Don't Bet on Blondes

This is chapter 2 in my journey through Errol Flynn's career. Since 'In the Wake of the Bounty' (1933), he'd spent a year and a half in England, some of it with the Northampton Repertory Company, where he really learned to act, and seeking employment in London West End and in the film studios. He made a now lost film, 'Murder at Monte Carlo' (1935) and got the call to come to Warner Brothers in America. His first role there was as a corpse in a morgue in a Perry Mason movie, (there were several in the 30's, many of them starring Warren William as Mason, as this one does), 'The Case of the Curious Bride' (1935). Errol appears in flashbacks as a long-thought-dead first husband who wants to be paid to go away and does - the hard way with his wife being blamed for it. Flynn would get revenge of a sort by running Raymond Burr through in a swordfight in 'The Adventures of Don Juan' (1949). I haven't bene able to find a complete version of this film, just a trailer and one scene on You-Tube. Flynn appears in neither.

This was another Warren William vehicle in which Flynn appeared for 5 minutes as a suitor for a woman William has fallen in love with. William manages by a ploy to take him out of the running as a potential husband. William a mostly forgotten but deft actor with great presence, is a gambler who decided that setting up an insurance agency for things nobody else would ever insure is about the same thing. He's asked to ensure that a pretty and successful young actress will not marry until her father, who is dependent on the allowance she gives him until he finishes a book he is writing. William signs him up for a $50,000 policy and arranges through his Runyonesque associates to eliminate potential suitors in semi-comic fashion. Flynn is one of them and sheepishly looks on as William's henchmen come up to a table where he's sitting with the young lady and express their friendship with him, also handing him an envelope full of money and a gun wrapped in a newspaper. Unfortunately, Errol isn't given any lines of note and his appearance in this film lasts about 5 minutes.

But the picture, which only lasts 58 minutes but has a fast pace, is reasonably entertaining. But it's very minor thing compared to what was to come. The bit parts were over.

Not quite a Damon Runyon type jest, there is that element among the colorful characters. "Odds" Owen (William) morphs from ordinary bookie into insurance adventurer who'll underwrite any thing if the odds are right. So he insures Col. Youngblood for fifty-g's that his daughter (Dodd) and sole support won't marry for at least three years. Good thing Owen's got a crew of roughnecks to discourage potential suitors. Trouble is he sort of likes the fetching daughter himself.

William handles the central role in a compellingly good-natured fashion. Perhaps the programmer's most engaging part is the premise. That Owen will insure most anything if the odds are favorable leads him to insure things like a father not having twins, and a weary woman having a hog-calling voice for contests. The latter is a real room wrecking hoot. I don't suppose Owens' underwriting is illegal even though standard insurers won't take up the novel risks. Still, I doubt that using thuggish "persuaders" appears in the underwriter's handbook.

Overall, it's typical WB 30's fare— fast moving with colorful characters and well-upholstered women. Otherwise, it's an early Errol Flynn walk-on as a luckless suitor, but little more than an entertaining 60- minute time-passer. Still that's usually enough.

Bookmaker Warren William refuses to pay off when Clay Clement's doped horse wins; he has the doctor's report. Tired of the rackets, William turns legit, recasting himself as an insurance agent. When his new-found respectability gets leading actress Claire Dodd interested in him, Clement sees an opportunity for revenge: he has Miss Dodd's father, Guy Kibbee, a phoney-baloney scholar who's supposed to be writing a southern-fried history of the Civil War take out a $50,000 policy against her getting married... with William carrying the risk.

Will true love -- or as true as it gets in faux-Damon Runyon territory conquer, or will the fifty grand carry the day? There are lots of fine character actors with monikers like "Brains" and "Numbers" and Errol Flynn gets a promotion from appearing as a corpse on a slab.

"Don't Bet on Blondes" is a short Warners comedy from 1935 starring Warren William, Claire Dodd, Guy Kibbee, William Gargan, and Errol Flynn in an early appearance.

William is a bookie who decides to go legitimate and become an insurance man, but a special kind of one. He's going to take high risk cases, and some of them are real doozies: whether a man will have twins, whether someone will lose her voice, etc.

One case concerns a southern man (Kibbee) who is supported by his daughter. He's writing a book proving that the south won the Civil War and he doesn't want his daughter to marry before he finishes it. It's a high risk because she's a gorgeous showgirl (Dodd) and she's practically engaged already.

William steps in as a distraction. You can guess the rest.

Warren William was all but forgotten before TCM; now he's very familiar to viewers and there's a new appreciation for his work. In silents, he played dark, villainous characters; in sound he could be a con man, a detective, or Perry Mason.

William had a wheezing laugh and his line readings often indicated wonderful humor. It's interesting that this type of leading man -- the Barrymore-type profile, the mustache -- went out of style.

This is a fast film, briskly directed, and enjoyable.

has bookie William going legit and becoming a high-risk insurer a la Lloyds of London. He and his gang insure all sorts of hair-brained things, such as whether a man (Hobart Cavanaugh) will have twins, whether a husband-caller (Maude Eburne) will lose her voice, etc. But William gets involved in another scheme involving the marriage of a showgirl (Claire Dodd) and the nutty book her father (Guy Kibbee) wants to write. Warners comedy has the usual snappy dialog and the underrated and sadly forgotten Warren William takes great advantage of every line. He had a wonderful, leering kind of comic delivery that made him one of a kind. Mary Treen, Vince Barnet, Herman Bing and, Erool Flynn, in his first substantial part in an American movie, help make this one fun.