Black Legion

The Black Legion is significant in the career of Humphrey Bogart. This film is the first time he played the lead in an "A" feature. The film is also a great showcase for his acting talents.

In this film Bogey's character, Frank Taylor, moves from a happily married family man, to a man filled with hate and finally to a man remorseful for the trouble he has brought upon himself and others.

When Frank Taylor loses an expected promotion to a "foreigner", he becomes disillusioned and is coerced by a co-worker (Joseph Sawyer) into joining a secretive hate and Klu Klux Klan like organization called The Black Legion. Despite pleas from his wife (Erin O'Brien-Moore) and best friend (Dick Foran), Taylor continues his terrorist activities leading to the inevitable tragic consequences.

The subject of prejudice and hate organizations in a major studio production was quite daring for the 30s, given the introduction of the Production Code only a few years earlier. It still delivers a powerful message today.

The Black Legion remains one of the best of Bogey's early films.

Very unusual movie for Humphrey Bogart, made a few years before he would become a headline star for WB. He plays a machine shop worker who takes for granted that he will become his shop's new foreman because of his seniority. But when they give it to an educated young Polish-American instead, Bogie becomes resentful and angry. This leads him to joining up with a hate group known as the Black Legion, which is basically the KKK. The Black Legion has a pledge that has to be heard to be believed, so make sure you pay attention to it.

Strong performance from Bogie, as well as a great supporting cast that includes Ann Sheridan, Dick Foran, Joe Sawyer, John Litel, Samuel S. Hinds, and more. A lot of people seem to pick on the movie for not being strong enough in its message, despite the fact that they can't point to any other movies from the period that were even brave enough to try this much. They did what they could do. It's a powerful movie, even if it seems watered down by today's standards. But today we aren't exactly living in the age of subtlety, are we?

A frustrated Humphrey Bogart joins the "Black Legion," a 1937 film directed by Archie Mayo. The film also stars Dick Foran and Ann Sheridan.

Bogart plays Frank Taylor, a husband and father who expects to get a promotion at the auto plant where he works. It goes instead to a young, hard-working man named Dombrowski. When Frank doesn't get the job, he's furious. That night on the radio he hears the head of the Black Legion railing against foreigners taking American jobs, and he decides to join them.

The Black Legion, of course, is the Ku Klux Klan, with the sheets and the whole deal. Their methods are brutal - fires, flogging, beatings, etc.

It appears all you needed was a foreign last name to qualify as a victim of this group. Back in the '20s and '30s, Italians, Irish, and other immigrant groups could only get menial jobs like sweeping floors, the prejudice against them was so great.

It was quite a forward step to make a film about this back in 1937, and it's a good one. Bogart at the time was about 37, and we're so used to seeing him older that he looks like a baby here. He's terrific as a loving father and husband who becomes a new, violent person under the influence of the Legion. He loses more than he gains. It's a great example of how easily people can find a scapegoat for their troubles.

Ann Sheridan has a supporting role -- she's very young but recognizable from her voice! Good movie.

At the time it came out Black Legion came from the B Picture Unit at Warner Brothers. Some of the players in it became A list stars later on. Nevertheless this was playing the second half of double features when first released. But it made a tremendous impact and viewing it almost 70 years later, still makes an impact.

Warner Brothers as the working class studio was the only one who could have made a film like Black Legion. Working class stiff Humphrey Bogart gets passed over for a promotion at a job, losing it to Polish American Henry Brandon. This makes him ripe for the propaganda of a nativist crew of nightriders who call themselves The Black Legion.

Another co-worker Joe Sawyer gets Bogart to join with a whole lot of bad consequences for just about every principal player in the cast.

Since this film was about ordinary people it had a great message to tell. We've had nativist outbreaks in America through out our history. The Twenties and Thirties with groups like the Ku Klux Klan and the Black Legion were particularly bad. Bad economic times usually bring out either the best or the worst in people.

Humphrey Bogart is joined by a whole bunch of people from his film debut in The Petrified Forest. Joe Sawyer, Dick Foran, Paul Harvey, Eddie Acuff, it must have seemed like a reunion film. For me this has always been Joe Sawyer's career role for the screen. In The Petrified Forest he was one of Bogey's gang. Here he's the evil influence on Bogart, a nice reversal. He had a similar part in San Quentin.

Dick Foran is the Mercutio/Benvolio part here, the good friend to Bogart. He was actually a bigger name than Bogey at the time this was made, as he was starring in a bunch singing cowboy films for Warner Brothers. This was one of the few times he was show he could do more than he was usually given.

Films back then had a whole lot of stern father figures like Lionel Barrymore and Lewis Stone who could deliver lectures like no other. Capping this film is Samuel S. Hinds as a trial judge telling the Black Legion defendants what Americanism and the Bill of Rights is all about. Words to live by still.

Humphrey Bogart is first-rate in this thinly disguised story of the Ku Klux Klan and how it plays on the fears and prejudices of the poor and uneducated (and how it's run by the well-to-do and educated, a point often missed by reviewers). Bogart plays a factory worker who was expecting a promotion, only to see it go to a "foreigner" (in this case, a Pole--and, by implication, a Jew, which is where the Klan gets involved). Angry, resentful and worried about his future, Bogart gets caught up in a racist, Klan-like group called the Black Legion, which, in the manner of all fundamentalist right-wing terrorist groups, proclaims its patriotism and its "defense of God and country" against "dirty foreigners." The interesting thing about this film is that it really doesn't blame Bogart's character for what eventually happens; he's just a pawn in the political agenda of the right-wing business and political interests who actually control the group. Warner Bros. was known for its muckraking films, and this is one of its better ones. It took guts for Warners to make this type of picture during this particular period in American history; there was a strong resurgence of Ku Klux Klan activity all over the country--there was even a Klan parade, with thousands of hooded marchers, that passed directly in front of the White House in Washington, DC--and lynchings and racial murders were skyrocketing, especially in the South. While maybe not as strong as some would have liked, the picture still radiates the Warner Bros. passion for the underdog, and they did a good job here. Strong performances by the principals, tight direction by Archie Mayo and the usual Warner Bros. grit make for a first-rate film. Highly recommended.