The Eagle's Brood

We actually get a nice plot in this western theme film. As Hopalong has to fend off a gang of henchmen to save a boy from certain death by the local gang in a small western town.

The plot folds out as the boy's mother and father are killed and their gold stolen. The henchmen did not know that the boy was around and can quickly identify the men. So now the local gang is out to get the boy that has been hidden by a local bar dancer that actually works for the leader of the gang. She is going to try to get the boy back to his grandfather without the gang knowing. But her plan only ends in tragedy. But thanks to Hopalong and Johnny, things appear to be going in the correct direction to save the boy. That is till one of the main characters get shot.

There is nothing real remarkable about the performance and at times it felt the film was lacking action. But near the end, all things come together to make a nice show. Plus it was nice to see Gabby Hayes return to the cast since he was killed off in the last film. But he might just need a re-write to make it to film three.

This is one of the best Hopalong Cassidy movies I have seen, and it is also most unusual for a Hoppy movie. Mainly it has a small narrow plot that drives the action every step of the way. The other Hoppy movies are more like epics with large forces of horsemen on each side; usually the bad guys slip up at the end which unleashes a furious battle of riders. Here it is more like a well-tuned detective mystery with every little discovery initiating a counter move.

On one side you have several bad guys, led by Big Henry, who murdered El Toro's (a famous retired Mexican bandit) son during a gold shipment robbery. They warn Gabby Hayes to stay quiet about the son and the gold passing their way, and in doing so learn that there was El Toro's grandson there who must have witnessed the murder-robbery and who has vanished. So the bad guys set about to locate the kid and kill him.

On the other side, Dolores, an honest dance hall girl, finds the kid in the woods. She decides to ask her boss, Big Henry, to help return the kid to his grandfather in Mexico, but before she can open her mouth, she overhears Big Henry discussing his part in the robbery-murder. So she hides the kid in the woods and writes a letter to El Torro to find her and get his grandson.

El Torro, on his way to Dolores, bumps into lawman Hoppy, saves Hoppy's life, and ends up giving Hoppy Dolores' letter so Hoppy will find the kid and bring him to El Torro (payment for saving Hoppy's life).

By now, Big Henry becomes wise to Dolores and kills her. Both the bad guys and Hoppy are looking for the kid. I won't say more about the intricate plot.

Other pluses for the movie: wonderful scenery and cinema photography; lack of comic side kick and cornball humor; and James Ellison as Hoppy's best sidekick.

This is a superior B westerns from the early career of cowboy superstar William Boyd, AKA Hopalong Cassidy. "The Eagle's Brood" was released in 1935. By the early 1950's when I was growing up, Hoppy had become an institution. As a child I often wore a Hoppy hat, a Hoppy neckerchief with a steer's head as a clasp, black cowboy clothes, a Hoppy holster and toy guns (with steer heads on the handles), and a pair of Hoppy boots. For some odd reason, I had a Roy Rogers lunch box for school. Maybe Hoppy's merchandising agent unintentionally left that money maker off his list. Hoppy who was twenty years older by 1955 than he had been in his first Hopalong Cassidy films, still looked the same. How did he do that?

"The Eagle's Brood" has a fairly simple story. Yet it is so well-written and directed that it holds the viewer's attention all the way. This early entry came out before the era of the singing cowboys. So there's no music to slow down the action. By 1935 background music was being used to enhance the action. In the first talky westerns, no music was used because the movie moguls didn't think the audience would accept hearing an orchestra playing in the middle of a wild chase or fight. Yet a live orchestra (or a piano player) was used during the silent years to increase the impact of the action taking place on the screen.

This outing, Hoppy and his sidekick Johnny (Jimmy Ellison) are out to rescue a Mexican lad hid out by Delores, a friend of El Toro, the boy's grandfather, who just happens to be a notorious outlaw, played with gusto by silent film star William Farnum. The boy witnessed the murder of his parents. Thus the ringleader, Big Henry (Addison Richards), is out to silence the lad permanently if he and his gang can find the hideout. Delores is shot by Big Henry when she refuses to divulge the hiding place. Hoppy and Johnny step in leading to a wild shootout in the hills.

Gabby Hayes was still just plain George when he appeared in "The Eagle's Brood," playing sort of a good bad guy as a bar tending lackey to Big Henry. He goes by the moniker Spike. Fortunately he decided in later films to use the name Gabby. Somehow Spike Hayes just doesn't sound right.

The early Hoppy had a romantic streak. When he meets a soiled dove named Dolly, Delores' friend, he flirts with her using the line, "You're a cute little trick," and buys her not one but two drinks while he quenches his thirst with sarsaparilla.

Ace Cassidy western. It's only Boyd's second of the series, so many of the later trademarks are not yet in place. Instead of "Hoppy", for example, he's called "Bill". Plus his first horse, a black one, tosses him into a swamp of quicksand of all places! Good thing he soon gets the trustworthy Topper. Familiar cohorts Hayes and Ellison are on hand to help, but not yet as a team. There're also a number of uncharacteristic twists I didn't expect, along with great mountain scenery you haven't seen a hundred times before.

Plotwise-- Cassidy is trying to get little Pablo back to his sometimes outlaw granddad, El Toro, before baddie Big Henry kills him. After all, little Pablo's seen Henry's gang kill his parents, so now he's hiding out in the mountains, thanks to saloon dancer Delores. But can she evade the killer gang before they find out, and can little Pablo survive in the wilderness.

Speaking of Delores (Woodbury), her opening scenes put her in the tightest bustle this side of Mae West. And catch Cassidy's many hard-eyed stares, proving he could go toe-to-toe with Eastwood any time. In fact, even though he's still a force for good, our hero shows a shifty side that soon disappears from standard Hoppy. Anyway, I'm still not sure what Bartender Spike (Hayes) kept trying to do with one hand. I think it was a roll-your-own cigarette, old style. See if you can figure it out.

Anyway, it's an unusual Hoppy, well staged and well worth catching up with, including more surprises than usual.

Pablo Chavez watches his parents killed by a band of outlaws who are after the elder Chavez' gold. Pablo runs away from the scene of the murder to get help and runs into Dolores, a dancer in the town's saloon, who hides Pablo in her cabin, and then goes to town for help from her boss, Big Henry, but when she arrives, she overhears that Big Henry was responsible for the Chavez murders. Dolores hides Pablo in a more secluded place and writes a letter to Pablo's grandfather, Pedro, who lives across the Mexican border as a notorious bandit known as El Toro,who rides to the saloon where Dolores works, En route he saves the life of Hopalong Cassidy (a county deputy), who was searching for the outlaw. El Toro begs Hoppy to let him go after his grandson, but Hoppy won't let the outlaw go across the US border. Instead, Hoppy agrees to go after the boy himself and rides (with fellow deputy Johnny Nelson, who have both turned in their badges) to meet with Dolores. Meanwhile, Big Henry learns that Pablo is still alive and can recognize the bandits and that Dolores is hiding him. Dolores is killed by Big Henry, right after promising Hoppy information on the boys' whereabouts. Hoppy gets a job as one of Big Henry's gun hands, thinking he can prevent Big Henry from making anymore attempts against Pablo, but the outlaws believe that Hoppy might be double crossing Big Henry and decide to take him out. A very gritty entry in the Hoppy series, with the character being less noble and more meaner than in the subsequent entries. Farnum is excellent as the former outlaw El Toro, evoking a lot of sympathy from the audience. Hayes gives another great performance as Big Henry's bartender who is trying to help Hoppy, behind his boss' back. Bretherton creates loads of action and suspense in this worthy entry. Many nuances Hoppy shows in the film (buying drinks for the ladies, rolling a cigarette, and his stern disposition) would disappear in the later films in the series. Rating, based on B westerns, 8.