The Case of the Velvet Claws

Perry Mason and Della Street marry at the beginning. I don't think that ever happened in the TV series.

This is a sleek, stylish movie, with good acting and chic sets.

I had forgotten that Wini Shaw was in the opening credits and was wondering who that fabulous fatale femme could be. In a dark wig she is very persuasive as the precursor to the betraying woman of film noirs, which would follow a few years later.

What a talent she was!

After a couple of seasons of the Perry Mason TV series (1950s-1960s), viewers were waiting and watching for the episode in which Mason would finally marry his secretary, Della Street. But the wait continued through more than two dozen TV movies in the 1980s and early 1990s. And Raymond Burr and Barbara Hale never did tie the knot. Actually, that was true to the Mason story as written by Erle Stanley Gardner in some 82 novels. Gardner wrote his novels up until his death in 1970, two of which were published after his death. And, while his readers knew that the criminal lawyer and his trusted right-hand woman would never marry, there was that hope among viewers that somehow the union would be made in one of the last films.

The reason for that hope sprang, no doubt to some extent, from the earliest Perry Mason movies. Way back in 1936, Perry and Della did marry, and it was in this, the fourth film which was made in 1936. Warren William and Claire Dodd had the roles in a script that was built around the couple's marriage. Gardner may not have liked the way his hero was portrayed in the early films, but William made an excellent Mason who was more sleuth and detective than lawyer. And the Warner Brothers team that wrote the marriage into this film made it work well.

The mystery of the book is still in "The Case of the Velvet Claws." But here it is cleverly developed around Perry and Della's marriage. And the marriage, honeymoon night with many interruptions, and periodic reunions of the newlyweds add wonderful humor to the story. This is a very enjoyable film, start to finish. I especially enjoyed how Perry handles a double-cross. Not just once, but twice. I think others will too. The only sad thing about this film was that it was to the be the last with Warren William in the lead role.

Perry Mason marries Della Street (in a ceremony performed by a female judge -- how often did you see THAT in older films) but their honeymoon is interrupted by a woman with a gun demanding Perry help her stop a scandal rag from publishing a story. Soon the paper's owner is murdered and Perry finds himself the prime suspect.

This is the fourth in WB's Perry Mason film series and the last starring Warren William. If you're new to this series but are familiar with Perry Mason from either the books or the Raymond Burr TV show, you will be surprised by what you find here. This is Perry Mason in name only. The character in this series is pretty much your typical '30s detective, smooth with the ladies and quick with a wisecrack. Pretty Claire Dodd returns as Della Street after being replaced by Genevieve Tobin in the third film. Eddie Acuff is Perry's right hand stooge, Spudsy Drake. For his part, Warren William is...well, more of the usual Warren William screen persona that I've seen in many films from the period. He's enjoyable although, as I've said, nothing like the Perry Mason I grew up watching reruns of on TV. It's an entertaining B detective film. Nothing more memorable than that but a good time-passer.

As it turned out I happened to see the TV version that Raymond Burr did on his hour long Perry Mason show. Spoiled it a bit because I knew who did the deed. Still seeing the same story done by another actor as Mason was interesting. And was it ever different.

This one started with Warren William as Mason and Claire Dodd as Della Street invading Judge Clara Blandick's chambers and demanding to be married. The barest hint of a romance was present on the Mason television shows. But off Della and Perry go to the apartment and then the plan is for a honeymoon lodge in the country.

All that gets interrupted by Wini Shaw toting a gun and demanding to retain Warren William in a blackmail scheme against the publisher of a Confidential type magazine called Spicy Bits. What she doesn't tell him is that her husband is the secret owner of the rag and she's been stepping out on him with a candidate for office.

In a confrontation Shaw actually believes she shot her husband, but as in television Perry Mason defends no guilty clients. That's a parameter not broken. And if you watched the series you know who did the crime.

What was fascinating to me in The Case Of The Velvet Claws was how Paul Drake's character was changed from a professional well dressed William Hopper who owned his own agency to Eddie Acuff, a rather seedy looking retainer who even got into a drag to tail someone.

The Case Of The Red Velvet Claws has some nice sparkling urban Warner Brothers type dialog handled with aplomb by William. That was a guy who did all kinds of series, Perry Mason, Philo Vance, and Michael Lanyard The Lone Wolf. And all sounded as urbane and sophisticated as Warren William was in real life.

Definitely for fans of Warren William if not Erle Stanley Gardner's sleuth with a law degree.

Case of the Velvet Claws, The (1936)

** 1/2 (out of 4)

Fourth film in Warner's Perry Mason series once again features Warren William as the lawyer. This time out Perry is about to go on his honeymoon when a woman kidnaps him at gunpoint and asks for him to blackmail a newspaper so that her name won't be brought up in a love affair which will ruin a big politician. The bribe doesn't work but soon the woman's husband ends up dead and Mason is the suspect. This is a pretty good film that's nothing special but it makes for a quick 63-minutes worth of entertainment. The best thing the film has going for it is the performance of William who also picks up after the previous film. He's full of charm and anger this time out and those are two things William can do with ease. Sadly Allen Jenkins isn't in this one. He's replaced with a new assistant played by Eddie Acuff and he's comedy just doesn't work. The case itself is pretty good as is the ending.