The Trail of the Lonesome Pine

It's a wonderful movie - good story - well written & well acted by a better than ordinary cast. Spanky Mac Farland was a jewel in his role & Fred MacMurry & Henry Fonda performed well. Buelha Bondi proved to be a surprisingly good (to me, at least), actress. She carried more than her share of the movie. The scenery, the filming of that beautiful area, the first movie, shot outside, in color, should have won an Oscar. I'm still disappointed that it didn't. if you haven't seen it - SEE IT!!!

`In the Blue Ridge Mountains of Virginia, on THE TRAIL OF THE LONESOME PINE,' a young woman discovers love, but no respite from the violent feud which has torn apart two families.

Full of good performances & boasting excellent production values courtesy of Paramount Studios, this fine drama brings to its viewers a not-so-subtle message of peace & tolerance. The vividly depicted consequences of mindless, violent behavior give the film a real punch.

The film's romantic triangle consists of barefoot mountain lass Sylvia Sidney, her decent, uncomplicated cousin Henry Fonda, and mining executive Fred MacMurray, who, as a newcomer to the backwoods, rebels against the traditions of violence & revenge he finds there. All three deliver compelling performances, with a slight advantage going to the gentlemen, as their roles do not require as much shrill, fickle behavior as does Miss Sidney's.

The marvelous character actress Beulah Bondi appears as Miss Sidney's mother, one of the first in a decades-long line of stubborn, proud old women she would play; her eyes tell of the world of trouble her character has seen on the mountain. Cuddly Nigel Bruce is MacMurray's associate - gruff & grumbly, but with a heart of gold.

Special mention should be made of seven-year-old Spanky McFarland, who plays Miss Sidney's little brother. Already the star of numerous OUR GANG comedies, the tiny tyke here displays the talent that placed him in the front rank of child movie stars. Precocious & poignant, Spanky's character is quite unforgettable.

Fred Stone & Robert Barrat play the heads of the two feuding clans, one gentle - the other fierce. Movie mavens will recognize Clara Blandick as a frightened landlady and Samuel S. Hinds as the Gaptown sheriff.

The film is stitched together by the evocative, nostalgic singing of Fuzzy Knight, who introduces ‘Twilight On The Trail' & ‘A Melody From The Sky,' (both by Louis Alter and Sidney D. Mitchell). The tune for the chorus of ‘The Trail Of The Lonesome Pine,' by Ballard MacDonald & Harry Carroll, can be briefly heard during the opening credits; viewers will need to watch Laurel & Hardy's WAY OUT WEST (1937) to hear this fine old song actually sung.

Famous as the first outdoor film produced in full Technicolor, THE TRAIL OF THE LONESOME PINE benefits greatly from its location filming near Cedar Lake, in California's San Bernardino Mountains.

This sound version of The Trail of the Lonesome Pine is actually the fourth and to date last version of this story. There were three silent films made from this novel by John Fox, Jr., including one done in 1916 by Cecil B. DeMille.

It's the story of a couple of Appalachian Mountain families who've had a decades old feud in which no one can quite recall how it all got started, but they sure do remember the latest outrage by the other crowd. There's a great temptation to treat this all humorously and it certainly has been done, I can recall Abbott and Costello's Comin' Round the Mountain with the same plot premise. But whole people's and whole nations act this way, who are we to judge the Tollivers and Falins of this story.

Sylvia Sidney and Henry Fonda are two Tolliver cousins, kissing cousins as they say in the mountains, distant enough to contemplate marriage. Into the picture comes railroad man Fred MacMurray who wants to build a railroad through the properties of both families. He interests Sylvia who starts to see that there is a whole world away from her family and their feud.

Of course when her little brother is killed the whole ugly business starts up again and it leaves tragedy again in both families.

The Trail of the Lonesome Pine has its place in film history as the first outdoor as opposed to studio film shot in three strip technicolor. Color which is now standard was a big gimmick back in the day and Paramount raked in good box office.

Fuzzy Knight plays another rustic character, kind of a Tolliver satellite and he sings a couple of songs written for the film by Louis Alter and Sidney Mitchell, Twilight on the Trail and A Melody from the Sky. The latter got an Academy Award nomination for Best Song, losing to The Way You Look Tonight. The former however got a recording by Bing Crosby. This is a perfect example of the connection of film, and radio, and the recording industry. Bing was Paramount's number one box office attraction and the Paramount executives no doubt prevailed on him to record the song and sing it on his brand new Kraft Music Hall Radio Show in the interest of publicizing The Trail of the Lonesome Pine.

Fred MacMurray and Sylvia Sidney were also with Paramount at the time and Henry Fonda was at that time under contract to producer Walter Wanger who filmed this story. Those were the days way before agents and stars being their own producers. Such cozy arrangements as these were more easily done then.

This last to date version of The Trail of the Lonesome Pine probably is too old fashioned for a remake. Still I think today's audiences might still enjoy it.

THE TRAIL OF THE LONESOME PINE (Paramount, 1936), a Walter Wanger production, directed by Henry Hathaway, became the first sound version to the famous John Fox novel that was previously filmed during the silent movie era: (1914, with Dixie Compton); (1916, with Charlotte Walker, directed by Cecil B. DeMille), and (1923, with Mary Miles Minter). Aside from being its only known sound edition and notable title song used for WAY OUT WEST (1937) starring the comedy team of Laurel and Hardy, THE TRAIL OF THE LONESOME PINE become the first outdoors movie filmed entirely in Technicolor, by which a movie such as this with beautiful mountain scenery and trees would definitely cry for Technicolor anyway. For its new cast, this production features Paramount resident Sylvia Sidney, with two young rising actors in fine support, Henry Fonda and Fred MacMurray, in a story about mountain feud between two rival families and the intrusion between the families by an outsider city feller.

FORWARD: "Among the American mountains there are forgotten valleys where people dwell shut in old words, old wars, old codes have lived on unchanged. Each family is at war with the other over deadly feuds whose beginnings they cannot remember. But their hatred is their patriotism, their quaint customs are their religion such a feud has been carried on for generations by the Tollivers and the Falins." PROLOGUE: The hills of Kentucky showing a feuding families, the Tollivers and Falins, shooting at each other. Judd (Fred Stone), head of his family, is unable to run to his cabin to be with his wife, Melissa (Beulah Bondi) giving birth to their first child. With newborn baby in her arms, Melissa, wanting nothing to do with the feud, prays for peace and guidance. STORY: "Today another generation has grown to accept the code of the lonesome pine." Judd and Melissa Tolliver, having another child, Buddy (Spanky MacFarland, from the "Our Gang" comedy shorts), await for their eldest daughter, June (Sylvia Sidney) to marry her distant cousin, Dave (Henry Fonda), whom they have raised since childhood. Jack Hale (Fred MacMurray), a city engineer accompanied by his assistant, Mr. Thurber (Nigel Bruce), arrives to discuss matters with Judd about coal on his property followed by railroad construction to go through both his property and the neighboring Falins. Jack soon notices Dave lying in bed slowly dying by gangrene from a gunshot wound in the arm by one of the Falins. Saving his life. Jack gets a contract from Judd with promised check of $5,000. With the feud continuing between the Tollivers and the Falins, further complications ensue with June not only wanting to live in the city of Louisville to get an education, but showing more love interest towards Jack than to Dave. With the killing of one of the Tollivers by the vengeful Falins take place, and Melissa wanting nothing more than to end the feud before any more killings take place, Jack complicates matters further by getting himself involved in the feud where he doesn't rightfully belong. Others in the cast include: Robert Barrat (Buck Falin, head of the clan); Alan Baxter (Clay Tolliver); Samuel S. Hinds (The Sheriff); George Ernest (Dave, as a boy), and Clara Blandick (The Landlady). Fuzzy Knight, labeled "the walking phonograph" by Thurber (Nigel Bruce), sings several melodies through his mountain walks, including "Trail of the Twilight" and "Melody from the Sky."

Of its many versions to this famous story, this 1936 release is the most famous due to frequent television broadcasts from the 1960s to the 1980s. Sylvia Sidney gets cast against type as a mountain girl, while Henry Fonda is cast in type as the vengeful mountain boy. While Sidney teamed with Fonda again in YOU ONLY LIVE ONCE (United Artists, 1937), she wouldn't work with MacMurray again until her guest star appearance in the 1969 episode of his "My Three Sons" (CBS) television series many years later. Of its leading players, Fred Stone is agreeable as the mountain father while Beulah Bondi comes off best as the peaceful wife and mother. Regardless of its fine cast (with their names credited during its opening printed on tree pines), beautiful Technicolor is its focal point throughout its 102 minutes.

Having become available on both video cassette and DVD, THE TRAIL OF THE LONESOME PINE, consisted on few cable television broadcasts, including the Disney Channel (1990s) and years later on Encore Westerns. Happy Trails. (***1/2)

THE TRAIL OF THE LONESOME PINE (1936) is a landmark color film of considerable dramatic power that has been neglected in Hollywood history. It was the second full-length feature to be produced in the newly-developed 3 strip Technicolor process. The first Technicolor feature, BECKY SHARP, had opened the previous year (1935) but did not find audience favor. There is strong evidence to suggest that THE TRAIL OF THE LONESOME PINE was the film that really popularized color.

Aside from the superb color photography, the film has much to recommend it. There are very strong performances, particularly that of Sylvia Sidney as the backwoods mountain girl - a very convincing portrayal. She is supported by two handsome newcomers, Henry Fonda and Fred MacMurray, plus veterans such as Fred Stone, Beulah Bondi, and Spanky MacFarland. The story line is very compelling and there is the strong direction of Henry Hathaway (LIVES OF A BENGAL LANCER, KISS OF DEATH, TRUE GRIT). In its original release, audiences reportedly burst into applause while viewing some of the color scenes. The film was a box office smash for Paramount, playing to packed houses in both large and small towns. (This is well documented.) It remains compelling entertainment today. The high-quality color photography was very much in evidence in the VHS tape that MCA released in the Nineties. It is to be hoped that the same high quality will be seen in the projected 2009 DVD release of this beloved film.