The Crimes of Stephen Hawke

Todd Slaughter is at it again folks,, this time playing a well -mannered banker by day, and being a father to his adopted daughter , but by night folks he becomes...... wait for it..... the Spinebreaker.. very gruesome killer. he kills the rich I guess because he figures that they don't need it. In the Daytime he plays a successful banker, and he also protects his adopted daughter from a potential suitor whom he doesn't really like that much,, I really liked this one because it moved quickly , there was very good dialogue between the characters, and there was some action and mystery,, very good film for the time period.. and Todd Slaughter continues to shine in this horror film.

Meandering tale of meek money lender Steven Hawke (Slaughter) who moonlights as a callous killer nicknamed "The Spine Breaker" for his bone crushing exploits. When his alter ego is exposed, he's forced to flee London, pursued by a relentless hunter but must make a daring return after hearing news that his daughter has been coerced into marrying a blackmailing prison warden.

Great comical thrills with the inimitable Tod Slaughter delivering his trademark psychopath with pompous relish. Eric Portman is the principal adversary and preferred suitor to the twisted killer's beloved daughter (Taylor), demonstrating the thespian skills for which he became better known throughout the next three decades.

If you're unaccustomed to the Tod Slaughter experience, then this I'd regard to be one of the better samples to gain a taste of the stage-borne flavour with which he interprets his twisted characterisations. The dialogue is poetic, loaded with double-entendres, witty quips and of course, hopelessly clichéd plot. Despite the low budget, it works like a charm, such is Slaughter's unique charisma and presence.

THE CRIMES OF STEPHEN HAWKE opens with a rather lengthy radio program featuring the creaky musical duo, "Flotsam and Jetsam", and a man telling a story. Then, finally, Mr. Tod Slaughter himself arrives to recount some of his most devilish film roles.

When the actual story begins, we are introduced to the title character, known by the public at large as: The Spine Breaker (Mr. Slaughter). True to form, a victim is claimed within a few minutes. Hawke is presented as insidious right out of the gate! Mr. Slaughter once again portrays his villain as the embodiment of murderous glee.

Hawke also has a contrived persona as a kindly moneylender. No one suspects him of actually being a cackling psychopath, not even his daughter. This ruse helps to keep the entertainment level high, as we know full well what this monster is up to. There are some fun, sinister double entendres from Mr. Hawke about his crimes.

Fans of Tod Slaughter will love this film. The uninitiated will marvel at his ability to chew through scenery like a nuclear-powered buzz saw!...

The Crimes of Stephen Hawke kicks off with a tune from Flotsam and Jetsam - sadly, not the '80s thrash band (that would be cool!), but rather a musical comedy duo, Mr. Flotsam sat at the piano singing like George Formby, with Mr. Jetsam, a heftier dude with a deeper voice, standing. They're performing as part of the radio show that is the pre-amble to the film's main story. After Flotsam and Jetsam, we get a comedic butcher called Henry Hopkins, who sells cat meat, followed by an interview with actor Tod Slaughter, who talks about the many murders he has committed on screen, playing characters such as the infamous barber Sweeney Todd, and this film's maniac, crazed 'spine-breaker' Stephen Hawke.

Mr. Hawke is a seemingly affable moneylender who secretly makes extra cash on the side by snapping the backs of the wealthy with his bare hands and stealing their valuables. He is aided in his nefarious work by one of the best sidekicks I have seen in an old black and white horror: the guy not only has a hunchback (standard issue for drooling horror henchmen of the day), but he also has only one leg and one eye. Unlucky for him, but great for fans of cheesy B-movies.

When Hawke's friend Joshua Trimble discovers the terrible truth about the evil moneylender, he also has his spine snapped, leaving Trimble's son Matthew (Eric Portman), who is in love with Hawke's adopted daughter Julia (Marjorie Taylor), to take revenge.

After pursuing Hawke across the country with no success, Matthew gives up and returns to London in time to save Julia from scoundrel Miles Archer, who has blackmailed the poor girl into marrying him. Meanwhile, Hawke returns to London, ready for the film's finalé, which, in time-honoured fashion, sees the villain take to the rooftops and fall to his death - right in front of poor Julia's eyes.

Tod Slaughter, Britain's answer to the likes of Boris Karloff and George Zucco, puts in another wonderful theatrical performance - all wild eyes, evil leers, and exaggerated movements - that is perfect for the occasion. He doesn't have a moustache to twirl or a cape to swish, but if he did, he would. It almost feels mandatory to boo and hiss at the screen whenever he makes an entrance. While not the greatest story ever told, The Crimes of Stephen Hawke is still a lot of fun thanks to its star's special brand of ham/cheeze, the likes of which I doubt we will ever see again, and the rather strange wraparound radio broadcast that is just too bizarre not to be entertaining.

The Crimes of Stephen Hawke (1936)

** 1/2 (out of 4)

London is under a crippling terror as people are being crushed to death by a man known as The Spinebreaker (Tod Slaughter).

THE CRIMES OF STEPHEN HAWKE starts out unlike any other movie that I can remember. It starts off at a radio station where we basically get a radio broadcast for the first seven or eight minutes and then we finally get to the main story. In a rather shocking manor, it starts off with a child being murdered.

This here was the third film Slaughter made following THE MURDER IN THE RED BARN and THE DEMON BARBER OF FLEET STREET. Britain had pretty much put a ban on American horror movies and these British films had to walk a careful line. With that said, this here makes the murder of a child all the more shocking. There are some rather graphic and violent deaths for the era, although they aren't bloody or gory. The sound effects and screams of the people being crushed are certainly the highlight of the picture.

As was often the case with these films, the main reason people watch them today is for the over-the-top and at times wacky performance by Slaughter. I don't know how to describe him other than saying he was like John Barrymore had he gone insane and had a mental breakdown to the point where he was a raving dog. Once again he's all over the place here and he really makes himself stand apart from the other actors. The other actors are good but they just can't overtake the all-mighty Slaughter.

As far as the film goes, it's certainly a bit better than the star's previous two films and a strong argument could be made that this here is about as entertaining as his horror pictures got.