Red River Valley

A typical low-budget 30s western which is entertaining enough when taken on its own terms. Probably aimed at young boys, it focuses more on action than anything else, and quickly dispenses with the obligatory romancing of a fetching wench so that it can concentrate on the ultimate foiling of a dastardly plan by the bad guys to ruin local farmers in order to benefit on the foreclosure of their mortgages. Memorable moments are few and far between, but here are a few that might linger: Autry and his comedy sidekick launching their horses over the edge of a cliff into a river below; mine workers singing a curious ditty and performing a shuffling sort of step as they stroll through town to collect their wages; the (then) present-day costumes worn by half of the characters; the complete absence of music during a chase scene

Champion runs, Gene sings. A mixture of modern day cowboys (with Damsand stuff) and old time cowboys. Plus some pretty decent non -Health & Safety action. Gene is a ditch rider and Champion knows he is really the Star ! Sabotage and dirty works at the irrigation plant, involving dynamite and songs along the way.

There is such an aura of dust bowl and emigration around this film. Jug blowing novelty acts, Woody Guthrie chord breaks in songs. When is a strike not a strike - when there's baddies and guns.

The usual shoot-em up finale and a few bars of Red River Valley.The film was marketed under the title Man of the Frontier, around the world, and that may be because of the clash with the other, more violent and more mediocre, film of the same name.

Champion runs, Gene Sings, nearly perfect in this movie.

Gene Autry is essentially the only reason to watch Red River Valley (aka Man of the Frontier). He's a pretty good actor, an even better singer, and looks good in his cowboy costume. He's an interesting person to watch. Unfortunately, he's about the only thing to recommend this film. I found the whole affair dull and, quite frankly, uninteresting. Granted, the makers of this film weren't trying to create a masterpiece. It's pretty clear that their primary objective was to quickly and cheaply make a picture with a story that would appeal to most people and that would exploit the vocal abilities of their star. Autry doesn't arrive onto the scene until several minutes into the film. When he does, he waits around for twice as long until he gets to sing. Why wait so long to have him get back to doing what he does best? I don't know. As for the rest of the cast, few of them aspire to even slightly memorable portrayals of their roles. Smiley Burnette is probably the only exception to this. The townspeople, the judge, the romantic interest, all of them are totally forgettable in their roles. Not having see any of Autry's other western vehicles, I can't honestly say that I have anything to compare this film to. This is just my first impression. Still, despite it's numerous flaws, it's still fun to watch Autry do his stuff on screen.

Wow, I love that torrential water rushing from the dam. Then too, director Eason shows why he was one of the best in the matinée business. He really knows how to stage action, whether jumping off sheer cliffs or fisticuffs atop a dam. I expect the concrete barrier was one of the many WPA public projects of the 30's, of which the TVA is the best known.

This is one of Gene's earliest and it's a doozy, really well produced by Republic with lots and lots of extras, locations in Yuma, AZ, and an unusual storyline. So who's trying to sabotage the dam and keep the farmers out. Gene and Frog work to find out, and you know they will since our hero is decked out in his best finery. But can Autry get the payroll money to the men in time—it's a nail-biter as Gene struggles across the barren flats. Music-wise, I couldn't get enough of the title song and ended up croaking it out til the wife left the room. And how about that jug band, just about everything but the proverbial kitchen sink. All in all, it's a great Autry mix that I expect helped put him on the matinée map.

A "9" on the matinée schedule.

With the threat of drought always in their minds, the ranchers and farmers of the Red River Valley have set up a company to dam the river and provide needed water at all times. It's almost ready to open, but some one keeps delaying it by dynamiting the works. Who would want such a thing?

This Gene Autry movie is clearly a B picture under the direction of B. Reeves Eason, but it keeps moving along, even with four or five renditions of the title song and four others, mostly written by and performed by Autry and Smiley Burnette. There are a couple played by a jug band, but my favorite of them is "Fetch Me Down My Trusty '45", sung by Burnette. It moves at a good pace, thanks to editing by Joseph H. Lewis and Carl Pierson, but it doesn't impress me particularly, despite a fine sequence when the dam opens up and almost drowns a couple of fellows.