion that given the length and density of the novel, it should have been filmed in two parts. Alas, the courage to do such a thing would have to wait for 40 years and Francis Ford Coppola in "Godfather I" (1972) and "Godfather II" (1974). Still, what we do have in this film is an extraordinary ensemble of superb actors doing their very best to deal with an abridged screenplay of a much read and highly acclaimed novel.

While watching this film recently, I started to remember where I had seen these folks before, and began to free-associate about some of the celebrated members of this all-star cast. The following personal observations are reflections from that viewing experience:

Violet Kemble-Cooper (Jane Murdstone)---am I the only person who thinks that she is a dead ringer for the American character actor, Mary Nash, who also tended to terrorize children (the nemesis of Shirley Temple in "Heidi" (1937) and "The Little Princess" (1939)?

Basil Rathbone ((Mr. Murdstone)---funny, but I saw Raymond Massey as a more effective villain in this part.

Roland Young ((Uriah Heep)---to the best of my recollection, this is the only downright nasty part this comic actor ever played on the screen.

Hugh Williams (Steerforth)---he gave us an even more repulsive character as Hindley in "Wuthering Heights" (1939).

Jesse Ralph (Nurse Peggotty)---one year later, she played Jack Holt's mother and Jeanette MacDonald's confidant in "San Francisco" (1936).

John Buckler (Ham Peggotty)---did you know that he was the son of actor Hugh Buckler, who delivers the moving final speech in Frank Capra's classic, "Lost Horizon" (1937)?

Edna May Oliver (Aunt Betsey)---it sure looks like this role was a reprise of her Aunt March portrayal in "Little Women" (1933) also directed by George Cukor.

Elizabeth Allan (Mrs. Copperfield)---she was seen to better advantage with less histrionics in "A Tale of Two Cities" as Lucy Manette (1935).

Jean Cadell (Mrs. Micawber)---best remembered as Henry Higgins' housekeeper, Mrs. Pearce, in "Pygmalion" (1938).

Una O'Connor (Mrs. Gummidge) and Elsa Lanchester (Clickett)---these two great actors had very little to do in "David Copperfield"---but a great deal more to do in "The Informer" ((1935) and "Bride of Frankenstein" (1935) respectively! Ms. O'Connor's hysterical Minnie also appears on display in "Bride."

What a treat to watch this group of stellar players! Their likes will never be seen again!

With a very good cast and a well-conceived adaptation of the novel, this version of "David Copperfield" is enjoyable in its own right, and it does a good job of preserving the most important themes of the original. The quirks and characteristics of most of the characters are captured effectively by the cast. Freddie Bartholomew is engaging in the title role, and the cast members as a whole work together and complement each other well.

It would be hard even to list all of the good performances. Edna May Oliver almost seems to have born to play Dickens's kind of strong-willed but caring female character. W.C. Fields is perhaps somewhat different from the novel's conception of Micawber, but he is quite entertaining, and he gets plenty of good lines. Characters like Uriah Heep, Mr. Dick, the Murdstones, and several others could have come straight from the novel. As the adult Copperfield, Frank Lawton is sometimes rather bland, but he is likable and is at least believable as Bartholomew's grown-up counterpart.

The story, of necessity, is episodic and moves quite quickly, usually including only the highlights of the narrative. But it does a very good job of this, making each sequence work well, and efficiently fitting each one into the story as a whole. George Cukor certainly deserves a good deal of credit for making it work and fit together so well. The settings, which are always important in a Dickens story, are also for the most part pretty good.

The original novel "David Copperfield" is such a fine classic of literature that no two-hour movie could be on quite the same level, but this version is quite enjoyable, and it does a very good job of depicting the atmosphere and most of the important events of the story.

Having always heard of David Copperfield, but never having read the novel nor seen the movie, I finally decided to check out the DVD. I found it quite enjoyable with an all-star cast and good Dickensian backdrops.

I have always loved W.C. Fields, but have to disagree with those who say he steals the show. Although he is perfect as Mcawber, to me it is Edna May Oliver who steals the picture. She is delightful as the dotty aunt – especially standing up to Mr. and Miss Murdstone with the loony backing of Mr. Dick (a charming Lennox Pawle).

Of course Lionel Barrymore always makes the most of a part and does so as the gruff fisherman Dan Peggotty. Freddie Bartholomew is excellent as the young David. Elizabeth Allen is gorgeous and delightful as David's mother, while Basil Rathbone and Violet Kemble Cooper are cold and devious as the step-father and his housekeeper sister.

The entire cast is excellent, including Jessie Ralph as Peggotty and Herbert Mundin as the 'willing' Barkis. My only complaint – and this is from one who hasn't read the book – is that the miscellaneous characters get a bit confusing. A guy who apparently had been nice to David in school runs off with and abandons the adopted daughter of Peggotty's brother. Then two men fight during a shipwreck and David sees his school friend dead. Perhaps things were better spelled out in the book.

In any event, it is a quite charming film. Oliver and Field are delightful, along with the rest of the talented cast. I doubt that as better adaptation could be done today.

This version of David COPPERFIELD is quite a good one, in that it does trim the 800 plus page novel down to reasonable coherence. There are some characters that one misses, but they are understandably cut due to length considerations. While Steerforth and his betrayal of the Peggoty Family is in the film (including the dual tragedy at it's conclusion), the sub-story of Little Em'ly's friend Martha and the business regarding Steerforth's mother, Rosa Dartle, and Mrs. Mowcher were dumped (Mrs. Mowcher would have been hard to cast). Pity, Mrs. Mowcher's famous speech to David about not confusing her physical attributes with her mental ones is missing. Also Steerforth's butler Littimer appears once, but the film does not get into the ironic coda of his imprisonment. While Uriah Heep's villainy against Mr. Wickfield and his clients is shown, his willingness to dig up dirt against other "enemies" is not shown. In particular his treatment of Dr. Strong (David's second schoolmaster), his young wife, and Jack Dalton is not developed (which is sad as it proves Mr. Dick is not simple minded).

But those are minor points really. The best jobs in the film are the work of the performers under George Cukor's direction: Edna Mae Oliver as the crusty, wise Aunt Betsy; Roland Young as the evil, greasy Uriah Heep (his best villain part); and W.C.Fields as Wilkins McCawber (Dicken's tribute to his lovable but improvident father) is superb - the one time his comic personae met the proper dramatic role; and Lionel Barrymore as Dan Pegotty determined to find his lost, ruined niece. Freddy Bartholemew's performance as young David is wonderful. But I must admit that Frank Lawson is a trifle colorless as the grown up David (although he has a funny moment at a dinner that Dora (Maureen O'Sullivan) tries to prepare). It is a weakness but a small weakness in a nearly perfect film.