Phantom Ship

I had always been interested in checking out this seafaring thriller due to Bela Lugosi's involvement; still, now I can't help feeling that the over-age star was miscast in the role of a hapless 'old man of the sea' who bears an Ahab-like grudge against the "Mary Celeste" and is also something of a religious fanatic (the inspiration for this was, perhaps, Boris Karloff's impressive turn in John Ford's desert adventure THE LOST PATROL [1934]). That said, his final descent into madness (uncommonly vicious for the time but, then, the film is based on a factual incident!) is fairly well handled.

Ultimately, however, the British-made picture fails to rise above its 'quota quickie' status - Lugosi himself fared much better with the later DARK EYES OF London (1939) - and can't honestly compare with the similar Val Lewton-produced THE GHOST SHIP (1943); moreover, it is fatally compromised by the director's baffling decision to keep much of the central action off-screen (either due to budgetary limitations or he must have been an admirer of Tod Browning)! Considering some of the choppy editing involved, though, I'm inclined to believe the film's official length as given by the IMDb - i.e. 80 minutes, rather than the 62-minute version I saw (culled from the Image DVD).

There's also the insipid - but mandatory - romantic interest to contend with here, to say nothing of various songs by the leading lady (with piano accompaniment) and an organ-playing sailor, which are a chore to sit through...but the latter musical instrument's come-uppance at the hands of the angry first mate does provide some unintended hilarity!

P.S. Though it hadn't been officially named as yet, the company that made this film is actually Hammer Films; as a matter of fact, I first came upon PHANTOM SHIP (under its original title of THE MYSTERY OF THE MARY CELESTE) via a still in an article about the famed British "House Of Horror" in an early 1980s periodical...

While this isn't the greatest film in history, the Marie Celeste is a puzzle and it's fun watching her self-destruct. Lugosi showed some real chops in this film. Not long after Dracula, we get to see him play a character who is filled with vengeance and fury. Lugosi makes him a really sympathetic person who has obviously been wronged and has seemingly given up on life. The relationship of the captain and his wife on board this strange ship is a bit strained. Why would he do this? Also, there has to be a reel missing from this film. There are a couple of deaths that simply happen but we aren't privy to them. I've always enjoyed the claustrophobic milieu that is a ship, no escape available for anyone, and this one uses that closed in atmosphere pretty well. Still, it is pretty unsatisfying at times.

A crew set out to sea on the Mary Celeste, circa the 1870's, only to face foul weather, mysterious motives, and murder. The odds are stacked against them as all sorts of seafaring bad luck omens pop up, from 13 crew members, to a black cat onboard, to a woman (Shirley Grey) on the ship. Also starring Bela Lugosi as a crazed one-armed sailor and Arthur Margeston as the square-jawed captain

No one knows what occurred on the real Mary Celeste, which was found adrift with all crew missing. The storyline that the film concocts is silly and lurid, and only vaguely entertaining. Lugosi, who looks terrible, hams it up uncontrollably, and his accent is so thick that his voice is dubbed near the end when what he says is important. This was only the second film produced by Hammer, which 20 years later would become synonymous with British horror.

This movie has recently been released as a cult classic for $1. Yes, ONE dollar. Didn't come in a standard DVD case, but a thick card-stock 'envelope'. It's packaged as 'Phantom Ship'. I couldn't pass that up and quickly added it to my collection...

The movie was of surprisingly good quality. Usually movies from this era (mid 30's) suffer from static and there is difficulty understanding the dialog at times because of the bad sound quality. Visually, the sets were extremely realistic and detailed. You could tell when the occasional stock footage was used, but it fit well with the movie.

The story is based on an possible answer to the mystery of the Mary Celeste. The Mary Celeste was a sailing ship loaded with 1,700 barrels of alcohol that left New York on November 7, 1872 bound for Genoa, Italy. On board were the captain, his wife, their young daughter, and a crew of eight. The ship was later found drifting at sea - no one on board.

The movie seems to deviate from the story in that the captain is single and has his fiancée with him. There is no daughter. One by one, people start to disappear as the crew realizes there is a murderer aboard the ship. The writer tried to build up a cast suspects.

Was it the crew member sent by the captain of another ship who had also proposed to the captains fiancée? When he sent that crew member on board, he told him to do whatever he needed to do...and maybe he could be a second mate someday.

Was it the sadistic second mate on the Mary Celeste? He seemed to love beating and torturing people.

Maybe it was one of the shanghaied (kidnapped) members of the crew. One of which threatened to kill the second mate and made it clear he was going to get even.

Maybe Bela Lugosi's character. A man who had been shanghaied years before on the Mary Celeste and wanted revenge for the brutality he had suffered.

One by one, people were killed. Each time the remaining crew would grow more paranoid and suspicious. I must confess that I was never quite sure who exactly was guilty until the very end. There were just too many possibilities. This made the movie unpredictable and enjoyable. The acting was superb throughout. The interaction between crew members and the atmosphere were extremely well done.

I would recommend this movie to anyone who enjoys a scary mystery, any Bela Lugosi fan, or anyone who enjoys movies from the 30's.

Hammer Film Productions is famous for the production of Gothic horror during the 60s and 70s; however, way before becoming the legendary horror house, the company had a brief but brilliant encounter with the genre. The film was an ambitious entry in the horror/mystery genre starring horror icon Bela Lugosi and based on the famous case of the abandoned ship, the "Marie Celeste".

"The Mystery of the Marie Celeste" (or as it is known in the U.S., "The Phantom Ship") presents a fictional theory on the mysterious disappearance of the entire crew (complete with the captain's family) of the tragically famous ship. The plot deals with a mysterious murderer who is killing the crew one by one. Arthur Margetson is Captain Benjamin Briggs, who is taking his bride Sarah (Shirley Grey) in his tragic last trip. The crew includes Bela Lugosi and Edmund Willard among others, all of them possible victims, or killers.

The film is very well done for a low budget, and it is very well written, with very interesting characters and a perfectly crafted mystery. Sadly, several minutes of film were cut for the American release and it's the only version that has survived. The original British version (with a runtime of approximately 80 minutes) is apparently lost. The movie still works with the cuts, but one is left to wonder how deep the development of the characters was in the original.

Director Denison Clift had a small career as a director (he was primarily a writer), but he manages to create great atmospheres and builds up the suspense and the mystery with good care. Clift focuses more on the story than in the visual composition and lets the actors do the trick, they are without a doubt the film's highlight. The superb performances of the cast give life to the story and make the experience even more enjoyable.

Arthur Margetson is very good as the stubborn and stoic Capt. Briggs, but Shirley Grey is a bit weak as the romantic interest (contrary to the real story, in the film the couple has no children). Edmund Willard and Bela Lugosi steal the show, the first one as the violent Tobey Bilson, and Lugosi as the mysterious Anton Lorenzen. The two of them give outstanding performances and are the soul of the movie. While Bela Lugosi will always be remembered as Dracula, is in this movie where he can display his dramatic talent in a very demanding role as the emotional Lorenzen.

The film feels claustrophobic at times being that the only location is the ship, but this adds to the feeling of paranoia and suspense that grows among the crew. The lack of flamboyant visual imagery may turn off horror fans not used to the slow pace of older films but the films moves at a perfect rhythm. Another small flaw is that the rest of the cast is at times either unconvincing or over-the-top; however, Lugosi, Willard and Margetson make up for this.

While "The Mystery of the Marie Celeste" is not the classic film that "Dracula" or "White Zombie" are, it is a fine film that successfully mixes horror and mystery and displays the great talent Lugosi had, a talent that was sadly forgotten and went underused during most of his career. This film is an often forgotten shiny spot in the stories of both Lugosi and Hammer Productions, and therefore a must-see for anyone interested in Lugosi's life or in Hammer's history, as it is probably the finest performance of an iconic figure. 8/10