History Is Made at Night

Colin Clive is one obsessed man. Insanely jealous of wife Jean Arthur's imaginary lovers, he still won't let her go in divorce. Before Arthur's got a real one in head waiter Charles Boyer.

History Is Made At Night is another one of Frank Borzage's romantic films with tender lovers and lots of soft focus cinematography. A common thread that seems to run in Borzage's films is forces that threaten to keep intended folks apart. This is true in Three Comrades and The Mortal Storm where it is the political situation in Germany of the twenties and thirties respectively. In History Is Made At Night, what keeps them apart is Boyer's conscience.

Colin Clive as the husband is a multimillion dollar owner of transoceanic ship line who sets a trap trying to catch Arthur in a compromising position. When total stranger Boyer walks in and breaks up the trap and hits Clive's chauffeur a few times, Clive being the obsessed fellow he is, kills the chauffeur and says a burglar did it.

Of course Boyer thinks he did it and when he finds out the Paris police are looking for him, he and Arthur go back to Paris from New York where they have run away to. They have the bad luck to be on one of Clive's ships where from a distance he controls the fate of all.

Boyer and Arthur make a beautiful couple in love. However a biography of Jean Arthur assures us there was nothing to anything about that.

This was also Colin Clive's farewell film. Sadly he died a few months after this film was out. Known primarily for being Baron Frankenstein, creator of the undead, he was so much more than that as this film aptly demonstrates.

We also can't forget Leo Carrillo who plays chef Caesar who aids and abets Boyer and Arthur's romance. Carrillo was a guy who always added something to any film he was in.

If tender romance and ship board excitement are your thing than History Is Made At Night is your film indeed.

This is one of my all-time favorite films, partly because it stars Jean Arthur, one of my all- time favorite actresses, has Boyer's charm, and is beautifully directed and produced. An artistic achievement of its day.

Poor Jean Arthur, trying to get loose from a really ruthless, jealous soon-to-be ex, is set up in her Paris hotel room by husband who has hired a gigolo to sneak in. Boyer, on the balcony, gets wind of it and spoils it and steals her away. They wind up at his place of work, a elegant Paris restaurant, and they dance, dine, laugh, and begin to fall in love. But when she returns to the hotel, it seems the hired gigolo is dead, and her husband coerces her back, threatening scandal, making her give up the divorce final.

Broken-hearted, Boyer and his chef friend go to America to try to find the lady, but cannot, so decide to go to work at an upscale café where Boyer hopes she may patronize. She does and they reunite and the cruel almost-ex-husband, who is a very wealthy shipower and builder, fixes it so Boyer is about to get arrested for the Paris murder. Jean and Boyer try to return to Paris on board a new ship of her husband's and he orders the captain to go full speed into a dense fog...and, well, it is suspenseful and frightening and wonderful. It plays up the speed competitions of the great Ocean Liners, the luxuries and yet dangers of this mode of travel. I learned all I know of Ocean Liners of the time thru movies like this, Love Affair, and Now Voyager, etc, because I would never have the opportunity to sail on one myself. Movies were always a great source of learning to me! But this film is especially entertaining, even though Jean Arthur is playing a straight romantic drama this time. Boyer never disappoints. I count this as another of the late 1930's golden crop of finest all-time films...

This mixture of suspense, comedy, and romance might seem unlikely to work, but it does, due to director Borzage's vision of a love that magically transcends even the most dire of obstacles. This movie is in love with love and the improbable, and in some ways is a Cinderella story almost in reverse (including the removal of a lady's slippers on two occasions). Arthur and Boyer are lovely together. Some of their scenes, luminously lit and heightened by Alfred Newman's lyrical score, are heartbreaking: their beautiful voices are almost like cellos. (Newman wrote a number of such tender and yearning scores in the thirties, including those for "Stella Dallas" and "These Three.") There's also an interesting paralleling of the love/passion that Arthur's husband has for her and that Boyer's friend has for him, although one is destructive and the other nurturing.

Years ago there was a local radio station in San Francisco that played short clips from films and invited listeners to identify the film and the actors and thereby win a prize. At that time I had never seen "History," but knew of it and its two stars, and was therefore able, on hearing the distinctive voices of Arthur and Boyer, to identify the film and be awarded a free fancy haircut.

I saw this on a VHS release here in the 1980's and was one of those films years later I could not forget. How could one forget this memorable title with a equally interesting and unusual combination of love, comedy, drama and disaster that in many other circumstances would simply not work! Boyer and Arthur's romantic moments...pure magic as is Boyer and Leo Carillo's comedic turns. Produced to the tune of over a million dollars (a very generous budget for 1937) independently by Walter Wagner the look of this "A" production certainly reflects this. The deft hand of Borzage could only keep the goings on fluent with the seemingly challenging narrative in a film that easily keeps the viewers attention. To my mind one of the highlights of 30's cinema. I urge anyone interested in this era - see this film!! Available on DVD (mine is a South American copy and OK print quality).

Charles Boyer has never been more charming and Jean Arthur never more beautiful as impromptu lovers Paul and Irene. Colin Clive is brilliant as Irene's madly jealous and obsessive husband Bruce, who unwittingly brings the two lovers together and follows desperate measures to keep them apart. Boyer's and Arthur's tender love scenes make this film one of the greatest unsung screen romances.