Paradise Canyon

For fans of Lone Star-Wayne only. It's a pretty slender installment from our friends at Paul Malvern's production company. Wayne's an undercover G-man on the trail of counterfeiter Yakima Canutt. On the way he hooks up with medicine man Doc Carter (Hodgins) and his sloe- eyed daughter (Burns). We see a lot of the medicine show and some of it is a hoot—The Texas Two whose down-home ditties are memorably corny. But reviewer Chance is right: Hodgins takes up too much screen time for a brief 50-minute feature. Too bad producer Malvern didn't pop for a location shoot at scenic Lone Pine. That would have compensated for a lot. Instead, the boys have to ride around the scrubby un-scenic outskirts of LA. He did however pop for a well-staffed chase scene at the end. Then too, there is the usual hidden hideout that fascinated Front-Row kids like myself, along with a dramatic plunge off a cliff. But the sum-total is rather plodding and not up to the usual high-action standard. (In passing— sorry to say I counted 3 "trip-wire" induced falls, which make for a dramatic tumble of horse and rider, but is unfortunately often fatal to the horse. Happily, these stunts were eventually banned. On a more upbeat note-- for a really entertaining look at how these Saturday afternoon specials were made, catch Hearts of the West {1975}.)

This is really just a rehash of half a dozen other plots written by Robert Tansey, and not even the charisma of the Duke can rescue it from mediocrity. Here he is "Wyatt" leading an US government investigation into a counterfeiting ring on the border with Mexico. He teams up with "Doc. Carter" (Earle Hidgins) and his daughter "the Princess" who run a medicine show - not sure if they may or may not be involved. There are plenty of frame-ups, doubles crosses and even some Federales as Wayne soon gets on the trail of Yakima Canutt ("Curly Joe") so now we know to expect some fun rough and tumble. It's fine, this - just nothing at all to mark it out as in any way special.

John Wayne and a couple of reasonable action scenes are about all that keep this B-Western afloat. The plot is mildly interesting, with Wayne working undercover trying to break up a counterfeiting ring. But it strains credibility a little too often, and the goofy medicine show settings, while occasionally amusing, cause at least one too many groans. The action scenes are OK, thanks to Wayne and Yakima Canutt, who plays the bad guy. Wayne was still progressing as an actor himself, and would later have much more of a screen presence, but he was obviously above most of the material in this movie. The film itself is really only interesting because he was in it, and it gives you reason to be thankful that eventually he was given a chance to move on to better things.

I agree with all the positive reviews but I do have the original movie and some idiot(s) have removed all the original soundtracks and have substituted some truly ghastly, awful music - all the same for the those '33-'35 Westerns.

My advice? Watch and listen to the real originals on your IMDb/computer and not the rubbish that is being played on Encore/Autry Western station. For fans of the original movie(s) the changes made to the music are absolutely offensive.

The old John Wayne westerns-before STAGECOACH are terribly important because they always pursue the ethical and attempt to do the right thing. Law and order is understood to be clear cut. Whilst we have been in this day and age, encouraged to see all sides of an issue, when evil is clearly defined-which it was in the John Wayne westerns, there was the feeling, that right MUST triumph and if John Wayne was starring, you knew it would be-because it was his mission to ensure that right was the result. Trivial in a career? No! Wayne didn't compromise his values.

Thank heavens he always sought to portray a good guy in his later films as well. He set a great example for us all. Just a footnote: When I attended law school as an older adult, I was the only student to pass a legal ethics class taught by a judge! It was thanks to those principles taught by Wayne, Wild Bill Elliott, Roy Rogers, Gene Autry, et. al., that I think gave me that remarkable A!

While I admit that having the same music for all of John Wayne's Wild West movies from 1933-1935 is somewhat tiresome, the movies themselves are really great. On critic complains that the heroine in Paradise Canyon wears modern dress, and the medicine show drives a model T type truck with a homemade trailer attached, I think this indicates that the movie is set in the twenties and not the 1890's. Also the villain is Yakima Canutt who is never boring, at least to me. Modern movies could take a lot of pointers from these old ones. I love the humor, romance, fantastic horseback riding and stunts, and the gorgeous scenery, even if it is black and white. I highly recommend all of these early movies featuring John Wayne. And don't miss "The Big Trail" from 1929 either!!!!! WOWEE!!!