IMDb RATING
6.9/10
1.7K
YOUR RATING
An ordinary man suddenly finds that anything he says comes true. Or at least, almost anything.An ordinary man suddenly finds that anything he says comes true. Or at least, almost anything.An ordinary man suddenly finds that anything he says comes true. Or at least, almost anything.
- Awards
- 1 nomination total
Wallace Lupino
- Constable Winch
- (as Wally Lupino)
Gertrude Musgrove
- Effie (replaced by Joan Hickson)
- (scenes deleted)
Featured reviews
This is a nice little film that I'd never heard about but should have, as it's a nice little film. In many ways it's a lot like the "Twilight Zone" episode with Burgess Meredith where aliens give him extraordinary strength as an experiment. Here, however, angelic beings are talking in the heavens and one of them decides to pick a random person on Earth and give them practically limitless power--to see what effect this would have on the person and planet.
Ordinary Roland Young (sporting a toupee) is the guy chosen for this gift. However, unlike what you'd expect, he is slow to exploit this power and only does mostly simple tricks with it at the beginning. However, when it comes to making bigger changes in his life and to the planet, he's hesitant and seeks out advice from respected members of the community on what to do with his powers. One, a vicar, wants Young to do good with the power--but what, exactly, should this be and what are the repercussion? Another, played wonderfully by Ralph Richardson, is a pompous caricature of an English "gentleman" and wants Young to use his powers to kick butt! Others have various ideas and ultimately Young gets in well over his head.
Overall, the film is quite funny (particular in Richardson's scenes) as well as thought-provoking--an interesting combination. It makes you wonder what you might do if given god-like powers. An interesting portrait of human nature and our obvious foibles.
Ordinary Roland Young (sporting a toupee) is the guy chosen for this gift. However, unlike what you'd expect, he is slow to exploit this power and only does mostly simple tricks with it at the beginning. However, when it comes to making bigger changes in his life and to the planet, he's hesitant and seeks out advice from respected members of the community on what to do with his powers. One, a vicar, wants Young to do good with the power--but what, exactly, should this be and what are the repercussion? Another, played wonderfully by Ralph Richardson, is a pompous caricature of an English "gentleman" and wants Young to use his powers to kick butt! Others have various ideas and ultimately Young gets in well over his head.
Overall, the film is quite funny (particular in Richardson's scenes) as well as thought-provoking--an interesting combination. It makes you wonder what you might do if given god-like powers. An interesting portrait of human nature and our obvious foibles.
This picture had a story by H.G. Wells, good cast members and outstanding special effects for the 1930's. What happened? something got lost between the book and the screen. I didn't read the book but it's hard to believe H.G. Wells could write a book so uneven in it's treatment of a man suddenly endowed with a gift for miracles. At first he is timid and reluctant to do anything noteworthy, then by the end he goes completely overboard in the opposite direction - and that is an understatement.
But then there are the special effects, which are eye-popping for this time period. Did you think the effects were remarkable in "King Kong"? This picture makes those look simple by comparison, and that's the real reason for my rating. The cast was fine and it's hard to quarrel with Roland Young in any movie he's in, but overall the story was a disappointment. You can 'suspend your disbelief' to a point - to approximately a half-hour from the end.
But then there are the special effects, which are eye-popping for this time period. Did you think the effects were remarkable in "King Kong"? This picture makes those look simple by comparison, and that's the real reason for my rating. The cast was fine and it's hard to quarrel with Roland Young in any movie he's in, but overall the story was a disappointment. You can 'suspend your disbelief' to a point - to approximately a half-hour from the end.
Okay, much has already been discussed about the philosophical merits of this film and the deep, profound underlying morals within and the gentle yet omni-present humour laced throughout The Man Who Could Work Miracles. I agree it is there but to varying degrees of success. Who knew H. G. Wells did the script himself(I didn't know he was even still alive then). Because he did, you knew it would have some kind of social message - and it does. What would we do if given complete, absolute power? Can mankind given this power effectively change? Will mankind come to some communal consent as to the betterment of the species as a whole? Well, being the true Machiavellian at heart philosophically that I am - I knew the answers to these questions as posed by Wells who by this time in his life seeing Europe yet again on the fringe of war in 1936 must have come to the same conclusions. But Wells to his credit leaves the viewer the opportunity to decide what he/she thinks with little prodding from the script. While the movie has a lot of hokey dialog and contrived plot sequences, I enjoyed it overall and its message of - whatever it is to you goes here. The acting is charming at the very least. Roland Young is always good and he portrays Mr. Farthingay with great affability and anonymity. Young is one of the best things about the movie as he stumbles in his fashion through the dialog and the scenes with calculating indifference as only he can do. The supporting cast is ably aided with the likes of Ralph Richardson, Joan Gardner, Joan Hickson, George Zucco, and as two godlike spirits watching earth - George Sanders looking incredibly young and Torin Thatcher(from The Seventh Voyage of Sinbad fame). The best outside of Young is Earnest Thesiger from The Bride of Frankenstein and The Old, Dark House fame playing a minister named Mr. Maydig who wants Young to do only good, beneficial things for mankind - at least it appears so ostensibly. No one and I mean no one can deliver a line like Thesiger! Words from his mouth are music to my ears. There are some problems with the film. Much of it comes off as forced and not very amusing. The script ends really in a muddle of a mess. How about the ridiculous music and the title sequence at the beginning of the film. What was up with that huh? But despite these shortcomings, see The Man Who Could Work Miracles for what it is - a thought picture that has a message presented in a light-hearted fashion.
What would a world without want be like? The answer has been the subject of countless stories, not a few movies, & every sensitive soul's nighttime sighing for ages. H. G. Wells poses the question by having godlike beings give a department store clerk, George McWhirter Fotheringay, that ability, & watching it evolve, as he bounces from adviser to adviser, from the sexy girl he desires to a retired British Army man.
The film is a treat, especially for those of us accustomed to (& maybe a little bored by) the Star Trek treatment of absolute power conferred on lowly mortals. I don't know much about the history of science fiction in the movies, but Wells goes about everything (he wrote the script, based on his novel) with the fabulous in mind, while adding purely sci-fi touches, which I won't give away.
Fotheringay is no bleeding-heart aching to turn the world into a painless utopia, nor is he a selfish, power-hungry perve, but a nondescript man who takes his time to figure out just what has happened to him before bringing everything to a head. In the meantime, we're given what amounts to a funny English comedy of manners, as well as a peek into a time (& place) where science fiction took a different direction. (For example: if you found out you had miraculous powers, would you tell anyone? I don't think I would. & if you told anyone, wouldn't you imagine the authorities pouncing on you at the first opportunity? Not so in 1930's Essex!)
The ending seems Gene Roddenberry-esque, & perhaps the Star Trek creator admired & shared Wells' humanism; but the film shines with neat-o special effects (some cool stuff, for the time) & a wonderful performance by Roland Young. A must-see for those who like their sci-fi earthbound & thought-provoking.
(My subject line, by the way, refers to anarchy as a form of government in which there are no governments, just self-government; I don't mean it in the common usage of disorder or chaos. The movie touches on the idea that, without their lives being controlled by those in power, who have a vested interest in people needing money & goods, people might find other ways to spend their time - like, for example, in creation.)
The film is a treat, especially for those of us accustomed to (& maybe a little bored by) the Star Trek treatment of absolute power conferred on lowly mortals. I don't know much about the history of science fiction in the movies, but Wells goes about everything (he wrote the script, based on his novel) with the fabulous in mind, while adding purely sci-fi touches, which I won't give away.
Fotheringay is no bleeding-heart aching to turn the world into a painless utopia, nor is he a selfish, power-hungry perve, but a nondescript man who takes his time to figure out just what has happened to him before bringing everything to a head. In the meantime, we're given what amounts to a funny English comedy of manners, as well as a peek into a time (& place) where science fiction took a different direction. (For example: if you found out you had miraculous powers, would you tell anyone? I don't think I would. & if you told anyone, wouldn't you imagine the authorities pouncing on you at the first opportunity? Not so in 1930's Essex!)
The ending seems Gene Roddenberry-esque, & perhaps the Star Trek creator admired & shared Wells' humanism; but the film shines with neat-o special effects (some cool stuff, for the time) & a wonderful performance by Roland Young. A must-see for those who like their sci-fi earthbound & thought-provoking.
(My subject line, by the way, refers to anarchy as a form of government in which there are no governments, just self-government; I don't mean it in the common usage of disorder or chaos. The movie touches on the idea that, without their lives being controlled by those in power, who have a vested interest in people needing money & goods, people might find other ways to spend their time - like, for example, in creation.)
The film, almost seventy five years after its release as this review is written, still provides a dilemma that could be endlessly discussed on the human condition.
A man is given unlimited power by three deities as they look down on the earth. The mind of Wells is highly visible as the plot develops.
It is approached in a tongue in cheek manner and the special effects of the time must have been very labor intensive in relation to the genius of todays computer graphics.
The moral questions could employ any philosopher in endless discussion. A relatively young Ralph Richardson portraying an old character gives us a glimpse into the early career of a classic British actor.
In a strange way it is a kind of feel good movie and very thought provoking. It may also intrigue the present day viewer as they consider the possibility of the cinema goer in the 1930s wondering how the camera tricks were performed.
A man is given unlimited power by three deities as they look down on the earth. The mind of Wells is highly visible as the plot develops.
It is approached in a tongue in cheek manner and the special effects of the time must have been very labor intensive in relation to the genius of todays computer graphics.
The moral questions could employ any philosopher in endless discussion. A relatively young Ralph Richardson portraying an old character gives us a glimpse into the early career of a classic British actor.
In a strange way it is a kind of feel good movie and very thought provoking. It may also intrigue the present day viewer as they consider the possibility of the cinema goer in the 1930s wondering how the camera tricks were performed.
Did you know
- TriviaTheatrical movie debut of Michael Rennie (San Francisco Cop).
- GoofsThe sequence in which the constable is transported to San Francisco was obviously filmed in Los Angeles.
- Quotes
George McWhirter Fotheringay: You just stand there looking lovely, until I notice you!
- Crazy creditsOpening credits are shown over a background of outer space.
- ConnectionsFeatured in WatchMojo: Top 20 Movies Where the World Actually Ends (2021)
- How long is The Man Who Could Work Miracles?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- H.G. Wells' The Man Who Could Work Miracles
- Filming locations
- Denham Studios, Denham, Buckinghamshire, England, UK(Exterior, studio uncredited)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 1.37 : 1
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