Little Swee'pea

Many fine cartoons were seen with Dave Fleischer. Ones that were amusing and charming, though over-cuteness did come through in some efforts and the stories were always pretty thin, with appealing characters, outstanding music and visuals that were inventive and with innovative animation techniques.

While not quite one of my favourite Popeye cartoons, 'Little Swee Pea' is still very well made and great fun, with plenty of amusement and managing to not be too cute. This is not a Popeye versus Bluto cartoon, and another change of pace for Popeye, which are every bit as enjoyable and in a good deal of them even more so than the Popeye versus Bluto efforts. The premise is not an original one, so the cartoon is on the formulaic side, but 'Little Swee Pea' has enough invention to stop it from becoming predictable and repetitive, or too much so at least. It is a fine example of why Popeye and his cartoon appeal a lot to me and what makes them work so well is all evident here.

Olive Oyl is on the bland and underused side, but Popeye and debuting Swee Pea are dead on. Popeye is very easy to like and is is amusing yet easy to feel sympathy for, but despite being a baby Swee Pea manages to be an even more interesting character, avoiding being obnoxious or too cute and is both adorable and funny. Their chemistry/interaction was essential for 'Little Swee Pea' to work and sparkles.

There are many clever and very amusing to hilarious gags, the cartoon is hardly short-changed in this regard. A highlight is the sequence with the hippo. The asides and mumblings are even funnier and helped by Jack Mercer's ever genius vocal delivery, just wish there was more.

Regarding the animation, it is very good as always from this period. It's beautifully drawn and with immaculate visual detail, that doesn't ever feel cluttered or static, and lively and smooth movement. The music likewise, lots of merry energy and lush orchestration, adding a lot to the action and making the impact even better without being too cartoonish. Fleischer's direction is always accomplished and his style is all over it.

Jack Mercer easily steals the show when it comes to the voice acting, for all the above reasons.

In conclusion, very nicely done Popeye cartoon and a worthy introduction to Swee Pea. 8/10

in this animated short,Popeye takes Swee' Pea to the zoo,and of course chaos and hi jinx ensue,with Popeye being pretty much oblivious.this is the 1st Popeye short i have seen,and i thought it was quite funny,and of course absurd.this is one of the short films from the Fleisher studio,who also did a number of Superman animated shorts,17 in all,i think.one of the funniest things about Popeye is his strange way of speaking,or mumbling rather.that and the fact that he always has a can of spinach on him no matter where he goes.of course,as soon as the can of spinach is drained,Popeye becomes super strong.in just over 7 minutes,there is a lot packed into this short.i really enjoyed it.for me,Popeye:Little Swee'Pea is an 8/10

Like cartoon producer Max Fleischer's star character Popeye the Sailor, Swee'Pea first appeared in E.C. Segar's comic strip THIMBLE THEATRE. In the baby's animated debut, LITTLE SWEE'PEA, he is an effective foil for Popeye. Here, the sailor takes the baby to the zoo. However, Swee'pea escapes from his carriage and wanders along the cages of various large and dangerous animals. The bulk of the cartoon concerns Popeye's efforts to rescue Swee'pea from these beasts while trying to avoid being mauled himself.

As in most of the Max Fleischer Popeye cartoons I have seen, LITTLE SWEE'PEA has a lot of clever and enjoyable gags. One particularly inventive sequence has Popeye searching for Swee'pea in a hippo's cage only to find the baby right inside the hippo when the beast opens its mouth. One wonders why this particular zoo lacks any staff to prevent babies like Swee'pea from entering these cages. Then again, if anybody was around to stop Swee'pea we'd be denied the joy of seeing Popeye struggle with the animals, wouldn't we? For this cartoon, the Fleischer staff used live-action backgrounds. The results are impressive, creation a 3-D illusion. I've never seen the colorized version of LITTLE SWEE'PEA, nor do I desire to. From what I hear, the people who recolored this black-and-white cartoon obliterated these attractive backgrounds.

And there's always the joy of listening to Jack Mercer as Popeye. He provides an ideal voice characterization, a deep gravelly voice that nevertheless conveys a jovial warmth, revealing the sailor's golden heart beneath his rough exterior. One also gets to hear Mercer's muttered ad-libs, although in my opinion there aren't enough in this particular cartoon.

LITTLE SWEE'PEA, like most of the Max Fleischer Popeye cartoons I've seen, remains fresh and funny after over sixty years. Like all fine cartoons, this is essential family entertainment, testifying to the greatness of both the Max Fleischer studio and Jack Mercer.

I never did understand in what relation was this baby to Popeye. Was he (it is a boy, is it not?), Olive Oyl's illegitimate kid? She seemed to hang around the docks a lot, she dated both Bluto and Popeye, heck, she could have dated (wink, wink) the whole 7th fleet for all we know!! But, I digress. This cartoon is a cute one about Popeye taking Swee Pea to the zoo. Swee Pea decides to climb out of his stroller and get inside various animal cages. Swee Pea gets inside the elephant, alligator, hippo cages and is seen riding the leopard out of the zoo before being caught by Popeye and delivered back to Olive Oyl.

But, this is a funny little cartoon from the Fleischer Studios.

I remember Little See'pea as the debut cartoon for the Segar-created baby Swee'Pea. (Sock-a-Bye Baby was not Swee'pea's debut, though I at first thought that the babe whom Popeye was baby-sitting WAS Swee'pea.) This cartoon showed what Swee'Pea was like; when Popeye took him to the zoo (because Olive Oyl was too busy with housecleaning to go with Popeye), Swee'Pea crawled in and out of mischief, with Popeye in pursuit. With the aid of spinach, he spanked the hippo and threw him into the ground, then twirled a leopard, which lost its spots. The punching of the crocodile into suitcases, seen in several other Popeyes, was absent. At the end, Popeye gave Swee'pea a toy monkey, which led him to SQUALL! Olive Oyl thought that Popeye had FRIGHTENED Swee'pea, hit him with her broom. The REAL nitty-gritty was that Swee'Pea was squalling because he did not have his way. This was seen in later Popeyes featuring Swee'Pea, like Baby Wants a Bottleship and Thrill of Fair. All in all, a fine cartoon debut for Swee'Pea.