Hop-a-Long Cassidy

"Hop-Along Cassidy" (aka "Hopalong Cassidy Enters") was the first of 66 features starring William Boyd as Hoppy. One of the most successful and best written of the "B" western series, it was to run from 1935 to 1948.

As written by Clarence E. Mulford, Cassidy was a crude, crusty ranch hand and definitely not intended as a Saturday Matinee hero. In fact, character actor James Gleason, who looked nothing like a hero was apparently first offered the part.

Boyd, who had been around Hollywood since the early 20s and had fallen from grace, ultimately was cast in the part. It was decided between himself and producer Harry "Pop" Sherman that Boyd would not play the character as written.

In this first entry in the series, Boyd plays the character with a few rough edges, all of which would disappear in future films. He starts out as "Bill" Cassidy but acquires his nickname "Hopalong" when is wounded in the leg and is forced to hop along with the aid of a cane.

The story involves two competing ranchers, Buck Peters of the Bar-20 (Charles Middleton) and Meeker (Robert Warwick) arguing over the open range land for their cattle. Meeker's foreman known as Pecos Jack (Kenneth Thompson) is behind a plot to set the two ranches against each other while stealing their cattle, changing their brands and selling them off for himself.

In this first entry in the series the traditional trio comprises Hoppy, Johnny Nelson (James Ellison) and Red Connors (Frank McGlynn Jr.). George Hayes by this time had evolved into the character he would play for the rest of his career. In this picture he plays a ranch hand named "Uncle Ben". Although still not using the name "Gabby", he would appear later in the series as the grizzled sidekick "Windy Halliday".

Also in the cast are Paula Stone as Mary Meeker, Ellison's love interest, Willie Fung as the Meeker's Chinese cook, who provides most of the comic relief, and veterans John Merton and Franlyn Farnum in other roles.

Charles Middleton would achieve some measure of fame as "Ming the Merciless" in the Flash Gordon serials. The character of Red Connors would be resurrected in the Hopalong Cassidy TV series of the 50s with Edgar Buchanan playing the part.

William Boyd made his screen debut as Hopalong Cassidy in Hop-ALong Cassidy. He was really William known as Bill Cassidy when he does arrive, but he gets wounded in a gunfight and limped a bit for the duration of the film. The guys in the bunkhouse called him Hopalong after he gave himself that nickname. Throughout the rest of the 66 films and TV shows we rarely heard his Christian name.

The plot is a standard western one, an outlaw gang stirs up a feud between the Bar 20 and a neighboring outfit owned by Robert Warwick. But it takes Bill Boyd to come up with the solution, aided and abetted by James Ellison whom he acquires as a sidekick.

Gabby Hayes is in this as Uncle Ben and he's the usual Gabby Hayes. He proved so popular that Paramount just resurrected him for the next few years before he left the series. Here as the chief villain guns him down it shows the Saturday matinée kids just how dastardly he is. Rather stupidly he leaves him to bleed out rather than finish him off. I guess Paramount did not want to shock the kids whose dimes to see the film and the subsequent series planned.

So Hopalong Cassidy becomes an American institution. Curiously enough Bill Boyd did a few non-Hoppy films after this before settling down into this character permanently.

It was a good beginning for an American institution.

"Hop-a-Long Cassidy" is the first appearance of this western hero. In all, William Boyd made 66 of these films and they tended to be among the better B-series films of the era.

When the story begins, there's some tension between two ranchers...to the point that you know sooner or later violence is going to break out and someone's going to get killed. Into this mess arrives Hopalong who has been summoned by one of the ranchers to help deal with this situation. What no one realizes is that one of the foremen is deliberately stoking fires on both sides...and while the ranches are fighting each other, the foreman and his henchmen are rustling their cattle! Fortunately, Hoppy is NOT a guy to jump headfirst into the problem and his slow, cautious approach is bound to bring answers.

This film is quite different from films from the likes of Gene Autry and Roy Rogers. This is no singing cowboy picture and it also is a good bit more violent than most of them as well...with a hanging, plenty of shootings and more! It all makes for a very exciting and more realistic sort of B-western. And, like a B, it runs at about one hour and is relatively low-budgeted...though it does sport an amazingly good cast for such an effort.

A range war is brewing between the Bar 20 and Meeker ranches, which is being caused by Meeker's foreman Anthony (who is in reality, an outlaw called the Pecos Kid), whose method is to have each ranch be accused at acts of rustling cattle or murder, then the two ranches will start a war against each other. In the meanwhile, Anthony's gang will round up all the cattle from the two ranches, change brands, and sell them at market. It's up to Hoppy, Red, Uncle Ben, and Johnny Nelson (who is a target for Meeker's hands since Johnny is sweet on Meeker's daughter Mary) to clear the Bar 20's name and round up the outlaws. The film is a very good entry in the opening film of the Hopalong series, but far from the best, since the action doesn't really begin past the halfway point of the film. Then on it's gets better building up to a great climax. Good performances by the cast (especially by Hayes as Uncle Ben, in a pre Windy Halliday role), but Thomson is miscast and ineffective as Anthony. Rating, based on B westerns, 6.

Hoppy returns home only to get caught up in a rustlers' sceme that involves his friends Johnny (Ellison) and Uncle Ben (Hayes) and even Buck (Ming The Merciless!).

Aces all around, from great rocky locations, to better than usual acting, to a really surprising twist. From all this I can see why the Hoppy series became so popular following this first entry. Also, note that handsome youngster Ellison gets almost as much screentime as Boyd, maybe to entice younger viewers.

Then too, looks like the producers were intent on a big send-off since there's no stinting on the hard-riding gangs, cattle herds, or sustained outdoor locations.

Moreover, catch the imaginative camera set-ups that make good use of the rocky spire and action sequencess. The plot may be a bit worn, but happily it's imaginatively mounted. Also, catch the standing tree trunk that suddenly becomes a bed, along with cutie Mary's (Stone) jazzy dress that makes her stand out at the dance. All good touches.

Anyway, there's likely no better actor among matinee heroes than Hoppy's Bill Boyd as this flick abundantly shows. Ordinarily, I don't rate matinee westerns, but among them I'd give this one a "10". So, for front-row matinee fans like myself, don't miss it.