Death from a Distance

Death from a Distance features a murder at a planetarium. As most of the film's action takes place in the one large room, it's probably a good thing that the room contains a large telescope and a ceiling painted with stars, a setting unique enough to remain somewhat viewable for 70 minutes. The lead characters are not as unique—Russell Hopton is the police detective investigating, Lola Lane the girl reporter getting in his way. Hopton and Lane do their best to put some life into their roles, but the bits of witty banter they are given are somewhat few and far between.

The other characters fare little better. Most lively is Lee Kohlmar as Professor Einfeld, who is supposedly one of the three greatest scientists in the world and is therefore rather unkempt and absent-minded but ultimately sharp enough to aid in solving the mystery. There are, of course, also a dumb assistant detective, a couple of scientists with shady pasts, and a curator. (By the way, Einfeld also speaks in a European accent and has a messy shock of hair. Ein-what?)

The murder device is cleverly conceived, I have to say. However, the detective work and the uncovering of clues are all somewhat hazy. Ultimately, Death from a Distance lacks snap, but the mystery is at least deep enough to keep us watching until the end.

Yes, this is an absolute alien mystery thriller, the over the best of bland director Frank Strayer, whose films are not that widely known and even less shown. VAMPIRE BAT was rather famous for thirties horror films buffs, but that's all. Some of talkies Strayer's movies are in the public domain now, in terms of copyrights elements, even available on some DVD retailers but I am sure no one watches them. This one is a mystery, as I have told, yarn, as there there thousands of them in those decades, before TV industry takes it for its own purpose. I am not a great fan of those most of the time boring plots, but this one is very amusing, intriguing, unusual.

"Death from a Distance" (which in the end, as we almost suspected, proves a QUITE appropriate title) may be no masterpiece of mystery, but it's a very solid crime puzzle which, like so often in the 30s, teams a cop with a girl reporter to solve the murder.

The performances, especially by Lola Lane as the cheeky, fresh young reporter, are not at all bad: quite convincing, and containing a good dose of humor! Not that the murder case isn't handled seriously: the police methods are portrayed in a realistic way - while, on the other 'side', the newsroom's atmosphere with all its male and female news hounds, who are sometimes nerve-racking, sometimes PRETTY helpful for the cops, is once again depicted in a wonderfully authentic way.

But the most stunning feature of this particular movie that otherwise would be one of many average 30s' murder mysteries are the settings of the murder scene: here we actually get to see how a planetarium of the 1930s looked like and worked - certainly a kind of time document today...

The film's title implies that death strikes from afar, and in a clever way, it does...

This low-budget little whodunit will NEVER be aired on TV, so you will have to find a rental, or more likely, buy a copy to see how this ingenious little murder is worked out.

I won't spoil it for anyone by telling you that the victim is in the audience of a planetarium, and naturally-- so is the murderer! The police are called in, and the entire story is acted out pretty much on that one set.

Filmed on one of the lowest budgets possible, "Death From A Distance" will still keep you watching, and guessing, right to the surprise ending.

Not bad, to say the least. To B-movie mystery buffs, I say: Buy it, if you can find it, and enjoy.

Marred on a DVD transfer by a poor soundtrack that makes some dialogue unintelligible, "Death from a Distance" is a 1935 B crime story that has some good acting along with the inevitable cliches that reflect the times.

A doctor is shot to death during a planetarium lecture. The killer is in the room and the audience is there when the cops arrive, a wisecracking homicide lieutenant in charge. A pretty gal reporter tangles with the cop and her investigative skills are equal to her blatant flirting.

In 71 minutes the story moves by small leaps and not great bounds to a clever uncovering of the killer. Some potted astronomical theory is central to solving the case.

Every stereotype from that era is present: smart detective and dumb as dishwater detective, hardboiled city room editor and ambitious female reporter, gentle Viennese scientist and the "Hindu," a man with a past. And there's more.

This movie won't make either the AMC or TCM channels, not in a century of retrospectives. It's available for as little as $5.99 and as a glance backwards into the time when the Hollywood studio giants co-existed with producers of second-rate features, "Death from a Distance" is a minor treat. But it's a treat nonetheless.

6/10 (for its genre and period).