The Plot Thickens

Zasu Pitts takes over the role of Hildegarde Withers for the first of two appearances in the role. She and James Gleason must deal not only with a murder, but with the theft of a piece of Cellini silver from a museum.

The recasting from Edna May Oliver is probably why Miss Pitts entrance is delayed until a quarter hour into the film; some one probably thought it would make people more answer to see her. She acquits herself quite handily, of course, but there seems to be a lack of snap in her chemistry with Gleason... or perhaps that's just a hangover from the snappish Miss Oliver.

From 1936, The Plot Thickens sure does - it starts as one thing and ends as another. James Gleason and Zasu Pitts star in this Hildegarde Withers mystery.

A man, John Carter (Richard Tucker) is found deceased in his study by his butler (Arthur Aylesworth). Inspector Oscar Piper (James Gleason) is called in and summons Hildegarde Withers (Pitts), who always has interesting deductions.

There are a few suspects. One is Alice Stevens. Another is her boyfriend, Robert Wilkins, who was seen arguing with Carter by the cop who patrols the park. There was also a Frenchman seen speaking with Carter.

The mystery deepens, as the murder seems mixed up with valuable museum pieces that have been stolen.

As Hildegarde, Pitts comes off as a little dizzy, but she doesn't miss a trick, is very self-sufficient, and works well with Gleason, who plays a smart cop.

There are some twists and turns, making this an enjoyable mystery.

Its a cliché, I know. But they don't make them like this any more.

And that's for a good, a very good reason: people wouldn't watch them, even those like myself who really value these.

What I'm talking about here are the comedy-mysteries that were pumped out in the 30s like TeeVee shows are now. Many of the same production values are used, in terms of economy and lack of depth. As with TeeVee stuff, the value is partially in the accretion of many similar movies -- in seeing one, you see some harmonization with hundreds of others.

We couldn't make these today because the genre was occluded by noir so far as the tone and by the hardboiled detective so far as story. These have not only changed movies, but the way we think.

So visiting these little films are somewhat like seeing that part of old London that's been turned into a theme park for tourists: something with a nostalgic. uncomplicated charm.

Of these, you cannot do better than James Gleason and the Hildegarde Winters things. These actually have a plot just complex enough to remind you that there is one. It doesn't "play fair" in that the complete solution uses knowledge the audience doesn't have. But in all these, the partial solution is telegraphed early.

I admit, I like the Hildegarde as portrayed by Edna Mae Oliver better in some regards. She's a more memorable character, and the notion of Gleason falling in love with her is as precious a joke as you can find.

But Zasu's got much better comic timing, so this has better jokes verbally.

Watch these, or something like them -- just like you might visit a "restored area" -- because such journeys are necessary to understanding film.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

Plot Thickens, The (1936)

** 1/2 (out of 4)

The fifth film in the Hildegarde Withers series is the first to have Zasu Pitts in the lead. This time out a man involved in a possible love triangle is murdered and there are countless suspects. Withers must assist Detective Oscar Piper (James Gleason) in tracking down the murder but soon more twists and turns begin to happen. THE PLOT THICKENS is the perfect title for this movie because it seems every ten-minutes or so another twist is happening and the film goes off into a new direction. It starts off as a love triangle mixed with murder but then more bodies begin to pile up and soon the witnesses are changing their stories and then we even get a heist subplot thrown in. At just 67-minutes this movie doesn't have a slow bone in its body because it goes so fast that at first you have to almost backtrack to try and figure out what's going on in the opening murder sequence. We get to see so many characters so quickly that I think the film hurts itself because by the time you figure out what's going on you're already onto the next murder and plot twist. The story should be given quite a bit of credit because even though this was just a "B" series, RKO went all out and really delivered a smart screenplay. It also doesn't hurt that Gleason and Pitts work so well together. No one will take the place of Edna May Oliver but Pitts is really good here. She plays the straight parts fine but she also has a very good comic timing that works perfectly well with Gleason. As for Gleason, he was always good in the series and he too turns in a fine performance. None of the supporting players really stand out but they're all decent enough. The final ten-minutes features a couple plot twists that her perfectly done including one pre-Scooby Doo sequence that really works tremendously well. THE PLOT THICKENS will certainly entertain fans of the series but it also makes you scratch your head wondering how the next film in the series (FORTY NAUGHTY GIRLS) could turn out so bad.

Zasu Pitts holds her own in this entry to the Stuart Palmer mystery series that spawned a movie entry. Hildegarde Winters and Oscar Piper solved murder mysteries in RKO's B movie cannon. Younger than Helen Broadrick and prettier than Edna May Olvier Zasu's Hildegarde seems to have a more social relationship with James Gleason's Oscar Piper. In this movie she has a golf date with Oscar. And in the movie 40 Naughty Girls they are attending a musical when murder rears its ugly head. Regardless of the different actress the movies as whole are very enjoyable. I hope to see them on DVD like Nancy Drew or Mike Shayne. The movies always had interesting locations that are no longer with us. From the New York Aquarium in The Penguin Pool Murders to the public school building in Murder on a Blackboard and out to sea on Catalina Island for Murder on a Honeymoon. A viewer gets a glimpse of history and living, of life and entertainment from a bygone era in Hollywood a viewer is given a look at life and living in a bygone age. p.s. I love to see old time telegram pages splashed on the screen. A Post Script: it is now 2014 and I have The Hildegarde / Oscar Movie set from WARNER ARCHIVES. I now firmly attest Zasu Pitts is the more comfortable 'Miss Withers for me. She sheds the spinster cast transforming the character into a crimebuster (with official police credentials)and masters the'Colombo' guise of detective misdirection by her mannerisms and appearance. She exhibits skills (using a hair pin to unlock handcuffs). Her mannerism of not seeming to pay attention makes suspects underestimate her very keen analytical mind. Miss Pitts also brought more emotion to the role. She shows enthusiasm for the thrill of solving a case.