Bulldog Drummond Comes Back

Some very hammy European bad guys interrupt Captain Drummond's wedding plans by kidnapping his fiancée in an attempt to lure Drummond into a ridiculous wild goose chase that sees our hero following cryptic clues for some reason or other. The plot is unimportant and wafer-thin; it's the ride that's fun.

A very creaky, dated, no budget gem, Bulldog Drummond Comes Back is a fairly entertaining romp with engaging characters saying very quaint English things to each other, and generally cavorting about in various contrived circumstances.

John Howard is good as Drummond. He's suitably dashing and charming, and he does a fine job. The supporting cast of good guys are all good value, and are blessed with frequently mildly amusing dialogue. The baddies are straight out of a Tin-Tin comic but that's not a bad thing in this case.

The show is stolen by Barrymore, who, even though he never quite seems to be thoroughly enjoying himself in the role of Scotland Yard Detective Nielson, is always the best thing in the frame when he's on screen. His array of disguises (don't ask) are hilarious, and often ingenious.

Overall a lot of fun if you're in the mood for some extremely lightweight, silly adventure comedy.

Weaker entry in the Bulldog Drummond series, with John Howard in the role. Usual funny banter and antics, but not much plot. Barrymore gets something to do as the inspector, swapping disguises to follow Drummond, Algy, and Tenny on a wild goose chase (mostly in circles; perhaps the budget was tighter than usual) to rescue poor Phyllis, who is being held captive by people who want to lure Drummond to his doom. For those keeping score, in this one, Drummond is planning to ask Phyllis to marry him and Algy is worried about missing the baby's christening. It's fun to see Algy and Tenny dressed up as fisherman to blend in at The Angler's Rest, but little of it rises above silly.

In foggy old London town/ Did Drummond chase the poesy 'round/ Assisted by a secret corps/ Led by "Colonel" Barrymore.

In this Bulldog Drummond adventure, starring John Howard, he must follow a playful string of clues to rescue his kidnapped girlfriend. The villains, intent on revenge, hiss and taunt at every turn. Thankfully, they drag out the game long enough for the hero to thwart their efforts. John Barrymore plays the resourceful Colonel Neilson who finds a way to aid Drummond.

As adventures go, this is rather weak. The trail of clues is obtuse and repetitive. It all ends with a ticking cliche.

This is the tenth Bulldog Drummond film, and the first starring John Howard, who was to make the character his own in memorable fashion. John Barrymore gets top billing, despite the fact that he is in only a supporting role, but then that's stars for you! Barrymore plays Inspector Neilson, which he was to do for two more films, but he looks tired and world-weary, in fact as if he had been on a binge the night before (which is not unlikely). Barrymore dons some excellent disguises during the film, with false noses and moustaches and odd accents, which must have delighted him. We have almost as much fun with them as he does. The boring Louise Campbell plays Phyllis Clavering, who is always about to marry Drummond but constantly being prevented from doing so by some new crime erupting, or being kidnapped, or whatever. (The next year the more exciting Heather Angel was to resume this role, which would be a great improvement.) E. E. Clive and Reginald Denny as Tenny the Butler and Algy respectively, are here again (having missed the intervening film with John Lodge as Drummond), and are as marvellous as ever. This film has an extra dimension of interest. The wonderfully sinister villains played here by J. Carroll Naish and Helen Freeman not only kidnap Phyllis but put Drummond, upon whom they seek revenge, through an ingenious 'treasure hunt' ordeal, where they leave him coy notes which he has to decipher quickly, and also gramophone records where he is given instructions on where to go and what to do next. This is certainly an excellent added layer of intrigue to a mystery story, and is a story device which should be used more often in films. It all becomes really interesting as we follow the frustrated Drummond from rendezvous to rendezvous, as he is 'given the runaround' with the clock ticking. There are of course comic moments, and a great deal of quaintness is on hand at the seaside tavern where you walk in, order your beer, choose a gramophone record and put it on the Victrola which is sitting on the bar. Never saw that before! The earliest form of jukebox! This is a particularly good Drummond movie, and is well worth watching.

During the 1920s-1950s, there were TONS of different actors who played the lead in the Bulldog Drummond films--too many. In fact, because of this massive turnover, the series never really caught on with the public. However, at least for a while, John Howard was able to provide some stability--appearing as Drummond in seven films. While none of these films were terrific, they were generally better than the other films of the series.

This one finds Drummond about to get married--for the thousandth time! In fact, that was a huge running joke with many of the Drummond films--he was always just about to get married when disaster strikes in the form of some mystery. Here, Drummond cannot get married because his fiancée is kidnapped! It seems there is a strange couple who say they are doing this to destroy Drummond because he was responsible for the capture of their loved one! What makes this different from many of the Drummond films is that his fiancée is not a passive victim--she often goes out to try to solve the mystery herself and seems to love the excitement of the Drummond lifestyle!

Overall, a decent addition to the series and interesting and worth seeing. Not the best of the Howard films (the villains and their cause seem weak), but also certainly not the worst. Average, but good for B-movie mystery/suspense fans (like me).