A successful crooner who doesn't want to join the Navy decides to prove to his father, a Navy admiral, that he has what it takes to make it in the fleet.A successful crooner who doesn't want to join the Navy decides to prove to his father, a Navy admiral, that he has what it takes to make it in the fleet.A successful crooner who doesn't want to join the Navy decides to prove to his father, a Navy admiral, that he has what it takes to make it in the fleet.
- Awards
- 1 win total
Ernie Alexander
- Radio Fan
- (uncredited)
Joan Barclay
- Song Spectator
- (uncredited)
Eleanor Bayley
- Song Spectator
- (uncredited)
Frederick Burton
- Adm. Fred Graves
- (uncredited)
Mabel Colcord
- Cowboy's Mother
- (uncredited)
Ronnie Cosby
- Boy in Dance Class
- (uncredited)
Virginia Dabney
- Song Spectator
- (uncredited)
Gloria Faythe
- Song Spectator
- (uncredited)
James Flavin
- Instructing Officer
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
first movie i ever saw in person. i was very impressed and, although only five, i was ready to enlist in the navy. i have seen it several times since then and still think it is a good movie. although some might think it dated and anachronistic it still has a good deal to say about duty and honor. those things are in short supply today.
The Warner Brothers gang is back again, and this time they're out to sea. Richard Melville III (Dick Powell) comes from a long time of Navy men. His father (Lewis Stone) is commander of the fleet and expects that his son will follow in his footsteps. Dick doesn't want to; in fact, he has become quite successful as a crooner on the radio. And besides, his girl (Ruby Keeler) doesn't want her husband to turn out dead like her Navy brother and father. Now before you start having flashes of The Jazz Singer, read on. Dick decides to give his father's way a try, but he is stubborn enough to isolate himself during his training. It is too bad too, because his father knows how he could benefit from the company of guys like Sparks (Ross Alexander), Cowboy (Eddie Acuff), and Coxswain (John Arledge).
A really great film, Shipmates Forever is undeniably similar to Flirtation Walk not only for the cast or the story but the director Frank Borzage too. However, the similarities are no hindrance and this second chance has actually improved upon the original. It features a great many more comic moments which liven it tremendously. Alexander is always good for a laugh, and it is too bad he took his own life only a few years later. Perhaps the funniest and most shocking moment is during a "I'd Rather Listen To Your Eyes." Powell's crooning draws all of the women, and a series of Busby Berkeley-esquire close-ups on their eyes illustrates the melody. That is, until a pair of men's eyes pop up! Other songs include the Warren and Dubin standards "Don't Give Up The Ship" and "I'd Love To Take Orders From You." It is a wonder why this one has never been released.
A really great film, Shipmates Forever is undeniably similar to Flirtation Walk not only for the cast or the story but the director Frank Borzage too. However, the similarities are no hindrance and this second chance has actually improved upon the original. It features a great many more comic moments which liven it tremendously. Alexander is always good for a laugh, and it is too bad he took his own life only a few years later. Perhaps the funniest and most shocking moment is during a "I'd Rather Listen To Your Eyes." Powell's crooning draws all of the women, and a series of Busby Berkeley-esquire close-ups on their eyes illustrates the melody. That is, until a pair of men's eyes pop up! Other songs include the Warren and Dubin standards "Don't Give Up The Ship" and "I'd Love To Take Orders From You." It is a wonder why this one has never been released.
Surprisingly good pre-war film about a former radio crooner (that's a singer to you Millennials). Dick Powell finds himself trying to deal with military life at the
Naval Academy at Annapolis.
This was an enjoyable Hollywood look at their take on life of a cadet moving through Annapolis. He has a poor attitude, but does well with his studies. But, has few friends and little support amongst his fellow cadets. He's seen as having a silver spoon.
It was refreshing to finally see a film get when NOT to salute correct in a film. It's one of the things that Hollywood just can't seem to get right. They like to have actors throwing salutes around willy nilly. When actually there are rules.
They don't give an accurate account of how tough four years at the United States Military academies can be. But there are some good characters and it's well acted. And you find yourself caring for the characters.
'Shipmates Forever' shares the same flaws and strengths of 'Flirtation Walk' with the same lead actors and director, but due to having better pacing and choreography 'Flirtation Walk' is the better film if only just.
Like 'Flirtation Walk', the weak link is the story, which is wafer-thin and goes well overboard on the simplicity. One says that musical-comedies shouldn't be seen for the story, but as 'Shipmates Forever' is heavier on story rather than on the musical material and production numbers it is harder to ignore it. Again, like 'Flirtation Walk', Frank Borzage tends to make heavy weather of it, meaning that the pace does drag outside of the songs and the energy is not as light-on-its-feet as it should have been. The patriotic tone is sometimes laid on too thick too.
The songs are very pleasant, with the highlights between "Don't Give Up the Ship" and particularly "I'd Rather Listen to Your Eyes", but there are more timeless and more memorable songs. The film is very scant on production numbers and what little there is is literally crying out for the involvement of Busby Berkeley who would have directed them with much more energy and imagination.
However, 'Shipmates Forever' while not lavish still looks handsome and colourful as well as skilfully photographed. The script is smart and amusing, if a little too frothy in places.
Ruby Keeler and Dick Powell are immensely likable and their chemistry is incredibly charming and a large part of the film's appeal. The rest of the performances are also good, with a fine supporting turn from John Arledge and a nicely quirky one from Ross Alexander.
On the whole, a lesser Keeler-Powell film but still very much watchable. 6/10 Bethany Cox
Like 'Flirtation Walk', the weak link is the story, which is wafer-thin and goes well overboard on the simplicity. One says that musical-comedies shouldn't be seen for the story, but as 'Shipmates Forever' is heavier on story rather than on the musical material and production numbers it is harder to ignore it. Again, like 'Flirtation Walk', Frank Borzage tends to make heavy weather of it, meaning that the pace does drag outside of the songs and the energy is not as light-on-its-feet as it should have been. The patriotic tone is sometimes laid on too thick too.
The songs are very pleasant, with the highlights between "Don't Give Up the Ship" and particularly "I'd Rather Listen to Your Eyes", but there are more timeless and more memorable songs. The film is very scant on production numbers and what little there is is literally crying out for the involvement of Busby Berkeley who would have directed them with much more energy and imagination.
However, 'Shipmates Forever' while not lavish still looks handsome and colourful as well as skilfully photographed. The script is smart and amusing, if a little too frothy in places.
Ruby Keeler and Dick Powell are immensely likable and their chemistry is incredibly charming and a large part of the film's appeal. The rest of the performances are also good, with a fine supporting turn from John Arledge and a nicely quirky one from Ross Alexander.
On the whole, a lesser Keeler-Powell film but still very much watchable. 6/10 Bethany Cox
An enjoyable if slightly sappy movie with a fairly standard plot line.
Notably, the song from this film "Shipmates Stand Together" is still performed as part of a medley by the US Naval Academy Men's Glee Club.
Speaking about the music from the film, the US Military Academy's Alma Mater (that's Navy's gridiron rival West Point!) is used as background music at least three times, including in the closing scene.
Interesting goof, possibly intentional?
The scenes dealing with the upperclassmen "rating" the Plebes are fun; they are different in detail but not in quality from what goes on at the Academy even today.
Of the movies available on VHS or DVD about the Naval Academy, I would rank this about in the middle:
1. Navy Blue and Gold (1937) 2. Midshipman Jack (1933) 3. Shipmates Forever 4. An Annapolis Story (1955) - pretty bad. 5. Annapolis (2006) - truly dreadful.
Notably, the song from this film "Shipmates Stand Together" is still performed as part of a medley by the US Naval Academy Men's Glee Club.
Speaking about the music from the film, the US Military Academy's Alma Mater (that's Navy's gridiron rival West Point!) is used as background music at least three times, including in the closing scene.
Interesting goof, possibly intentional?
The scenes dealing with the upperclassmen "rating" the Plebes are fun; they are different in detail but not in quality from what goes on at the Academy even today.
Of the movies available on VHS or DVD about the Naval Academy, I would rank this about in the middle:
1. Navy Blue and Gold (1937) 2. Midshipman Jack (1933) 3. Shipmates Forever 4. An Annapolis Story (1955) - pretty bad. 5. Annapolis (2006) - truly dreadful.
Did you know
- TriviaNear the end of the movie is a great shot of a Martin P3M-2 seaplane landing in the ocean. Markings on the side of the plane show a "6". Only 6 P3M-2s were ever built.
- GoofsThe West Point Alma Mater is played several times throughout the movie. This must drive Annapolis graduates nuts.
- Quotes
Lafayette 'Sparks' Brown: I was raised on radio. Weaned on radio. Gotta have a radio.
- ConnectionsReferenced in I'd Love to Take Orders from You (1936)
- SoundtracksDon't Give Up the Ship
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening credits
Played occasionally throughout the picture
Sung by Dick Powell
Later danced to by Ruby Keeler
Frequently played in the background
Details
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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