To Spring

This Harmon & Ising Happy Harmony cartoon gave MGM the opportunity to make use of the Technicolor process that, until recently, had been monopolised by Disney, so it is full of deep, rich colours. The film tells a fanciful tale that would soon be considered outdated with the arrival of the likes of Bugs Bunny and Daffy Duck. Winter is losing its grip on the land, signalling a gang of wizened, bearded elves living underground to start preparing the colours that will transform the countryside from a chilly white blanket to a rich canvas of colour. It's a quality little film, obviously made with great care – but it can't stand up to the likes of Foghorn and Yosemite

Wow, what a visually mesmerising animation, the attention to detail is just amazing. To me it's a real little animated visual wonder! I read a lot of talk from people who remember it fondly from their childhood and old video tapes. I never saw it when I was a kid, I was just lucky enough to discover it on my own recently, and it was certainly cartoon love at first sight! I could feel right away that it was an animation with a very rare and special kind of old quality and I just love the dazzling beauty in all that is to be seen right from the intro to the end... The realistic scenic landscapes, the animals the flowers and the trees, then everything in the underground caverns like the rock formations, the stalactites, the water dripping down over the clock - there's such phenomenal skill at work that was put into all of it. I also found the animation and effect used with the bellowing malign spirit of Winter to be very impressive. He sure sounded a lot like Bluto from Popeye! It offers quite the novel take on how the seasons are made, with those wonderful industrious gnomes striving endlessly in their subterranean grotto to mine ore of every shade of the rainbow to harvest in big, boiling pots of brilliantly vivid colour to power the arcane machinery with the sorcerous ability to paint the land with the new seasons and put the old ones to rest. And in the closing scene I adore the exceptional beauty as all the colours the gnomes have harvested brighten up the world once more in green leaves and bright cherry blossom blizzards. The music and the action perfectly flow together and create a sense of rhythm and pace that make the show breeze by like a dream. I think it brings to life a little of the rich folklore of gnomes - not dwarfs, there is actually a difference! To me these underground mining folk are closer to the original grandeur of the original grittier legends, as opposed to the lovable characters they forever made of them when the great Disney classic Snow White came along. I'm so glad I found this. How very much there is to be found in some of the earliest animations... So creative and wonderful, what a classic. It brings the promise of Spring, and also of hope. It's a gem!

A lovely example of how to weave animation magic. Gnomes wake up at the end of Winter and must mine the earth and pump the color above ground. If you see a decent print of this, the color scheme and animation make up for the fairly weak story. A++

Metro-Goldwyn-Mayer is a very lost player in the short cartoon market. This market is essentially dominated by the Looney Tunes and the Merry Melodies shorts, coming from Warner Bros. But MGM is also able of releasing hidden gems, like "To Spring", an astonishing story about the most beautiful season of the year.

In the environment depicted here, spring isn't caused by natural cycles, but is fabricated. And by who? By little male elves who live below ground. Each spring, when the snow begins to melt, they start working. They begin by felling rainbow rock columns, then reducing them to rubble and using this rubble to turn it into color fluids, which will be moved up to the ground and bearing grass, flowers... In other words, spring! The first half of the cartoon depicts spring's fabrication, but the second part is a little bit different. Old Man Winter comes back and he tries to extend winter by destroying the elves' work. So from this point, we assist to a battle between the elves and Old Man Winter.

The music heard here is deliciously wonderful. The melodic parts stick in the head like an ink spot on a paper sheet. The second part melodies are thrilling and they perfectly fit with the action. This is just fantastico, Giorgio! The animation sequences are also a delight. The colors are well mixed and every little detail is shown into a massive, epic environment. The concept itself is brilliant. The elves are attracting characters, so is Old Man Winter, who effectively portrays the cold and ruthless feelings of the white season.

There's also a strong message included here. The battle seems lost for the elves at the end, until a single late arriving elf jump into the action and it leads to the elves' victory over winter. So the point is: only one single person can make the difference.

In conclusion, "To Spring" is a remarkable lost classic from short cartoon era. What is even more remarkable is that this cartoon's director made his debut here. And who is "To Spring"'s director? It's a certain William Hanna...

The animators here.get out their palettes and produce a remarkable visual animated feature. It is an explanation about how an army of elves defy old man winter and drive him away. The literally produce spring. My only criticism is that it is somewhat endless, with things repeated several times with an old codger's voice dominating.