Revolt of the Zombies

The plot of the film has a Cambodian priest coming to aid the French during World War One. He is willing to use his powers to make an army of zombies to help the French win the war. When a successful demonstration frightens the French as much as the enemy the priest is locked up to save mankind from his power. While confined the priest is killed by someone looking to learn the secret. The French are frightened that someone else might learn the secret of zombies and sends an expedition to Cambodia to find any trace of the secret so it can be safeguarded. Unfortunately one of the men sent on the expedition discovers the secret just as his love life goes south and he begins to put his new found power to a dark purpose.

If that sounds exciting you might want to try this clunky little film, though be warned it turns dull for the middle stretch. Starting with a bang this movie hooks you with the premise of a zombie army fighting in the trenches of the western front, and then crashes into a ditch as the plot shifts to Cambodia and becomes, for a good chunk of its running time, a soapy love story. Its not terrible but but doesn't belong in a horror movie. If you cut the love story out you'd have a great 30 minute horror film. The romance, while a motivating factor for what follows, ends up being more filler than vital plot material.

Not the all time turkey that some people have labeled it, this is a movie that has a great start and great end but clunky middle. If you can get past that middle you'll probably find yourself liking this movie, if not you're in for a long night at the movies.

Ever since the cinema-loving universe made acquaintance with a guy named George A. Romero, the word "zombie" automatically gets associated with blood-soaked horror images and non-stop acting sequences. It's safe to say that his "Night of the Living Dead" formed the zombie movie as we know it now. Yet, in the earliest years of cinema, the premise of reanimated corpses was merely used in slow, nearly action-less psychological thrillers. Jacques Tourneur's "I walked with a Zombie" is a perfect example and so is "White Zombie", starring Bela Lugosi. This "Revolt of the Zombies" could have been another example but unfortunately it's a failure over the entire line and easily one of the most tedious movies I ever saw. Dreadful acting, a very poorly written screenplay and a complete lack of atmosphere and tension! The film only lasts 65 minutes and yet the first half hour is entirely wasted on stupid love-story intrigues and unexciting monologues. The setting in the legendary Cambodian city of Angkor surely could have resulted in a more compelling story but all we ever see are interior shots. The lead actress (Dorothy Stone, textbook blonde with curly hair and an ugly nose) irritated me enormously and I kept hoping a ravenous undead would suddenly appear out of nowhere to devour her. Unlucky again…. If you manage to struggle yourself through 60 soporific minutes, you'll be rewarded with a fairly decent finale. Still, this is far too little to give this film a positive rating, let alone a recommendation. Avoid! This is the type of movie you should only see in case you already saw everything else.

No, not in any way a masterpiece, but in no way deserving of a 2.6 on the IMDb poll, this film is better than its' reputation!

I have avoided this film directly for 10 years because of its' reputation. 10 years ago I first saw White Zombie, the Halperin brothers' first zombie film, and a horror classic, and was impressed. However, I didn't get this one mostly because Lugosi wasn't in it.

Finally, after skipping this title nearly a hundred times, year after year, I finally decided to shell out the eight bucks and sit in horror of pure nonsense, and honestly it wasn't that bad. In fact, there are some redeeming qualities in this. It reminds me a bit of another good independent effort from the year before, Condemned to Live. And the acting is certainly not any worse than in White Zombie, minus, of course, the huge Lugosi charisma.

Needless to say, the Halperin brothers employed many of the same cinematic styles from their previous zombie hit. Gone, though, is the heavy music; this time less influential stock music is used. Gone also, are the split screen wipes that made some of the imagery in the previous film so memorable. But, this is still a typical-looking low budget horror from 1936. No better, but no worse.

What the problem must be is reputation. This film seems to have some undeserving bullseye on its' head because it is the follow-up to White Zombie. The truth is, another soon-to-be bankrupt studio produced this film and did as good a job on it as any other poverty row horror production up to that time.

If you look up other, EXTREMELY SIMILAR low budget horrors from the 30s, many of which I have suffered through, this one has by far the worst IMDb rating. It only proves that the weighted average is no safety against ballot stuffers - it is equally damaging when only 25% of the people vote below the weighted average and 75% is above. It feels like Bush- Gore all over again. :-) 6/10 - 2 1/2 stars.

REVOLT OF THE ZOMBIES (2 outta 5 stars) No, this is not a long-lost ancestor to the classic George A. Romero zombie flicks. This is a low-budget potboiler from 1936 that probably seemed very cool to audiences of the time... but seems awfully routine these days. There is actually a pretty good scene at the start of a soldier firing off his pistol into a horde of approaching zombie soldiers... and a close-up of bullets entering the bare chest of one of them. The effect looks hopelessly fake these days but in 1936 I'm sure it had audiences gasping. The story concerns the search for the secret of mind control... ostensibly to create an unstoppable zombie army... but later as a means for one character to win the woman he loves. The movie is barely an hour long but moves at a snail's pace so it seems feature-length, believe me! There really isn't much to recommend it... you may get some amusement from the faked studio shots of the star "wading" through a "swamp". The ending is interesting... so I'd say the movie is worth seeing at least once. More than likely you will see it as an extra feature on some cheap "4 movies on 1 DVD" compilation at Wal-Mart for five bucks. Hey, it's well worth the money...

"This might mean the end of the white race!" gasps a general as a dozen Native Zombies wander around the battlefields of Europe during the "Great War". An expedition sets out tor the long-lost, back-projected city of Kennif-Angor to stop this sort of thing and keep the battlefields clear for decent honest white people to slaughter each other by the tens of thousands.

It is a bit hard to tell when people are zombies or not in this film as the acting is so wooden. Even by 1936 standards the acting in this film is bad. From a previous decade. It looks like it came out of a correspondence school text book on 'How to Act'

------------- Chapter Three: Emotions -------------

"How to express fear and loathing (Female) Clench both fists. Place fist of one hand on heart. Open mouth as it to scream. Place other fist, palm out, against mouth. Hold pose for 10 seconds longer than is comfortable then quickly turn head 90 degrees away from direction of loathed object and sob".

"How to have difficult, heavily emotionally charged scene with ex-fiancé explaining your love for someone else. Do NOT make eye contact. Do not move. Do not show any emotion. Do not move your eyes too much as you read your lines off the studio wall."

To give us a respite from the leaden acting the director cunningly cuts in long pauses where nothing much happens except that film keeps running through the projectors. Thus 35 minute's worth of story is padded out to 60ish minutes.

The revolt of the zombies when it comes is so slow! Released from mental bondage the armies of ex-zombiefied minions turn on their former master by ambling slowly up hill and then sort of stabbing a door a bit and smashing a window. "Yea... let's... oh, I dunnno yeah. Let's get him grrr. Frankenstein must be destroyed - manana." (though I have just found a bit of hidden symbolism. Jagger is shot by a Native as some sort of ironic counterpoint to all the Natives being shot by the Germans at the start of the flick. see, even downtrodden Natives don't want the end of the White Race!) The chase (it you can call it that) through the back-projected swamp is hilarious and worth the admission price alone. Roy D'Arcy has a hell of a time camping it up, but is totally wasted, as Col. Mazovia.

There is one interesting moment in this film. A nice little montage of the zombied natives and white cast members falling under the evil eyes spell. face after face, cross-fade into one another. It works, though there is a strange little blip in the middle of each close up like a frame has been cut. I guess these must be Neg Cutters' frames between the fades.

Best watched with friends and in a silly mood.