IMDb RATING
6.8/10
7.1K
YOUR RATING
A brilliant surgeon with a morbid obsession for instruments of torture grows dangerously obsessed with a young socialite whose life he's saved.A brilliant surgeon with a morbid obsession for instruments of torture grows dangerously obsessed with a young socialite whose life he's saved.A brilliant surgeon with a morbid obsession for instruments of torture grows dangerously obsessed with a young socialite whose life he's saved.
Boris Karloff
- Edmond Bateman
- (as Karloff)
Bela Lugosi
- Dr. Richard Vollin
- (as Lugosi, Bela Lugosi)
Anne Darling
- Autograph Hound
- (scenes deleted)
June Gittelson
- Autograph Hound
- (scenes deleted)
Joe Haworth
- Drug Clerk
- (scenes deleted)
Mary Wallace
- Autograph Hound
- (scenes deleted)
Raine Bennett
- Actor reading 'The Raven'
- (uncredited)
Al Ferguson
- The Crook
- (uncredited)
Nina Golden
- Dancer
- (uncredited)
Jonathan Hale
- Bedside Dr. at Jerry's Right
- (uncredited)
Arthur Hoyt
- Chapman - Buyer of Poe Memorabilia
- (uncredited)
Featured reviews
Followers of horror melodrama will get a full evening's entertainment out of THE RAVEN... it has some hair-raising situations.. All that has been left of the famous...Poe poem is the title. A statuette of a raven, which Lugosi kept on his desk was the excuse for the use of the title. A situation that will give shudders is when Lugosi removes bandages from Karloff's face, which he had disfigured horribly. Director Friedlander has kept the pace at a nice pitch, stripping it down to its fundamentals and letting the shock troupers, Karloff and Lugosi do their worst. Universal's high batting average for year 1935 with the shockers, only this one looks the least costly of 'em, without any obvious cheating. However, this film is a classic and worth viewing if you are lovers of Lugosi and Karloff...
'The Raven' seems like it was trying to recreate the success (artistically) of Edward G. Ulmer's 'The Black Cat' released the previous year. Once again horror legends Karloff and Lugosi are teamed up in a movie supposedly inspired by Edgar Allen Poe. Of course it has nothing much to do with Poe apart from Lugosi reciting Poe's poem once or twice and having his own private version of 'The Pit And The Pendulum' in his basement. 'The Raven' isn't as inspired and as downright strange as 'The Black Cat' but it's still very good. Karloff receives top billing but this is Lugosi's movie all the way. He plays a brilliant surgeon and Poe buff who is talked into saving the life of a beautiful young girl (Irene Ware). He then becomes obsessed by her and when he can't get what he wants decides to punish her, her fiance (Lester Matthews) and her father (Samuel S. Hinds). Along the way he has turned criminal Karloff into a disfigured monster and forces him to help. Lugosi is really terrific as the mad surgeon and his performance will delight his fans. Recommended.
This solid little horror feature offers Bela Lugosi and Boris Karloff together again, plus an interesting (if completely implausible) story. There are a fair number of Edgar Allan Poe references, but no real connections - none of the material bears any real resemblance to Poe, and the references are meant to be atmospheric at the most.
Lugosi's role in this one is much larger than Karloff's, and Bela carries most of the story. His theatrical style is quite appropriate in the role of Dr. Vollin, making for an entertaining yet genuinely dangerous foe. When Lugosi is in good form, he can make the most ridiculous dialogue come out right. Both the story and dialogue here would indeed collapse under the most basic logical analysis, and Lugosi's showmanship is one of the reasons why much of it works anyway.
While Karloff has a smaller role, he also does a good job, and indeed the movie would not have worked very well without Karloff's efforts in making Bateman pathetic and unheroic, yet human and understandable. The rest of the cast have fewer opportunities, yet the roles are filled by good character players who all do their jobs well.
The consensus, namely that "The Raven" is a cut below the previous year's Boris/Bela collaboration "The Black Cat", seems accurate. Yet "The Raven" in itself is a solid and usually entertaining feature.
Lugosi's role in this one is much larger than Karloff's, and Bela carries most of the story. His theatrical style is quite appropriate in the role of Dr. Vollin, making for an entertaining yet genuinely dangerous foe. When Lugosi is in good form, he can make the most ridiculous dialogue come out right. Both the story and dialogue here would indeed collapse under the most basic logical analysis, and Lugosi's showmanship is one of the reasons why much of it works anyway.
While Karloff has a smaller role, he also does a good job, and indeed the movie would not have worked very well without Karloff's efforts in making Bateman pathetic and unheroic, yet human and understandable. The rest of the cast have fewer opportunities, yet the roles are filled by good character players who all do their jobs well.
The consensus, namely that "The Raven" is a cut below the previous year's Boris/Bela collaboration "The Black Cat", seems accurate. Yet "The Raven" in itself is a solid and usually entertaining feature.
MORD39 RATING: *** out of ****
I have always loved this strange little film, even as a kid. Bela Lugosi has one of his greatest roles as the insane Dr. Vollin, a part which ranks right up there with Dracula and Ygor. It's also one of those rare times where he actually upstages Boris Karloff.
At only 60 or so minutes, the 1935 version of THE RAVEN is brisk entertainment with all the golden elements of a fine horror movie: a crazed doctor, his misshapen assistant (Karloff), secret rooms and lots of thunder and lightning. There are trap doors, a creepy dungeon, and a torture chamber. This film doesn't pretend to be profound or a literary rendition of Poe's works... it's just Bela and Boris - the two greatest horror stars of all time - doing what they do best.
The comedy in the film is rare, and doesn't detract from it. The main issue at hand is Dr. Vollin's jealous need for revenge to satisfy his own tortured soul...by inflicting horror on those he feels have caused his misery. The moment where Bela blackmails Karloff and cackles maniacally has no equal.
A perfect companion to THE BLACK CAT, it's not cinematically as good, but I have always had much more fun with it. Highly recommended for fans of "classic" horror!
I have always loved this strange little film, even as a kid. Bela Lugosi has one of his greatest roles as the insane Dr. Vollin, a part which ranks right up there with Dracula and Ygor. It's also one of those rare times where he actually upstages Boris Karloff.
At only 60 or so minutes, the 1935 version of THE RAVEN is brisk entertainment with all the golden elements of a fine horror movie: a crazed doctor, his misshapen assistant (Karloff), secret rooms and lots of thunder and lightning. There are trap doors, a creepy dungeon, and a torture chamber. This film doesn't pretend to be profound or a literary rendition of Poe's works... it's just Bela and Boris - the two greatest horror stars of all time - doing what they do best.
The comedy in the film is rare, and doesn't detract from it. The main issue at hand is Dr. Vollin's jealous need for revenge to satisfy his own tortured soul...by inflicting horror on those he feels have caused his misery. The moment where Bela blackmails Karloff and cackles maniacally has no equal.
A perfect companion to THE BLACK CAT, it's not cinematically as good, but I have always had much more fun with it. Highly recommended for fans of "classic" horror!
Karloff gets the top billing in this second feature pairing both horror stars, but it is Bela Lugosi all the way who steals each and every scene he is in. Lugosi is incredible in his over-the-top performance of a morbid, obsessed doctor and Poe aficionado. Each line he utters with flair and gusto, each movement an outrageous, maniacal gesture. He is truly a ham, and an enjoyable one at that. Karloff is quite good as a killer, and the only compassionate character in the story. He is disfigured by Lugosi, so he will kill for the mad doctor. One of the best scenes is Lugosi leaving his patient to see his handiwork. Karloff shoots through several mirrors after realizing the atrocities committed on him, and from a door in the roof of the room.....Lugosi peers through and laughs...laughs with coldness, cruelty, and hysteria. The rest of the film is devoted to Lugosi utilizing his Poe recreations of torture...and I must confess as an earlier reviewer noted that you really feel little sympathy for the other characters involved...and at one point I wanted the pendulum to win. You must see this film as it is the second best of the Karloff/Lugosi pairings...but it really is a Lugosi film.
Did you know
- TriviaAccording to Greg Mank's book "Karloff and Lugosi, Karloff received $10,000 for his work, Lugosi $5000, Irene Ware $625, Lester Matthews $1153.76, and Samuel S. Hinds $1333.35.
- GoofsAfter Dr. Vollin regales his house guests on the subject of Edgar Allan Poe, all rise to retire. Jean Thatcher stops, returns to her former place on the couch, and has to free her gown from the cushion. This action causes her to be the last guest to leave the room, allowing her to have a private moment with Bateman. In their subsequent two-shot, she apologizes to him for having been startled earlier when he'd entered the room where she was fixing her hair.
- Quotes
Edmond Bateman: I'm saying, Doc, maybe because I look ugly... maybe if a man looks ugly, he does ugly things.
Dr. Richard Vollin: You are saying something profound.
- Crazy creditsThe names of Spencer Charters and Ian Wolfe were accidentally reversed in the credits.
- ConnectionsFeatured in House of Horror: The Raven 1935 (1958)
- SoundtracksMusic
(uncredited)
from The Black Cat (1934)
Original Music and Classical Music Arrangements by Heinz Roemheld
Played as background music
Details
Box office
- Budget
- $115,000 (estimated)
- Runtime
- 1h 1m(61 min)
- Color
- Aspect ratio
- 1.37 : 1
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