A young girl, wanting a life of luxury, takes the "easy" way, and winds up in jail.A young girl, wanting a life of luxury, takes the "easy" way, and winds up in jail.A young girl, wanting a life of luxury, takes the "easy" way, and winds up in jail.
- Director
- Writers
- Stars
Photos
Jack Chefe
- Waiter
- (uncredited)
Oliver Cross
- Passerby
- (uncredited)
Jack Deery
- Faculty Member
- (uncredited)
Fred Graham
- Policeman
- (uncredited)
Chuck Hamilton
- Police Car Driver
- (archive footage)
- (uncredited)
Alice Moore
- Women's Prison Warden
- (uncredited)
Pat O'Malley
- Detective John Hennessey
- (uncredited)
Lee Phelps
- Police Lab Technician
- (uncredited)
Poppy Wilde
- Night Club Patron
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
An MGM CRIME DOES NOT PAY Short Subject.
Living in the luxury provided by robbing parked motorists provides A THRILL FOR THELMA--until the Law starts to close in...
This was the fourth entrant in MGM's series illustrating the futility of crime. Some of the acting is reasonably good and the production values are competent, making the brief film an enjoyable time filler. All of the players are unbilled--William Tannen appears as the MGM Reporter; sturdy Robert Warwick plays the police captain; and Irene Hervey is the luckless Thelma. A fine bit of acting is provided by Robert Livingston as Thelma's violent lover.
**********************************
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
Living in the luxury provided by robbing parked motorists provides A THRILL FOR THELMA--until the Law starts to close in...
This was the fourth entrant in MGM's series illustrating the futility of crime. Some of the acting is reasonably good and the production values are competent, making the brief film an enjoyable time filler. All of the players are unbilled--William Tannen appears as the MGM Reporter; sturdy Robert Warwick plays the police captain; and Irene Hervey is the luckless Thelma. A fine bit of acting is provided by Robert Livingston as Thelma's violent lover.
**********************************
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
This 'Crime Does Not Pay' short subject from MGM examines the case of a woman
who got caught up in criminality because of who she married and because she
found herself enjoying the thrill.
Irene Hervey is our protagonist and she's looking like she's on the straight and narrow even marrying a good looking chap Robert Livingston. But when Livingston has her along on a robbery, she really likes the thrill.
As in all the MGM 'Crime Does Not Pay' shorts, they slip up as criminals do in real life too.
I'm agreeing with the other reviewer, a bit heavy handed but effective.
Irene Hervey is our protagonist and she's looking like she's on the straight and narrow even marrying a good looking chap Robert Livingston. But when Livingston has her along on a robbery, she really likes the thrill.
As in all the MGM 'Crime Does Not Pay' shorts, they slip up as criminals do in real life too.
I'm agreeing with the other reviewer, a bit heavy handed but effective.
The "Crime Does Not Pay" series from MGM is an excellent series of short films that illustrate crime stories and ALWAYS result in the criminals receiving justice. It's actually amazing how high the quality and how entertaining these films are even today. However, of all the films in the series I've seen so far, "A Thrill for Thelma" is among my least favorite. Now I am NOT saying it's bad, but it does suffer from an ending which just seemed a bit too preachy.
The story begins at a women's prison. The warden is talking with another law enforcement official and begins to talk about Thelma--a woman who just wanted too much. Then, they ask Thelma to tell them her story and what follows is the story of a good time girl who didn't initially mean to break the law. But, she was an idiot and when her boyfriend began committing robberies, she liked the money and thrill so much she agreed to help him. Her lack of conscience and foolishness, not surprisingly, result in her eventual capture. Overall, decent but not among the best--mostly because of the heavy-handed ending.
The story begins at a women's prison. The warden is talking with another law enforcement official and begins to talk about Thelma--a woman who just wanted too much. Then, they ask Thelma to tell them her story and what follows is the story of a good time girl who didn't initially mean to break the law. But, she was an idiot and when her boyfriend began committing robberies, she liked the money and thrill so much she agreed to help him. Her lack of conscience and foolishness, not surprisingly, result in her eventual capture. Overall, decent but not among the best--mostly because of the heavy-handed ending.
As we learn in the fourth episode of MGM's long-running series, crime may not pay, but it's fun while it lasts. Red-headed Irene Hervey wants everything while she's young, so she and her husband, Robert Livingstone, take up heading over to lover's lane and robbing canoodling couples. She has second thoughts, of course, when their first robbery winds up killing someone, but eventually she decides there's a downside to everything, and it can be fun and games even after someone gets hurt. Besides, it's all Livingstone's fault for talking her into it.
Anyway, that's the story she tells to police captain Robert Warwick -- you may remember that he was Raffles The Amateur Cracksman about twenty years earlier, cricketer by day but jewel thief by night, so I have my doubts, especially with MGM Crime Reporter popping up from behind a desk to remind us that CRIME DOES NOT PAY. So don't do that, and don't go 'round breaking ladies' tambourines.
Anyway, that's the story she tells to police captain Robert Warwick -- you may remember that he was Raffles The Amateur Cracksman about twenty years earlier, cricketer by day but jewel thief by night, so I have my doubts, especially with MGM Crime Reporter popping up from behind a desk to remind us that CRIME DOES NOT PAY. So don't do that, and don't go 'round breaking ladies' tambourines.
It's MGM Crime Does Not Pay Series #4. Thelma starts out with all the promise in the world but ends up as one of the woman inmates in the opening scene. She wanted to enjoy herself and becomes entangled by her husband Steve Black. He pulls her further and further into his crimes.
A lot of these Crime Don't Pay shorts are a little silly but this one is actually a good cautionary tale. Most women in prison are there due to their partners' crimes. That doesn't make this good cinema but most of these aren't.
A lot of these Crime Don't Pay shorts are a little silly but this one is actually a good cautionary tale. Most women in prison are there due to their partners' crimes. That doesn't make this good cinema but most of these aren't.
Did you know
- TriviaCrime Does Not Pay was a series of MGM shorts films, often produced with cooperation from law enforcement, ostensibly made to warn movie goers about "the wages of sin", and how to avoid them in their own personal lives. Their often preachy tone always pleased the MPAA and guaranteed them wide distribution by theatre owners seeking "morally uplifting" material to show between features on double bills.
- GoofsThe story is supposed to take place in New York, but when the police are studying a wall map marked with the locations of the crimes, it's clearly a map of Los Angeles.
- Quotes
Thelma Black: We thought we were smart, but the police were smarter.
- ConnectionsFollowed by Hit-and-Run Driver (1935)
Details
- Release date
- Country of origin
- Language
- Also known as
- Crime Does Not Pay Series No. 4: 'A Thrill for Thelma'
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 18m
- Color
- Aspect ratio
- 1.37 : 1
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