On the Wrong Trek

ON THE WRONG TREK

Aspect ratio: 1.37:1

Sound format: Mono

(Black and white - Short film)

Forced to take part in a Californian driving holiday with his eager-to-please wife (Rosina Lawrence) and domineering mother-in-law (Bonita Weber), Our Hero (Charley Chase) encounters a series of crises which ruin his vacation.

Featuring a brief cameo from Laurel and Hardy (repaying a debt to star Chase, who had appeared in some of their earlier pictures), ON THE WRONG TREK follows its protagonists through Depression-era California, where itinerant workmen are dismissed as 'bums' by law enforcement officers and refused permission to cross state boundaries, and where desperate criminals stage fake traffic accidents to ensnare unwitting victims. Unfortunately, Weber isn't nearly as domineering as she needs to be, which renders Chase's reluctant obedience all the more difficult to comprehend, and most of the comic situations (including an unlikely song and dance number between Chase and Lawrence at a gathering of hobo's!) are only fitfully amusing. Chase co-directed the film with Harold Law.

The time-honored story line of "On The Wrong Trek" features a family vacation gone awry due to the inclusion of an overbearing mother-in-law ("Mother knows best, dear."). What sets this story apart is the sheer likability and charm of Charley Chase and Rosina Lawrence as the husband and wife on a trip that's not going to go as planned. After many misadventures (and one hilarious episode where a good samaritan's offer of gasoline ends in his car being demolished), Charley and Rosina even provide a wonderful song and dance to a group of hobos. This comedy features gentle charm and family humor that would later become a mainstay in television sitcoms (there is even a funny cameo by Laurel & Hardy, with Chase making fun of Stan). This film is a wonderful introduction to Charley Chase, one of our most overlooked and underrated comedians.

On the Wrong Trek (1936)

*** (out of 4)

Charley Chase comedy has him telling of his vacation to California, which turned into a disaster. This was my first sound film with Chase and I enjoyed it quite a bit. I've always enjoyed Chase as a comedian and thought his comic timing here matched what we saw in some of his better silent shorts. There's really nothing too original but the actor pulls everything off nicely. There's a wonderful cameo with Laurel and Hardy as well.

I viewed this in the UK, 21-disc set, which is a dream come true for fans of Laurel and Hardy. The price has recently dropped on the set so any fan should certainly look into picking it up.

For a '30's comedy this movie surely lacks laughs. The movie features very little comical moments and mostly relies on the comical situations instead. Problem is that the movie doesn't exactly feature many comical situations either.

The story is pretty weirdly connected and it mixes too many elements. The musical number feels out of place and the characters are not used to their full potential, such as Mrs. Chase and Mother-in-law, who should had been given something more interesting- and funny to do in the movie.

The movie is still sort of fun, due to its charming and gentle approach. It provides the movie with some amusing moments that are just not good or funny enough to leave a real lasting impression.

It's a comedy that still amuses, so I just really can't rate it lower than a 6 out of 10 because of that but I also can't exactly rate it any higher either.

6/10

http://bobafett1138.blogspot.com/

This near-forgotten Charley Chase short comedy has probably achieved that status for a good reason – it isn't very good. In fact, the constant bickering between Chase and his on-screen mother-in-law quickly grows very tired and begins to irritate when it's supposed to amuse. Mother has decided they will holiday in California while Charley wanted to go to Michigan. Of course, their holiday is a series of disasters: they're robbed of their clothes and have their classy car stolen by a gang of hobo thieves, they run out of petrol and they inadvertently push another traveller's car over a cliff, etc. It's all pretty predictable stuff, and neither the material nor the leading man are funny enough to pull it off. The film's one strong point at a time when Hollywood was doing all it could to divert people's attention away from the dire state of the country, is its unflinching depiction of the great displaced, littering the side of the road as they try to hitch a lift in their search for work. The hobo camp, in which our weary heroes suddenly find the energy to perform a zippy song-and-dance number tells us we're still in La-La land though. It has to be said, though, that Mrs. Charley surely could nicely fill a pair of jeans; she – and an amusing cameo from Laurel & Hardy – are the only reasons to watch this insipid comedy.