Mississippi

a nice film about South. beautiful music, high class cast, humor and honor. in fact, a wonderful work because it has charm and courage, a new manner to present delicate problems, a brilliant Bing Crosby, magnificent performance by W. C. Fields ( sure, that could not be a real surprise ) and a wise director who does more than honorable job. the mixture of naivety and ironic picture of society, the fight scenes and the cards play scene, the songs and the air of lost world, soft, bitter and refreshing are pillars of a film who , at second sigh, seems be more than a classic but image for a state of soul. a nice movie. but only at first sigh. because, after a short time it becomes a kind of experience.

Mississippi is truly a wonderful movie, Fields or otherwise. Foremost is the music itself and the wonderful depiction of the old south. Crosby's singing is delightful, and, in fact, many people felt he'd stolen the movie from Fields upon its release. Field's humor is great with many wonderful bits. Blowing cigar smoke, for example into the barrels of unshot guns to show he was the one who fired is truly wonderful. The tone of this movie is so light and airy, and the love for the subject matter is so apparent that it adds an additional dimension to a movie that can stand strongly on its own. The love story might be viewed as sappy by our current sensibilities, but, given the time, it is lovely to view. The Singing Killer indeed!

I haven't seen Mississippi in years but would buy it if released to video. Sometimes less is more and that is the case with W.C. who is hilarious in a supporting role. I suspect the movie would raise the PC bar higher than it's owner cares to leap, but if you get a chance to see it and you are a Field's fan it is well worth the time.

I loved this film when I saw it on TV as a child, and remember tape recording the sound track and listening to it over and over again. Crosby's voice is resonant and powerful, while still retaining the intimate crooner aspect that made him famous.

I love W. C. Fields, who does some of his best bits ("Women are like elephants. I like to look at them, but I wouldn't want to own one"), and isn't as boozy as he later became. Everything works here, but the underlying racism is disturbing. There is a sort of Steppin' Fetchit character who is slow and drawly, and the Cabin Kids are referred to as pickaninnies. Maybe this is why I only saw it once in about 1967, and never saw it again on TV.

I did just snag a DVD on EBay, but from the look of the primitive cover, and no label at all on the disc, I think it's bootlegged. It's watchable, but not really a good copy. I think there was a commercial disc many years ago, but it's out of print. I hope Turner Classics shows it, as in the past they've shown films with racist content in context, with commentary by a black sociologist. These references may be cringe-inducing, but they are also extremely revealing of a social climate that went uncriticized.

I've seen this about twice, but many years ago. Perhaps a corny, old fashioned melodrama, but you get the combination of a very young Bing Crosby singing sweetly, and a very funny W.C. Fields. In one scene, Fields' character is setting in the Cabin bragging (telling lies,of course) about his exploits as an "Indian Fighter". A "Cigar-Store Indian" is being carried along the deck, and as it passes his window, he does a double-take, and proclaims: "Of course now, the Red Man and I have smoked the pipe of peace". I believe that circa 2001 some people find this racist. I felt that scene actually MADE FUN of his blustering attitude, and gave all people of good nature a laugh on the character.