The Trail of the Lonesome Pine

It's a wonderful movie - good story - well written & well acted by a better than ordinary cast. Spanky Mac Farland was a jewel in his role & Fred MacMurry & Henry Fonda performed well. Buelha Bondi proved to be a surprisingly good (to me, at least), actress. She carried more than her share of the movie. The scenery, the filming of that beautiful area, the first movie, shot outside, in color, should have won an Oscar. I'm still disappointed that it didn't. if you haven't seen it - SEE IT!!!

The movie's an affecting tale of feuding backwoods families, who must also make adjustments to encroaching modern world. I was expecting a Romeo-Juliet situation with the families, but that's surprisingly not the case. Instead June (Sidney) has to decide between her cousin Dave (Fonda) and outsider Hale (MacMurray). Tradition favors Dave, but her heart favors Hale. At the same time, railroad developers are crossing land owned by each family, and neither the Tollivers nor the Falins wants to accommodate their hereditary enemy. They'd rather shoot each other if they get the chance. And who knows how the enmity started, except now it's part of both families' tradition. If the movie's flawed, it's with the use of of popular backwoods stereotypes.

Apparently this was the first outdoor Technicolor feature (IMDB), but you'd never know it. Visually the film is quite striking, with a lot of beautiful outdoor compositions. Also, you'd never guess these were filmed just 35-miles east of LA in the San Bernardino mountains. The acting too is first-rate—a soulful Sydney, an ornery Fonda, and an underrated MacMurray. Then there's Sherlock Holmes' favorite Dr. Watson, Nigel Bruce, in a non-comedic role. Needless to say, that took some adjustment for this old Sherlock fan. In fact, there're a couple other unexpected cast members, as well: Little Rascal Spanky McFarland and comedic Fuzzy Knight. And, of course, mustn't forget everyone's favorite hard-scrabble mom, Beulah Bondi, as the long-suffering ma Tolliver.

I like the way the movie works the culture clash between tradition and modernity into the plot. The railroad company pays big money for land use, and that along with a railway to service the expected coal deposits, is bringing the backwoods into the modern age, as June's evolution shows. Of course, not everyone's supportive of change, particularly dad Tolliver (Stone). The movie has some uncommonly poignant moments, especially that final sequence, which conveys an extraordinary emotional power. As a kid, I recall bawling at it, and even now as a geezer, it brought a tear to the eye. As I see it, Fuzzy and his dog are mourning not only friends but the passing of a simpler way of life.

All in all, the movie is surprisingly good, with a strong story, commanding visuals, and a thoughtful subtext. So don't pass it up because of a relative obscurity.

I bought a video of this film on Amazon.com after reading the 1908 novel by John Fox Jr. and enjoying it very much. I waited 4 whole months for Amazon to locate a copy and ship it to me. Then I settled down to watch it and almost fell asleep. I was disappointed after all that wait.

Sylvia Sidney and Fred MacMurray were terribly miscast as the leads June and Jack, Fred more so than Sylvia. Henry Fonda was very good as Dave, although his lines were hokey. The script was not true to the book at all; that was the main problem. All the protective tenderness the lead male Jack felt for the girl June, so beautifully portrayed in the novel, was totally missing in Fred MacMurray's performance. And then to top it off they had little Spanky from the Our Gang series in it as the little brother of June, his chubby face and coy demeanor were distractions from the main action of the story. The songs that were sung were annoying too; had no place in the story. It would have been better if they had spent money on a better musical soundtrack without characters singing all the time, especially in dramatic scenes. What were they thinking? (no doubt, of sheet music sales). Some outdoor scenes were beautiful filmed in color but that alone cannot hold the viewer's interest in the movie. Even the significance and symbolism of the Pine Tree in June and Jack's relationship wasn't portrayed in the film as it should have been.

Anyway, my advice here is to skip the film and just read the book and enjoy it. Since this story is in the public domain it could really be updated today and make a nice film. Maybe someday some studio or independent filmmaker will consider it. There were 4 silent versions and an animated version made prior to this film, so obviously the story is a classic one that can be enjoyed by new generations, if told well and with sensitivity and faithfulness to the book by John Fox.

I saw this movie when I was 15 years old and never forgot it; I now have a copy of it and watch it often and enjoy it as much as when it first came out in 1936.

THE TRAIL OF THE LONESOME PINE (1936) is a landmark color film of considerable dramatic power that has been neglected in Hollywood history. It was the second full-length feature to be produced in the newly-developed 3 strip Technicolor process. The first Technicolor feature, BECKY SHARP, had opened the previous year (1935) but did not find audience favor. There is strong evidence to suggest that THE TRAIL OF THE LONESOME PINE was the film that really popularized color.

Aside from the superb color photography, the film has much to recommend it. There are very strong performances, particularly that of Sylvia Sidney as the backwoods mountain girl - a very convincing portrayal. She is supported by two handsome newcomers, Henry Fonda and Fred MacMurray, plus veterans such as Fred Stone, Beulah Bondi, and Spanky MacFarland. The story line is very compelling and there is the strong direction of Henry Hathaway (LIVES OF A BENGAL LANCER, KISS OF DEATH, TRUE GRIT). In its original release, audiences reportedly burst into applause while viewing some of the color scenes. The film was a box office smash for Paramount, playing to packed houses in both large and small towns. (This is well documented.) It remains compelling entertainment today. The high-quality color photography was very much in evidence in the VHS tape that MCA released in the Nineties. It is to be hoped that the same high quality will be seen in the projected 2009 DVD release of this beloved film.