The Littlest Rebel

Was there ever such a talented little kid as Shirley Temple? She could act, sing, dance and steal scenes with the best of them. Singlehandedly, she saved 20th Century Fox from bankruptcy during the 30's and made ordinary potboilers box office successes, such as "The Littlest Rebel". Submitting to such scene larceny here are John Boles, Jack Holt and Bill "Bojangles" Robinson, who gave her competition in several dance sequences.

This picture is set in Civil War South, and steps lightly through the minefield of the racism of slavery. Not sure if this picture could be made today, as racial tensions have been stewing since the Civil Rights Act of 1965, but this was 1935, and audiences had a better historical sense than is found nowadays. Just watch and enjoy the entertainment phenomenon that was Shirley Temple, Hollywood's all-time greatest scene-stealer.

6/10 - Website no longer prints my star ratings.

I just finished watching this film with my 7 year old daughter and I am utterly astonished at this young girls gifts. Being a "Mr. Mom", I have come to know what a little girl is capable of, mine as well as neighborhood children, and I can say that young Shirley was far more than just exceptional in many ways. This film certainly puts her to the test and she comes through with flying colors. Her beauty is captivating and her natural charm is startling. Her line delivery is perfect. When faced with bad news, watch as she slowly girds herself to receive it. It's as though she truly believes it herself and cannot contain her emotions. When tears finally fly, it's hard to not want to reach through the screen and comfort her, especially when she is pleading her case to President Lincoln.

As a professional musician I am astonished at her near perfect execution of complex syncopated dance routines with Bill Robinson. It is evident that she is really having fun during these numbers and surely was an attentive student. When she sings, her voice, although not a trained voice (thank goodness) is right on pitch. It is a natural, pleasant voice, free of any coaching. She really sings the lyric, (something that most "pro" singers could stand a lesson in) and not just the song. I never really stopped to listen to "Believe me if all these endearing young charms" but her non-treatment forced me to hear it. It's a very touching song.

How I would enjoy a chat with her to pick her brain. She really was a "perfect storm" as child stars go and I will certainly be screening more of her films....for my...AHEM...daughter, of course.

I almost believe Shirley could end a war single-handed. Not the entire war, of course, but a few regiments from each side, camped across a creek from each other, going over their plans for tomorrow's battle... but wait! What's that noise? Why, it sounds like singing! And tap dancing! Then from out of nowhere, floating down the creek on a raft is little Shirley herself, singing 'Those Endearing Young Charms' in her prettiest dress, a pink bow in her hair. Hooray! shout the rebs, Hooray! shout the yanks! The generals from each side wade out to meet her and carry little Shirley off on their shoulders to the White House where an oddly blond-bearded Abe Lincoln asks her help in ending the war, reconstructing the south, appeasing the slaves, preventing his own assasination, working things out with Mary, and sobering up Grant. Accomplishing this in less time than it takes to curl her hair, our three-foot heroine bids a tearful farewell to America and sails to Germany, where she charms the baby Kaiser out of starting World War I.

This was the first Shirley Temple movie I ever watched (on VSH....hey, I'm not THAT old) and I still consider it one of her best.

That's because it has a great mixture of drama, comedy, song/dance and suspense. Almost all the characters are likable. The two dances scenes with Temple and Bill Robinson are excellent....a joy to watch. I don't know if Shirley ever looked cuter than in this film. She runs the gamut of emotions in here quite frequently.

The 74-minute story never has a lull. John Boles and Karen Moreley are people you root for, Willie Best provides good comedy and there is a surprising amount of suspense.

Overall, however, this is simply a sweet, sentimental film that leaves you feeling good after watching it.....and what's wrong with that?

The thing which is racist about the film is not that it sets out to show anything evil about the black people - Shirley seems to be quite fond of her slaves, unless of course they do something wrong - but in the subtle way it suggests there was nothing wrong with the situation the Deep South was in before the civil war.

The black people are not only less intelligent than the whites (notice the girl so dumb she can't even remember a single line her mother told her to memorise to impress the young white child star - or perhaps she's just so nervous in the presence of the superior species that she can't remember), but they're completely happy being enslaved.

They absolutely love being told what to do by the six year old landowner's daughter, and the neighbourhood slaves just wait around for young Shirley to lavish some attention on them.

The thing I most regret about the film was that they forced the blacks to dance and entertain their white hosts like a bunch of chained elephants or circus freaks.

Its always a bad sign when the civil war is portrayed as a distruption to the desired state of affairs, as it is here and in Gone with the Wind.

1/5

Only youngsters, who don't yet understand that the only difference between white folks and black folks is skin pigment, which only evolved from a group of people living in an ultra-sunny climate for years, will be able to enjoy this film. But perhaps its better for society if you don't show it to them - the young are so impressionable, after all.

UPDATE: Can I point out that I've noticed people don't like this review, and I'm not surprised; its intentions were so innocent, it feels a shame to accuse it of causing offense, but unfortunately, I'd still suggest this one not be shown to impressionable kids for the reasons I have outlined above.