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A lawyer impulsively marries a stranger after his fiancée dumps him.A lawyer impulsively marries a stranger after his fiancée dumps him.A lawyer impulsively marries a stranger after his fiancée dumps him.
- Director
- Writers
- Stars
- Awards
- 1 win total
Bill Elliott
- James
- (as Gordon Elliott)
André Cheron
- Max
- (as Andre Cheron)
Vesey O'Davoren
- Servant
- (scenes deleted)
Sam Ash
- College Club Guest Outside Bar
- (uncredited)
Brooks Benedict
- Waldorf Diner
- (uncredited)
Davison Clark
- Detective #2
- (uncredited)
Heinie Conklin
- Waiter at Marchand's
- (uncredited)
James Donlan
- First Detective
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Bette Davis, Ian Hunter in one of their 1930s love stories
Based on the play "Outcast" (from 1914, no less!), The Girl From Tenth Avenue opens by showing us a wedding invitation, and two gentlemen of the wedding party driving towards the ceremony. Then we see Miriam Brady (Bette Davis) and Geoffrey Sherwood (Ian Hunter) standing on a street corner, listening to the wedding that is taking place. Sherwood is drunk, and Miriam decides to take a personal interest in getting him into a restaurant, away from the wedding scene. Although WHY she does, isn't really explained... Davis had just made "Of Human Bondage", and was about to win the Oscar for "Dangerous"... good year for her! Viewers will recognize the landlord Mrs. Martin, played by Alison Skipworth; she made FOUR films with W.C. Fields. Next thing you know, Miriam and Geoffrey are married, apparently skipping a couple of the 12 steps Sherwood SHOULD be going through. There is a lot of talking in this story, as with most plays. It starts pretty slow, but picks up about halfway through. I wonder if this would have been a little more spicy if it hadn't been made right as the Hays Code was starting to be enforced. Davis and Hunter would make five films together in the 1930s.
Miss Davis Plays Another Of Her Ridiculous Potboilers Brilliantly
Katherine Alexander throws over wealthy Ian Hunter to marry richer Colin Clive, so Hunter goes on a pub crawl. Poor but honest Bette Davis goes on the toot with him to see how the better half drink and winds up married to him. She offers him back the ring and the marriage contract, but they decide to keep it going until he's done with her. After nearly a year, with her studying how the upper crust behave under the tutelage of ex-Floradora girl Alison Skipworth, Miss Alexander pushes her husband out and goes after Hunter.... and Miss Davis retaliates.
It's the sort of foolish role that Warner Brothers put Miss Davis in, which she handles in a straightforward and honest manner. Interestingly, two movies later, she would win an Oscar under the same director, Alfred Green.
The script obviously had something to say about the way men and men use each other, but that's lost in the final cut. Certainly, the cavalier manner in which everyone treats manner is a bit of a surprise under the Code.
Ian Hunter was one of those large, good-looking, competent actors, best remembered by playing Richard the Lion-heart and the only one of Jessie Matthews' leading men who didn't seem afraid of women. Born in 1900, he appeared in about ten silent films, played some leads in British films, then moved to the United States for a long stretch. He made his last movies in Italy in 1963 and died a dozen years later.
It's the sort of foolish role that Warner Brothers put Miss Davis in, which she handles in a straightforward and honest manner. Interestingly, two movies later, she would win an Oscar under the same director, Alfred Green.
The script obviously had something to say about the way men and men use each other, but that's lost in the final cut. Certainly, the cavalier manner in which everyone treats manner is a bit of a surprise under the Code.
Ian Hunter was one of those large, good-looking, competent actors, best remembered by playing Richard the Lion-heart and the only one of Jessie Matthews' leading men who didn't seem afraid of women. Born in 1900, he appeared in about ten silent films, played some leads in British films, then moved to the United States for a long stretch. He made his last movies in Italy in 1963 and died a dozen years later.
Bette Davis eyes
Bette Davis was 27 when she made "The Girl from Tenth Avenue" in 1935. She's very slim and pretty, and as someone points out on this site, she looks more realistic than Joan Crawford did in these roles because Warners was less concerned with glamor. Davis did some roles in the early days where she was glamored up, such as "The Man Who Played God" and "Fashions of 1934" where she looks very pretty. Even in black and white, those huge blue eyes of hers really pop. When I saw her in person when she toured with John Springer, who interviewed her on stage, that's the first thing you noticed. That and that she looked so much better than she did in most of her roles.
"The Girl from Tenth Avenue" is about shopgirl, Miriam, who takes pity on society drunk Geoff (Ian Hunter) whose ex-girlfriend Valentine (Katharine Alexander) has just married someone else. Miriam marries him, and the two are happy, and he's sober, until Valentine tosses her husband (Colin Clive) out. Then she tears after Geoff. Since Miriam is from a different social class and self-conscious about it, she feels threatened.
Predictable class-conscious drama with nice performances. This is early Davis, before Warner Brothers realized that she was a forceful actress. It would be a couple of years yet before she hit her stride. Alison Skipworth provides the comedy as Mrs. Martin, who tries to counsel Miriam through her troubles.
Primarily for Davis fans.
"The Girl from Tenth Avenue" is about shopgirl, Miriam, who takes pity on society drunk Geoff (Ian Hunter) whose ex-girlfriend Valentine (Katharine Alexander) has just married someone else. Miriam marries him, and the two are happy, and he's sober, until Valentine tosses her husband (Colin Clive) out. Then she tears after Geoff. Since Miriam is from a different social class and self-conscious about it, she feels threatened.
Predictable class-conscious drama with nice performances. This is early Davis, before Warner Brothers realized that she was a forceful actress. It would be a couple of years yet before she hit her stride. Alison Skipworth provides the comedy as Mrs. Martin, who tries to counsel Miriam through her troubles.
Primarily for Davis fans.
Bette Davis before Warner Bros. gave her good roles...
Strictly for die-hard Davis fans.
She's a shop girl from the wrong side of the tracks who meets lawyer IAN HUNTER, on a drunk bender, and decides to restore him to his better self on the spur of the moment. Once he's reformed, she has a struggle trying to keep him from former flame KATHARINE Alexander. (For some reason, my computer refuses to put "Alexander" in caps). It's not a typo.
It's a trifle, the kind of film Davis would come to detest in that it was nothing more than a routine melodrama with some comedy interludes from ALISON SKIPWORTH as a landlady who wants to spruce up Bette's ability to mix with IAN HUNTER's society friends.
Made worth a look only for Bette Davis' performance. She's trim, blonde and almost pretty with those Bette Davis eyes lined with mascara. Unfortunately, it's a weak script with a predictable ending. COLIN CLIVE has little to do but he does play a good drunk scene.
TCM is showing this as part of their Depression-era films.
She's a shop girl from the wrong side of the tracks who meets lawyer IAN HUNTER, on a drunk bender, and decides to restore him to his better self on the spur of the moment. Once he's reformed, she has a struggle trying to keep him from former flame KATHARINE Alexander. (For some reason, my computer refuses to put "Alexander" in caps). It's not a typo.
It's a trifle, the kind of film Davis would come to detest in that it was nothing more than a routine melodrama with some comedy interludes from ALISON SKIPWORTH as a landlady who wants to spruce up Bette's ability to mix with IAN HUNTER's society friends.
Made worth a look only for Bette Davis' performance. She's trim, blonde and almost pretty with those Bette Davis eyes lined with mascara. Unfortunately, it's a weak script with a predictable ending. COLIN CLIVE has little to do but he does play a good drunk scene.
TCM is showing this as part of their Depression-era films.
The 27 Year Old Bette Davis
She had no sex appeal and was as interesting to watch as paint drying on a winter's day. This is just the opinion of Universal International. Warner Brothers and RKO saw her differently because she garnered academy awards for them.
Did you know
- TriviaThe original play opened in New York on 2 November 1914.
- GoofsWhile drinking with John at the College Club, Geoffrey fills his glass in three successive shots without drinking the previous contents.
- Quotes
Geoffrey Sherwood: Now I'm in oil.
Hugh Brown: So is a sardine.
- ConnectionsReferenced in Fat Chance (1981)
- SoundtracksBridal Chorus
(uncredited)
from "Lohengrin"
Music by Richard Wagner (1850)
Played on an organ before the wedding
Details
- Release date
- Country of origin
- Languages
- Also known as
- Men on Her Mind
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 9m(69 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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