Ruggles of Red Gap

"Ruggles of Red Gap" is the kind of comedy film that is rarely made by Hollywood anymore: a film with the emphasis on characterization without the cheap and obvious jokes of today's films. The plot is a good one. The services of a third-generation English Butler (Charles Laughton) are won in a poker game to an American couple (a very funny Charlie Ruggles and Mary Boland) who reside in Red Gap, Washington. Ruggles' former employer, Lord Burnstead (a fine Roland Young) reluctantly gives him up to the couple but assures him that he will come back for him as soon as possible. Once in America, however, Ruggles gets a newfound sense of freedom and after being inadvertantly fired by the uncouth American couple, decides to open up his own restaurant with the help of a widow (Zasu Pitts) who he has much affection for. The movie was nominated for Best Picture and the performances are outstanding, particularly Charles Laughton as the butler/servant who sees freedoms and opportunities in America that he never would have had if he remained in England. The standout scene in the movie is when Laughton is in a local Red Gap bar and someone mentions Lincoln's Gettysburg Address. When no one in the bar can seem to remember what Lincoln said, Laughton (the Englishman)recites the speech in its entirety with enough emotion and dramatic flair to bring tears to one's eyes. The underlying theme of the movie is basically about Anglo American relations and the common ground and friendship between both nations. This is a "must see" for anyone still interested in how great Hollywood was in its heyday, and particularly how wonderful and original the comedies were in that early and Golden Age of film-making.

Some pretty good reviews have been turned in so far. I recommend "All's Right With the World" (telegonus from brighton, ma; 16 August 2002). Also, jayjerry regards it as "My All-Time Favorite" (jayjerry from Burbank, CA; 2 February 2007).

In "Making Your Way In A New World" (bkoganbing from Buffalo, New York; 6 October 2006) we get good background on Charles Laughton's personal interest in the story. In "For He's a Jolly Good Fellow" (lugonian from Kissimmee, Florida; 18 December 2010) we are provided the film history of the story.

In "What did Lincoln say at Gettysburg, anyway?" (theowinthrop from United States; 20 May 2006) we get criticism of the pacing of some scenes, along with the gags that don't entirely work.

"Ruggles at Red Gap" starts out as a (not laugh-out loud) comedy about manners. As the story moves from Paris to the Western US, it acquires great depth by way of Laughton's extraordinary reciting of Abraham Lincoln's "Gettysburg Address" to a saloon filled with cowboys who can't recall a word of it.

As freedom and liberation emerge as new themes, love also arrives. Laughton's Ruggles (convincing as a heterosexual) finds a widow (Zasu Pitts as Mrs. Judson) with whom a restaurant adventure is undertaken. Among the first patrons of this restaurant is his former Parisien employer (Roland Young as the Earl of Burnstead) who has found a very charming Washington socialite (Leila Hyams as Nell Kenner).

Acquiring richness until the satisfying finale, "Ruggles at Red Gap" should be regarded as among the best films about Americana. Three scenes are standouts: Laughton's exceptional Gettysburgh recitation, Roland Young's musical flirting scene with Leila Hyams and the restaurant sequence climaxed by a rousing finish.

Laughton's transformation from a dour and proper man servant to a more popular figure comes with the help of two instigators; i.e., wealthy ranchers Egbert (Charles Ruggels; yes that's confusing) and Effie Floud (Mary Boland). Egbert is a particularly corrupting influence on Ruggles by introducing him to drink and repeatedly insisting that they both share the same class.

Each cast member is superb. Leo McCarey is very interesting visually. Note how in this cinematic period how few closeups there are; how often there seems to be a bit much space above characters heads and how far away a group stands from the viewer's perspective, as if seen from a stage.

In real life in Washington State (around 1908) there probably would be more than one enemy for Ruggles to contend with; for being out of place, foppish, proper, literary and theatrical. As with many of the other films from the 1930s, common people are depicted idealistically.

Somehow McCarey made this beautiful, rich and rewarding commentary about liberty, finding love and gaining acceptance before he appeared as a friendly witness to the House Committee on Un-American Activities (HUAC) witch hunt. This is not explained by "Ruggles."

It's my favorite movie. I love it beyond all reason. I have it on VHS (need DVD NOW!) as well as a still reproduction of Charles Laughton in the title role. I named one of my cats Ruggles. In other words, my recommendation is high! That said, I don't want to oversell it. While it contains some admirable themes about throwing off tradition and becoming your own person, it's above all a charming character comedy distinguished by Leo McCarey's signature style of improvisatory naturalism (particularly in comparison to the usual run of mainstream fare). Jean Renoir's famous quote about McCarey being one of the few directors who understood human beings (or words to that effect) is made clear here.

While there's plenty of broad humor, my favorite scenes involve smaller, character-centered moments, such as the sly little courtship scene in which a piano-playing Leila Hyams coaches a smitten Roland Young as he attempts to accompany her on drums.

It's full of colorful characters, priceless dialogue and emotionally involving story arcs. Seek it out -- if you like it one-tenth as much as I do, you'll consider your time well spent.

"Ruggles of Red Gap" is one of Leo McCarey's greatest masterpieces, a witty and trenchant commedia dell'arte, based on a 1915 play by Harry Leon Wilson. It stars the charismatic Charles Laughton as the well-mannered, eccentric English manservant Marmaduke Ruggles who is hilariously Americanized in an American Wild West town of Red Gap, Washington. Ruggles is the devoted servant of the Earl of Burnstead, George Van Bassingwell (Roland Young), who unfortunately loses his efficient servant in a poker game to a wealthy American cattle baron Egbert Floud (Charles Ruggles). Marmaduke leaves his master and moves to Red Gap, where he opens a restaurant and learns to admire the wild west and American mannerisms.

Charles Laughton is nothing short of perfection in one of his wittiest and warmest roles. His extraordinary recital of Lincoln's Gettysburg address to a barroom of speechless cowboys, along with Roland Young and Leila Hyams hysterical rendering of "Pretty Baby," is unforgettable. A must-see!

I thought I saw everything until I saw Charles Laughton do comedy. His range is phenomenal. In one film he is playing Captain Bligh, and here he plays a shy, insecure British butler who ends up out west. Some scenes, although subtle, are hilarious. Laughton, besides being an actor, gave performances in oral reading and recital. Here he does a recital of the Gettysburg Address that is just fantastic. I mean, who would think something every grade school kid had to memorize could be moving. But it is. This movie is for anyone who really appreciates a truly gifted actor.