A reporter meets an actress whose producer is a presumed-dead thief, and stakes his reputation on predicting the next crime.A reporter meets an actress whose producer is a presumed-dead thief, and stakes his reputation on predicting the next crime.A reporter meets an actress whose producer is a presumed-dead thief, and stakes his reputation on predicting the next crime.
Emmett Vogan
- Lorimer
- (as Emmet Vogan)
Louise Bates
- Woman Outside Crime Scene
- (uncredited)
William 'Billy' Benedict
- Office Boy
- (uncredited)
Mary Blake
- Undetermined Role
- (uncredited)
Wade Boteler
- Police Sergeant
- (uncredited)
Romaine Callender
- Old Taxi Driver
- (uncredited)
Wallis Clark
- City Editor
- (uncredited)
Dora Clement
- Nurse Katie - Actress in Play
- (uncredited)
Clyde Courtright
- Doorman at Beauty Parlor
- (uncredited)
Featured reviews
This isn't a bad film. The problem is, that this type of mystery comedy was done so much better in The Thin Man films that it pales in comparison. Plus, the character played by Joel McCrea is pretty unlikable, unlike Nick Charles.
McCrea is a top crime reporter for the newspapers. His insights and predictions are uncanny and the problem is he is 100% sure of himself and quite the fat-head! Because he's so smug, I found it hard to like him and couldn't see why nice Jean Arthur was taken in by him. So what if he was so smart--he's still kind of a jerk. As a result, the chemistry just isn't quite right.
The plot itself concerns a master criminal that everyone EXCEPT McCrea thinks is dead. Throughout the film, McCrea swears he will eventually catch this "gentleman criminal", though this man's exact identity is unknown.
The acting is decent and the film does offer a few laughs and interesting moments--but not enough to make this a "must see" film.
McCrea is a top crime reporter for the newspapers. His insights and predictions are uncanny and the problem is he is 100% sure of himself and quite the fat-head! Because he's so smug, I found it hard to like him and couldn't see why nice Jean Arthur was taken in by him. So what if he was so smart--he's still kind of a jerk. As a result, the chemistry just isn't quite right.
The plot itself concerns a master criminal that everyone EXCEPT McCrea thinks is dead. Throughout the film, McCrea swears he will eventually catch this "gentleman criminal", though this man's exact identity is unknown.
The acting is decent and the film does offer a few laughs and interesting moments--but not enough to make this a "must see" film.
I have long admired Jean Arthur, so when I came across one of her films I did not know I naturally jumped at the chance to watch it. I did not even bother to read any of the reviews here or elsewhere in advance. As it turns out, that was probably the right decision: Some of these reviews might have prejudiced me against this near-perfect 1930s comedy. The plot is too convoluted to summarise here, but director Edward Ludwig manages to present it in a way that makes every twist and turn, however zany, look plausible (at least for the moment). He also gives 'Adventure in Manhattan' great tempo and pace: there is never a dull moment, and many moments that are simply hilarious. Joel McCrea plays a criminologist with a Sherlock Holmes-like ability to put himself in a master-thief's position and to second-guess the thief's plans. As his predictions come true he is so full of himself that one failure is truly devastating. Jean Arthur is great as an actress who thinks he is nuisance but eventually falls in love with him. The dialogues are spot on: sharp and witty. In sum, this is as nice a comedy as you will find: don't believe the reviewers who jumped on the bandwagon talking it down!
An overly confident crime reporter (JOEL McCREA) and a clever actress (JEAN ARTHUR) must match wits against an even more clever art thief (REGINALD OWEN) who poses as a theatrical producer to cover his real proclivities as a thief. His theater is staging a play with heavy military artillery to disguise the noise of his thieves blasting a tunnel into the bank.
Some crisp dialog and some nice performances aren't enough to conceal that this is pretty flimsy material. Still, it does manage to show that both McCrea and Arthur had a natural flair for light material tinged with a hint of mystery.
Unfortunately, the script involving stolen art work and the attempted theft of the Sunburst Diamond from a bank vault, doesn't permit either one to create more than one-dimensional characters and after an original start, the story runs out of wacky ideas and turns serious before it reverts to comedy again.
McCrea and Arthur play their roles as though they were imitating the Nick and Nora Charles brand of humor in comedy with mystery. With stronger material, this would have worked. THOMAS MITCHELL is good as a newspaper man who fires and hires McCrea in moments of great exasperation.
It's light stuff and highly forgettable except for the charm of the two stars.
Some crisp dialog and some nice performances aren't enough to conceal that this is pretty flimsy material. Still, it does manage to show that both McCrea and Arthur had a natural flair for light material tinged with a hint of mystery.
Unfortunately, the script involving stolen art work and the attempted theft of the Sunburst Diamond from a bank vault, doesn't permit either one to create more than one-dimensional characters and after an original start, the story runs out of wacky ideas and turns serious before it reverts to comedy again.
McCrea and Arthur play their roles as though they were imitating the Nick and Nora Charles brand of humor in comedy with mystery. With stronger material, this would have worked. THOMAS MITCHELL is good as a newspaper man who fires and hires McCrea in moments of great exasperation.
It's light stuff and highly forgettable except for the charm of the two stars.
It could have been a good, tough crime heist film without those comedy lines. A true excellent bank heist, through a tunnel, not an armed robbery plot. But Edward Ludwig, whose speciality will be adventure movies - CARIBBEAN, JIVARO, SANGAREE - Ed Ludwig missed the opportunity to give us a good film noir. He did it with THE LAST GANGSTER though, starring Edward G Robinson, for Metro Goldwyn Mayer, not a real tough and gritty noir either, but still good. So, back to this one, even the Joel McCrea's presence doesn't save the whole for me. Just entertaining, fun, yes, but with such crime ingredients, it could have been different and better. As if you decided to prepare an excellent dish, with the adequate ingredients choice and quantity, but with the wrong cooking time on the cooker or in the oven.
This is a fun film for all Jean Arthur and Joel McCrea fans and it is available online. The basic premise is that Joel McCrea is a likable newshound who angers some of his cronies with his boundless ego and they play a little joke on him. Enter Jean Arthur. After some ready made coincidences and a lot of tomfoolery the mystery is solved. In between we have some ideas stolen from earlier pictures and at least a couple that are stolen for later films. I find that kind of stuff fun so I definitely recommend this one as time well spent.
Did you know
- TriviaOn the map of Manhattan that George is doodling on, what is now Roosevelt Island (in the East River) is labeled Welfare Island. It was named that from 1921 to 1973, for the several hospitals there. It was renamed Roosevelt Island in 1973, in honor of FDR.
- GoofsWhile playing pool the level of Joel McCrea's beer goes from half-full to almost full.
- Quotes
Claire Peyton: [looks around the room] My, how the Ritz has shrunk.
- ConnectionsFeatured in One Rogue Reporter (2014)
- SoundtracksIt's a Long, Long Way to Tipperary
(1912) (uncredited)
Written by Jack Judge and Harry Williams
Sung a cappella by soldiers in the play
Details
- Release date
- Country of origin
- Languages
- Also known as
- Purple and Fine Linen
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 13m(73 min)
- Color
- Aspect ratio
- 1.37 : 1
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