The Nitwits

Johnnie (Bert Wheeler) and Newton (Robert Woolsey) are best friends who own a cigar shop. Newton invents a shocking lie detector. Johnnie has a crush on Mary Roberts (Betty Grable). Mary's sleazy boss Winfield Lake needs a 'murder song'. Wannabe songwriter Johnnie with Newton's help write a song about a murderous Black Widow. Unbeknownst to them, Winfield is actually being threatened by blackmailer Black Widow. His wife forces the cheapskate Winfield to hire private detective William Darrell.

Ok! I laughed hard at nothing rhyming with oranges. That's a great joke. They do keep bringing it back for the diminishing returns. Maybe they should have given it to Wheeler. This comedic pairing is not making me laugh a lot. They are mildly amusing at times. This movie is mildly amusing at times. Take the cop hat for example. It's a slow meandering joke that isn't all that funny until Johnnie comes back with it. It feels like a long walk to get to one good laugh. That's this movie.

The Nitwits puts Wheeler and Woolsey into a murder mystery and as you can imagine, they manage to cause havoc as usual. Betty Grable is on hand as Bert's love interest but she doesn't do much beyond one number they sing together early on. Most of the film is took up with daft murder and chase stuff, one or two set pieces working really well but the film isn't as snappy and fun as some of their earlier work.

The director, George Stevens, went on to direct the likes of A Place in the Sun and Woman of the Year, but this early effort shows what he was up to in the first 15 years of his long career.

The first time I seen this film, I literally laughed myself sick! This film is many, many different types of movies rolled into one. You can call is a mystery for the who done it, science fiction for the speak truth machine, crime drama for the gangster activity, musical for the songs, thriller for the spooky scenes in the dark, love story for the scenes between Bert Wheeler & Betty Grable and of course, a comedy. The only catagory it wouldn't fall in is a western. This film has all the elements of the true classic comedy. It has the classic slap-stick which is extinct now-a-days. The scenes w/ Arthur Treacher as the poor victim always encountering the boys on the steps is this rare extinct form of comedy . I love it when they throw his tennis balls and land right in the cop's mouths. The scenes toward the end are also great. It's especially funny when these poor colored chaps try to have their crap game and end up having the bejesus scared out of them. They end up being chased by everyone else. This film is non-stop fun and unlike modern films, it is completely free of foul language & sex. Only a little bit of mild violence which I wouldn't be afraid to show even to small children. This is a film that will make time fly. It is total fun from start to finish. I would recommend this film to everyone except those of who who have a bad heart; they may laugh themselves dead!

Little-known team (today) of Wheeler and Woolsey were the first comedy team of film at this time, having made almost a dozen movies by 1935. Betty Grable makes a lengthy appearance here. The movie is not bad for 1935 tomfoolery, although it could benefit from some intelligent editing.

The film definitely goes on the "watchable" pile simply for the sake of its early slapstick continuity and the fact that this comedy team was so prolific in the early days.

Whether or not this type of comedy tickled your funny bone is entirely another matter (I don't think it's funny, for example, but many people will.)

It's got to be said that Wheeler and Woolsey are an acquired taste! Popular during the 30s, their brand of humour hasn't dated very well. I can see the camaraderie between the team but they aren't necessarily likeable. "The Nitwits" film is a typical example of this. The story is occasionally enlivened by a few good gags, effective cinematography and a fast-moving climax where everything is used - including the kitchen sink, literally! Murder is afoot and our hapless heroes are unwittingly caught up in it - naturally. But the slow pace, lack of background music and the film being restricted to a few sets are considerable handicaps. A running time of 81 minutes is too long for me. 60 to 65 minutes is plenty.