A black man sneaks out of church and tries to steal a chicken, but gets a taste of hell when he's accidentally knocked unconscious.A black man sneaks out of church and tries to steal a chicken, but gets a taste of hell when he's accidentally knocked unconscious.A black man sneaks out of church and tries to steal a chicken, but gets a taste of hell when he's accidentally knocked unconscious.
Ben Carter
- Nicodemis
- (uncredited)
Lou Fleischer
- Chickens
- (uncredited)
Clifford Holland
- Black Singers
- (uncredited)
Mantan Moreland
- Black Singers
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
6tavm
This was the second, in chronological order, of the Censored 11 Warner Bros. cartoons I've watched on Thad's Animation Blog. Sunday Go to Meetin' Time has the stereotypical drawn caricature of African-Americans with big white lips as well as the Stepin' Fetchit prototype in leading character Nicodemus. A really offensive scene has a mother putting shoe polish on her bald kids' heads then the father shining them on the other side. Other than that, this was a pretty entertaining musical cartoon about the leading character going to Hell and back. That Friz Freling directed this should come as no surprise since his musical shorts are usually some of the most entertaining. Worth a look for any animation buff who's aware of certain time period acceptance of certain stereotypes.
While it's true that "Sunday Go To Meetin' Time" contains very stereotypical portrayals of African-Americans, it appears that the people behind the cartoon were actually taking some interest in African-American culture. The cartoon has a man skipping church, but then getting knocked out and dreaming that Satan sentences him to eternal damnation for his misdeeds. Personally, I'd rather go out and entertain myself than spend all day in any religious institution. Maybe I'd go out and watch a movie (in religious people's minds, it would easily get me sent to Hell if the movie starred someone like Elke Sommer; if so, then Hell here I come!).
But I digress. This cartoon is worth seeing, just as long as you understand the offensive content.
But I digress. This cartoon is worth seeing, just as long as you understand the offensive content.
Most notable for being one of the cartoons from the group "Censored 11", cartoons withheld from syndication for being deemed as having offensive content, 'Sunday Go to Meetin' Time' is not one of the worst, being better than 'Angel Puss'.
It is also not as racist as 'Jungle Jitters', 'Angel Puss' and 'All This and Rabbit Stew', in fact apart from one bit, the portrayal of its stereotypes and the character designs 'Sunday Go to Meetin' Time' is one of the tamer ones from the group. However, it takes a decent if very familiar premise of a character going to hell but executes it in a less than memorable or imaginative manner.
Not as dull as 'Angel Puss' or 'Hittin' the Trail for Hallelujah Land', but when it comes to the "Censored 11" cartoons there are a few that still entertain hugely such as 'Goldilocks and the Three Jivin' Bears' and 'Coal Black and De Sebben Dwarfs', a level that 'Sunday Go to Meetin' Time' never quite reaches.
The best thing about it is the music score, it's not Carl Stalling but it's still lively, characterful and beautifully orchestrated stuff that fits very well. Most of the animation is also very fluid and detailed with lovely use of colour. There are a few amusing moments, such as the citing of the charges, which is the most imaginative the premise gets.
On the other hand, the premise could have been more imaginatively and energetically handled. It just lacked zip and doesn't do much new with a premise done to death in cartoons and much more memorably, not enough stands out here. There are amusing moments certainly, but they come sporadically and sharper timing generally would have helped to make it more consistent. While it has been said that there are far more offensive cartoons in the "Censored 11" group, it is easy to see why 'Sunday Go to Meetin' Time' is seen offensive enough to withhold it from being distributed.
There is one scene that is racially offensive, which involves shoe polish, that scene was just not in good taste not just for now but back then too. The very exaggerated character designs are grotesquely and unnecessarily ugly, and the characters are stereotypes not painted in a good light, if nowhere near as objectionable as the likes of 'Jungle Jitters', 'Tin Pan Alley Cats' and 'All This and Rabbit Stew' as prime examples of the "Censored 11" cartoons.
In conclusion, forgettable cartoon with moments but could have done much more with a decent if familiar premise. 4/10 Bethany Cox
It is also not as racist as 'Jungle Jitters', 'Angel Puss' and 'All This and Rabbit Stew', in fact apart from one bit, the portrayal of its stereotypes and the character designs 'Sunday Go to Meetin' Time' is one of the tamer ones from the group. However, it takes a decent if very familiar premise of a character going to hell but executes it in a less than memorable or imaginative manner.
Not as dull as 'Angel Puss' or 'Hittin' the Trail for Hallelujah Land', but when it comes to the "Censored 11" cartoons there are a few that still entertain hugely such as 'Goldilocks and the Three Jivin' Bears' and 'Coal Black and De Sebben Dwarfs', a level that 'Sunday Go to Meetin' Time' never quite reaches.
The best thing about it is the music score, it's not Carl Stalling but it's still lively, characterful and beautifully orchestrated stuff that fits very well. Most of the animation is also very fluid and detailed with lovely use of colour. There are a few amusing moments, such as the citing of the charges, which is the most imaginative the premise gets.
On the other hand, the premise could have been more imaginatively and energetically handled. It just lacked zip and doesn't do much new with a premise done to death in cartoons and much more memorably, not enough stands out here. There are amusing moments certainly, but they come sporadically and sharper timing generally would have helped to make it more consistent. While it has been said that there are far more offensive cartoons in the "Censored 11" group, it is easy to see why 'Sunday Go to Meetin' Time' is seen offensive enough to withhold it from being distributed.
There is one scene that is racially offensive, which involves shoe polish, that scene was just not in good taste not just for now but back then too. The very exaggerated character designs are grotesquely and unnecessarily ugly, and the characters are stereotypes not painted in a good light, if nowhere near as objectionable as the likes of 'Jungle Jitters', 'Tin Pan Alley Cats' and 'All This and Rabbit Stew' as prime examples of the "Censored 11" cartoons.
In conclusion, forgettable cartoon with moments but could have done much more with a decent if familiar premise. 4/10 Bethany Cox
Nicodemus sneaks out of church, only to find himself knocked unconcious by a fence post. He awakens in the devil's court, and has to "give the devil his due". The cartoon isn't really racist at all, except for a scene in which a mom is putting shoe polish on her child's head. The rest of it really celebrates African-Americans as singing, happy folks, and isn't ment to be malicious. Then again, it might not appeal to everyone, but it was made 66 years ago (almost 67), and things have changed. Worth seeking out.
Merrie Melodies short, directed by Friz Freleng, notable today for being one of the Censored Eleven. For those who don't know, the Censored Eleven are cartoons that were withheld from syndication because they were considered to be too offensive due to their use of racial stereotypes. This cartoon's story takes place in a small, sleepy town on a Sunday morning. Various black characters happily head to church, singing and dancing along the way. One of them, Nicodemus, sneaks away so that he may steal chickens. In the course of his chicken-stealing attempt, he manages to knock himself out and has a nightmare that he goes to Hell. When he awakens he rushes to church, seemingly having changed his ways.
I believe those involved with this short probably thought they were telling a colorful, harmless story with a nice moral lesson, using minstrel imagery and stereotypes that weren't considered offensive at the time (at least in the mainstream). Now, of course, this is something that's difficult for many of us watch and certainly difficult to enjoy in the way it was intended. These things can be hard to rate fairly but I'll try. The depictions of blacks are grotesque but, otherwise, the animation is solid for the time. It's hard to judge color and sound quality when this hasn't been released in any kind of cleaned-up condition that I'm aware of. Overall, racism aside, it's a forgettable short that was pretty typical of the kinds of cartoons that were being produced at the time by Leon Schlesinger. If you're an animation buff you'll want to see it and the other shorts on the Censored Eleven list. Most people won't want to see this and children certainly shouldn't be exposed to it until they are old enough to understand the context and history behind it. I should also add that, while watching this makes me uncomfortable, I'm against locking it away and pretending it doesn't exist. That doesn't help anything.
I believe those involved with this short probably thought they were telling a colorful, harmless story with a nice moral lesson, using minstrel imagery and stereotypes that weren't considered offensive at the time (at least in the mainstream). Now, of course, this is something that's difficult for many of us watch and certainly difficult to enjoy in the way it was intended. These things can be hard to rate fairly but I'll try. The depictions of blacks are grotesque but, otherwise, the animation is solid for the time. It's hard to judge color and sound quality when this hasn't been released in any kind of cleaned-up condition that I'm aware of. Overall, racism aside, it's a forgettable short that was pretty typical of the kinds of cartoons that were being produced at the time by Leon Schlesinger. If you're an animation buff you'll want to see it and the other shorts on the Censored Eleven list. Most people won't want to see this and children certainly shouldn't be exposed to it until they are old enough to understand the context and history behind it. I should also add that, while watching this makes me uncomfortable, I'm against locking it away and pretending it doesn't exist. That doesn't help anything.
Did you know
- TriviaOne of the "Censored 11" banned from T.V. syndication by United Artists in 1968 (then the owners of the Looney Tunes film library) for alleged racism. Ted Turner continued the ban when he was hired and stated that these films will not be re-issued and will not be put on Home Video. These cartoons will probably never air on television again, and only non-Warner Bros. licensed public domain video tapes will probably ever have these cartoons on them.
- GoofsWhen the devil opens his ledger to look at Nicodemus' account, in close-up Nic's sins are listed on the right-hand page while the left page is blank. In long shot the left-hand page is filled with writing.
- Quotes
Demon Judge: [looks through the book of violations] Hmm, let's see know.
[goes through the violations]
Demon Judge: "Shootin' craps, stealin' chickens, missin' church, raisin' dickens." That's bad!
[sends Nicodemus to Hell]
- ConnectionsEdited into Uncensored Cartoons (1982)
- SoundtracksSunday Go to Meetin' Time
(uncredited)
Music by Vee Lawnhurst
Lyrics by Tot Seymour
Played during the opening credits (original version)
Sung by the man in his Sunday best
Details
- Runtime
- 7m
- Sound mix
- Aspect ratio
- 1.37 : 1
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