Alan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stran... Read allAlan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.Alan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.
- Man in Producer's Office
- (scenes deleted)
- First Actor
- (scenes deleted)
- Second Actor
- (scenes deleted)
- Girl
- (scenes deleted)
- Bartender
- (scenes deleted)
- Girl
- (scenes deleted)
- Man in Producer's Office
- (scenes deleted)
- Costume Designer Maza
- (uncredited)
- Pug Answering Phone in Gym
- (uncredited)
- Bridgeport Sheriff
- (uncredited)
Featured reviews
"Snowed Under" is a kooky comedy--much of the mold of films like "Palm Beach Story", "My Favorite Wife" and "The Man Who Came to Dinner". However, the quality of the film is a couple steps below these excellent films and this is for a variety of reasons. First, occasionally the acting and writing are a bit too broad and the film tried too hard to make you laugh. While I love Glenda Farrell in most films, here she was just too shrill. Also, a few of the scenes were very, very awkward and poorly constructed--such as the fainting scene near the end of the film. The film simply is too goofy and cleaning up the script a bit would have made a better film. It didn't help that the fake snow never melted and looked really, really fake. Overall, watchable and even occasionally enjoyable...but also lacking the polish and fun you might expect in such a film.
My first reaction was this was an expertly open-up play, but it was written for the screen. It's certainly cast well; Brent, Warner's choice for a leading man who wouldn't distract the audience from the leading lady, is fine as the hectored yet stolid playwright, and the ladies are nicely differentiated, particularly the speed at which they deliver their lines. Miss Tobin is ladylike, Miss Ellis is twittery, and Miss Farrell continues her reign as Warners' resident motormouth. McHugh sometimes sounds like he's attempting a Down East accent. It's perfectly composed, you know how it's going to turn out, and it's a pleasant series of bumps getting there.
A lively cast makes this one fun—everyone on the screen is hilarious in one way or another. Genevieve Tobin is charming and clever as Brent's first ex-wife, recruited by Brent's producers as the one person capable of helping break his writer's block. Tobin and Brent are the closest to sane of any characters in this movie.
Glenda Farrell is at her rowdiest as Brent's second ex-wife, showing up with milkman/deputy sheriff Frank McHugh in tow, hoping to collect some alimony. Glenda's initial entrance is just a riot: McHugh has preceded her into the house by a couple of minutes when she bursts in shouting, "Fine way to treat a lady! You gonna let me sit out there in the car all night?" McHugh doesn't miss a beat: "Have you been nipping at my applejack?" Farrell: "All right, so sue me!"
Patricia Ellis is also following Brent around, apparently imagining that she can capture his affections by showing up unexpectedly in his bedroom. Among all of these distractions, it's no wonder Brent isn't getting any work done.
It's not exactly sophisticated but sure has some laughs—lots of fun for fans of silly 30s comedies.
This delightful little comedy is an excellent example of the fluff films that Warner Bros. was so adept at producing during Hollywood's Golden Age. Boasting fine production values, a literate script & some genuinely funny performances, it is a shame that the film is so obscure today.
George Brent & Genevieve Tobin have charm to spare as the protagonists whose divorce seems in danger of floundering; sophisticated & witty, they are a very entertaining duo. Glenda Farrell is hilarious as the boozy floozy after Brent for unpaid alimony - this brassy blonde could always be counted on for some mischievous merriment.
Pixilated Frank McHugh is the milkman turned most unlikely deputy. John Eldredge plays the gentle young lawyer; Patricia Ellis is not gentle at all as the pushy prom princess from next door. Apoplectic producer Porter Hall & sassy housekeeper Helen Lowell add to the amusement.
Movie mavens should recognize Mary Treen as a secretary & Olin Howlin as the sheriff, both uncredited.
Did you know
- TriviaTwo years after the release of Snowed Under, Genevieve Tobin married Warner Brothers contract director William Keighley. She'd been directed by him in Easy to Love (1934) and would work with him again on Yes, My Darling Daughter (1939) and No Time for Comedy (1940) --- her final film. She retired from the screen at age 41, stayed married to Keighley until his death in 1984, and lived herself until 1995.
- GoofsThe bench warrant calls for Alan's arrest for not appearing in court on a date which, as typed in the judge's order, was a Sunday. No court would schedule a domestic civil case hearing on a Sunday.
- Quotes
Pat Quinn: Last summer you wouldn't have turned me out in the snow.
Alan Tanner: Last summer there wasn't any snow. You were just a little girl who's father rented my house and I was trying to be a rather pleasant country landlord.
Pat Quinn: And now?
Alan Tanner: And now - is the winter of our discontent. Scram, my love.
- ConnectionsReferenced in Seven Keys to Baldpate (1947)
- SoundtracksJingle Bells
(1857) (uncredited)
Music by James Pierpont
Variations in the score during the opening credits
Details
- Runtime
- 1h 3m(63 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1