Here Comes Cookie

The plot is thin but the casting is stuffed with major faces from the heydey of Vaudeville. For most of these performers, uncredited as they were, this is the only recording of parts of their act. Enjoy the silliness and pretend you're at Minsky's.

Here Gracie Allen excels. Her mind is delightfully mixed up and what she comes out with is completely wacky. She is an absolute scream and poor old George Burns is on the receiving end as per usual trying to make whatever sense he can out of it all.

Gracie is one of George Barbier's daughters. The other is Phyllis (Betty Furness) and she is engaged to a Hispanic - Ramon (Rafael Storm) - who is only interested really in getting his hands on Daddy's loot. (He is a millionaire). George (Burns) is Barbier's secretary. Barbier is at his usual blustery best and as a way of defeating Ramon's purpose - gives over his fortune to Gracie for 60 days so he can go to some remote place for a rest. Meanwhile Gracie has become interested in things theatrical and has turned the mansion into a flop house for out of work thespians. And, from there she is going to put on a show!

This is one of those madcap comedies where any sense of realism has to be chucked out of the window. All one has to sit back and enjoy, having many a laugh along the way.

Also in the cast is Andrew Tombes as "Botts" the butler, Jack Powell - a drummer who bangs his drumsticks on anything, not necessarily drums and a whole host of other variety acts.

I gotta admit up front that I am not a huge Burns & Allen fan. To me, their type of humor goes a long way and I can take them only in small doses. In light of this, it is a bit surprising that I'd watch a DVD with three of their films. My overall verdict isn't that different from what I expected and "Here Comes Cookie" is probably my favorite film of the bunch.

The film starts with a plot that makes no sense at all--and this set up is the weakest element of the movie because it is so contrived. A rich man, Mr. Allen, is frustrated at his one grown daughters. She wants to marry a man who obviously is a sleazy fortune-hunter--a man who wants to get a hold of the father's millions. So, to make this daughter less attractive to the sleazy Lothario, he transfers all his money to his other daughter, Gracie. Now considering that Gracie's IQ is 12 and she has the common sense of the Octo-mom, the idea of letting Gracie run the finances is pretty tough to believe. However, I must admit that some of the insane things she did were kind of funny...to a point. Instead of exercising common sense (???), Gracie turns her home into a boarding house for bizarre stage acts and wants to put on a show. Most of the acts are pretty lame, but I did enjoy watching the guy with the drumsticks--especially at the end of the film.

Overall, the film has some fun moments but also a few that fall pretty flat. Plus, combined with a dumb plot device, the film is probably not one to convert the average viewer into a fan of the comedy team. But, it's also harmless fun and worth a look if you like this sort of thing.

This was not the only time that Gracie Allen played screwball sidekick to another than hubby George Burns! As in this Paramount she marvelously is the comedy relief to George Barbier, In COLLEGE SWING (Bob Hope's first Paramount) Gracie ABSOLUTELY has Burns forgotten as she plays her Scatter brained character against that of Edward Everett Horton!!! THE TEAMING IS SO GREAT & PERFECT in such a teaming that Burns is delegated to that of Horton's straight man assistant & You Almost Forget About Him! Gracie & Horton are such a tremendously perfect pairing that one even forgets Hope, tho Martha Raye's loud antics can't help but keep you knowing she's in the cast!

Although billed as a Burns and Allen vehicle, it's actually George Barbier who has the main role and carries the weight of the comedy in this enjoyable, well-produced "B" movie. Not that I'm complaining. Barbier is not only more than equal to the task, he carries off more laughs than the dithery Miss Allen—who is delightfully partnered here not only by Barbier but by Andrew Tombes who makes the most of one of his largest and most ingratiating roles ever. George Burns has only a small role and seems to have been included in the cast simply to serve as an occasional butt for why-don't-you-marry-Gracie jokes.

Other players who register more strongly than Mr Burns include Betty Furness (as the daughter who comes to her senses), Rafael Storm (as the money hound), James Burke (as the fake swami), Syd Saylor (a credulous taxi-driver), and Harry Holman (a disillusioned crony).

As for the twelve (count them) vaudeville headline acts announced in the credit titles, we see only two (three if you count the fact that drummer Jack Powell is handed two bites), although five or six others flit by in the background.