IMDb RATING
7.3/10
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An actor of the stage finds himself pursued by a lovestruck fan while trying to patch up a tempestuous relationship with his actress lover.An actor of the stage finds himself pursued by a lovestruck fan while trying to patch up a tempestuous relationship with his actress lover.An actor of the stage finds himself pursued by a lovestruck fan while trying to patch up a tempestuous relationship with his actress lover.
- Director
- Writers
- Stars
- Awards
- 3 wins total
Georgia Caine
- Mrs. Kane
- (as Georgia Craine)
Grace Field
- Mrs. Babson
- (as Grace Fields)
Edmund Mortimer
- Mr. Kane
- (as Ed Mortimer)
Thomas R. Mills
- Second Butler
- (as Thomas Mills)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Why this comedy is unremembered is a mystery to me. It's a witty, fast-paced film, all of the stars give good, funny performances and was critically applauded in its time. Howard and Davis, better known for Of Human Bondage and The Pertrified Forest show largely untapped comic talents; in Bondage and Forest, one often outshines the other, but in this film, they seem to go way over the top trying to outdo each other. Of course that's perfect for this movie and their characters, a hammy, battling stage couple who get along even less after De Havilland comes into the picture. Eric Blore provides priceless comic support. If you're a fan of screwball comedy or any of the stars, I highly recommend it.
I'd never even heard of this one until it came out on DVD-R courtesy the Warner Archives. I gave it a try and I was delighted. I've seen every pair of the three main stars here together in different films before (Bette Davis, Leslie Howard, Olivia De Haviland), but never all three at the same time. The pairings I am speaking of were all in serious films, and it is great to see these three try out their comic chops and try them out together. Leslie Howard and Bette Davis hardly ever got a chance at this type of role, and Olivia De Haviland did so on several occasions, but so few people remember those performances.
The film concerns a pair of Shakespearean actors. Basil Underwood (Leslie Howard) and Joyce Arden (Bette Davis). They are involved on and offstage, and are constantly fighting and making up. One night Marcia West (Olivia De Haviland) sees a performance of Romeo and Juliet and falls instantly in love with Basil, she even goes backstage and tells him so. This has Marcia's boyfriend in a panic and he asks Basil to come to the West estate and behave so badly as to end Marcia's feelings for him. Basil, just recently making a resolution to not be so selfish, decides to do this as a good deed. However, Joyce follows Basil to the estate, and Marcia does not react as planned to Basil's actions. For that matter, Basil doesn't act as Basil planned. Also a delight is Eric Blore as Basil's valet. He steals every scene. Highly recommended.
The film concerns a pair of Shakespearean actors. Basil Underwood (Leslie Howard) and Joyce Arden (Bette Davis). They are involved on and offstage, and are constantly fighting and making up. One night Marcia West (Olivia De Haviland) sees a performance of Romeo and Juliet and falls instantly in love with Basil, she even goes backstage and tells him so. This has Marcia's boyfriend in a panic and he asks Basil to come to the West estate and behave so badly as to end Marcia's feelings for him. Basil, just recently making a resolution to not be so selfish, decides to do this as a good deed. However, Joyce follows Basil to the estate, and Marcia does not react as planned to Basil's actions. For that matter, Basil doesn't act as Basil planned. Also a delight is Eric Blore as Basil's valet. He steals every scene. Highly recommended.
A very young Bette Davis is again paired with Leslie Howard, this time in a delightful, frothy comedy about battling theatrical costars. Supposedly the couple was based on Lunt and Fontanne, but I suspect there's a little influence from "Private Lives" as well.
Howard is a riot as the outrageous, narcissistic actor who can't stop getting women to fall in love with him, and Davis is a beautiful spitfire as his costar/fiancé.
Olivia deHavilland is the sweet young thing in this and she's lovely as a starry-eyed woman who thinks she's in love with Howard. Eric Blore is Howard's hapless manservant, and he's hilarious.
This is such a wonderful, witty movie, the kind, alas, that had its heyday in the '30 and '40s and is no more. The beginning scenes, with the two on stage in Romeo and Juliet, whispering insults, is especially funny. It's great to see such a young Davis and deHavilland, too, and Leslie Howard in comedy. This movie is a treasure, not to be missed.
Howard is a riot as the outrageous, narcissistic actor who can't stop getting women to fall in love with him, and Davis is a beautiful spitfire as his costar/fiancé.
Olivia deHavilland is the sweet young thing in this and she's lovely as a starry-eyed woman who thinks she's in love with Howard. Eric Blore is Howard's hapless manservant, and he's hilarious.
This is such a wonderful, witty movie, the kind, alas, that had its heyday in the '30 and '40s and is no more. The beginning scenes, with the two on stage in Romeo and Juliet, whispering insults, is especially funny. It's great to see such a young Davis and deHavilland, too, and Leslie Howard in comedy. This movie is a treasure, not to be missed.
While Bette Davis and Leslie Howard are amusing as two battling lovers who also happen to be ham actors, the surprise of this little comedy is Olivia de Havilland as the moonstruck girl with a crush on matinée idol Basil Underwood (Howard). De Havilland never had a better ingenue role and she makes the most of it. Amusing to note that three years later she and Howard would be paired as Melanie and Ashley in 'Gone with the Wind'. Strange that previous comments fail to even mention her presence in this film! Even Bette Davis admitted that de Havilland had the better role with more footage--and claimed to dislike the film. However, all three leads are excellent--with Eric Blore stealing scenes as the butler frequently told by Leslie Howard to "Pack my bags!" Bonita Granville is rather irritating as de Havilland's brat sister and Spring Byington is her usual chipper self. Patric Knowles, as de Havilland's boyfriend and ultimate love partner, is wonderful in his amusing role as the man who sets the whole plot into action. Catch this one on Turner Classic Movies if you can. It's well worth it. Leslie Howard shows a real flair and delight in playing his ham actor--one of his finest comedy roles. A highlight is a confrontation between him and de Havilland when she declares: "I was in love with Clark Gable last year. If I can get over him, I can certainly get over you!" Screwball comedies don't get any better than this!
The plot of "It's Love I'm After", Archie Mayo's 1937 film, is a fairly simple one. A famed Shakespearean actor, Basil Underwood (Howard) is set to marry his longtime co-star Joyce (Davis) after a tumultuous courtship. The night he proposes to Joyce (again this has occurred several times before) a stranger named Marcia (de Havilland) visits his dressing room, professing her love for him, telling him that she has seen all of his work, etc. He finds this intriguing and charming, but on his way to elope with Joyce, Marcia's fiancée Henry (Knowles) comes to visit Basil, asking for his help in curing Marcia's obsession. The two concoct a plan wherein Basil will go to Marcia's house, where her family is throwing a weekend party for guests, and act like a complete ass so that her affection for him will wane, and she will run back into Henry's arms. Basil embarks on his plans with his trusty valet Digges (Blore) with Joyce following close behind to get to the bottom of why she has been ditched again.
The entire reason why I wanted to watch this film is because I had never seen it, and it features two of my favorite actresses of all time. And while de Havilland and Davis were characteristically wonderful (particularly de Havilland, who was positively luminous in this fairly early role), it was two of the male leads, Howard and Blore, who were the most delightful and humorous. Howard, probably best known as the weak Ashley from "Gone with the Wind", is absolutely hilarious in his role as a self-important, over-dramatic, yet earnest actor. I was often reminded of Rex Harrison, particularly of his performance in the sublime film "Unfaithfully Yours". The combination of intelligence, rapier wit and at times completely moronic behavior was a huge winner in this film. This is the first film I've seen Eric Blore act in, but his role of Digges was another hilarious inspiration. His seemingly stuffy (veddy British) demeanor was in complete conflict with the downright ridiculous situations he willingly participated in. The two were wonderful together, and it looked like they were having a great time doing this film.
Director Archie Mayo has directed films as widely diverse as "The Petrified Forest" (Humphrey Bogart) and "A Night in Casablanca" (The Marx Bros.), but it is clear that he has a true gift for comedic direction. The pacing of "It's Love I'm After" was very quick and the dialogue was whip-smart. I enjoyed this film a lot more than I ever expected to, and since it's one that seems to go under the radar often, I would recommend it to anyone who enjoys classic comedy. "It's Love I'm After" gets a very emphatic 8/10 from me.
--Shelly
The entire reason why I wanted to watch this film is because I had never seen it, and it features two of my favorite actresses of all time. And while de Havilland and Davis were characteristically wonderful (particularly de Havilland, who was positively luminous in this fairly early role), it was two of the male leads, Howard and Blore, who were the most delightful and humorous. Howard, probably best known as the weak Ashley from "Gone with the Wind", is absolutely hilarious in his role as a self-important, over-dramatic, yet earnest actor. I was often reminded of Rex Harrison, particularly of his performance in the sublime film "Unfaithfully Yours". The combination of intelligence, rapier wit and at times completely moronic behavior was a huge winner in this film. This is the first film I've seen Eric Blore act in, but his role of Digges was another hilarious inspiration. His seemingly stuffy (veddy British) demeanor was in complete conflict with the downright ridiculous situations he willingly participated in. The two were wonderful together, and it looked like they were having a great time doing this film.
Director Archie Mayo has directed films as widely diverse as "The Petrified Forest" (Humphrey Bogart) and "A Night in Casablanca" (The Marx Bros.), but it is clear that he has a true gift for comedic direction. The pacing of "It's Love I'm After" was very quick and the dialogue was whip-smart. I enjoyed this film a lot more than I ever expected to, and since it's one that seems to go under the radar often, I would recommend it to anyone who enjoys classic comedy. "It's Love I'm After" gets a very emphatic 8/10 from me.
--Shelly
Did you know
- TriviaThis is the third and final pairing of Leslie Howard and Bette Davis (after Of Human Bondage (1934), and The Petrified Forest (1936)), and their only comedy together.
- GoofsAfter Basil ties (off camera) his ascot before breakfast, the tie's spots are showing. Immediately after, same scene, the tie has stripes. Then, in the third scene immediately following, the tie again shows spots.
- Quotes
Basil Underwood: I say, Digges, you don't suppose I've aroused her slap-me-again-I-love-it complex?
- How long is It's Love I'm After?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- A Gentleman After Midnight
- Filming locations
- Pasadena, California, USA(West mansion)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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