The Baroness and the Butler

This is a most delightful movie in every sense. And one that deserves to be known far better than it is. The story of a conscientious butler who works for the Prime Minister of his country, Hungry, but, unknown to his employer, has political aspirations of his own.

This is a wonderfully witty script that never flags. And such a fine cast. William Powell is irrepressible as ever as the caring butler who however isn't afraid to speak his mind in parliament when leading his party in opposition to his employer played by Henry Stevenson, whose wry amusement when Powell's character criticises him in front of everybody in Parliament is hilarious.

But the real revelation here is Annabella, who is simply sparkling as the Baroness, who is also the Prime Minister's daughter. Not only is she very beautiful but also a fine actress. Annabella is so vibrant and expressive in this part that she is just a joy to watch in every scene she plays, especially in those with Powell. They had great chemistry. And it would have been nice to see more of them together.

It seems like Zanuck tried to wreck Annabella's career when she became involved with Tyrone Power. What a sad mistake on Zanuck's part as one can clearly see from this movie that Annabella had a style and panache that would surely have made her a great star. This movie is excellent entertainment and well worth seeing.

An amusing little story that probably worked better on the stage and doesn't appear to have been much of a challenge for any of the cast. Powell fans will enjoy it nonetheless and Anabella is quite stunning, despite her thick accent. More of Nigel Bruce in comedy relief might have helped the film along.

Although 20th Century Fox touted this as a debut film for French star Anabella, her filmography includes two earlier American films for the same studio. A note on the Fox Movie Channel stated that production on The Baroness and the Butler was delayed while Powell mourned for Jean Harlow, who was engaged to him at the time of her death.

A charming movie, in particular for those whose film tastes are simple, requiring clean, wholesome entertainment, certainly something rare on the screen in the 21st Century. Powell was Powell, articulate, debonair, and likable. But this was my first view of Annabella; what a lovely creature; more accurately, stunningly beautiful, at least to me. The cast did well depicting the almost unbelievable etiquette that those of us born in or after WW II just do not understand. I guess this was the objective in the simplistic plots of the time--to bring only a sense of peace and pleasure to audiences in a time (WW II) when such peace and pleasures were thought to probably never exist again. I cannot find a lot of information on Annabella, but she apparently had a long and distinguished film career. Too bad I didn't know about her in my youth. The film is certainly another 'feather in the hat' of a time in films that many of us remember and enjoyed.

... OR "Mr. Godfrey Goes to Budapest". So, yes, it's a pretty obvious rework of "My Man Godfrey" from 1936. But then "The Star of Midnight" and "The Ex Mrs. Bradford" were reworkings of "The Thin Man" formula and they worked.

Johan Porok (William Powell) is a third generation head butler to Count Sandor (Henry Stephenson) and his family. The count praises him for his dedication to "all of the ancient arts" of being a perfect servant. Count Sandor is prime minister of Hungary, so he is naturally interested in the outcome of the parliamentary elections. To his surprise, his butler Johan has been elected to a seat in parliament. Here is my first problem. How could Sandor's own butler be running for parliament and the prime minister not be aware?

Johan ran on the progressive ticket, and the count is a member of the conservative party, so they are at odds politically speaking. And Johan quickly rises to be a leader in his party, largely by regularly skewering his employer's performance in office. Sandor doesn't mind this, but his daughter the titular baroness (Annabella), does seem to mind a great deal. Here's some more weirdness to ponder. The baroness is married to the Baron Georg Marissey (Joseph Schildkraut), but routinely sleeps in her old room at her parents' house. She is apparently somewhat estranged from the baron although not truly separated. With Schildkraut in the part of the baron, one can only assume it is because he is some kind of slimy little weasel - Schildkraut excelled at such roles - but the source of her initial antipathy is never really revealed.

The title and having watched "My Man Godfrey" will somewhat give the outcome away, but how this happens within the bounds of the production code is something you will have to watch and find out yourself. Besides what I already mentioned, there was just something off about this production. For one thing, Annabella's accent makes her almost incomprehensible at times. I also never feel any authenticity in the Baroness' positive feelings towards Johan.

It was fun watching Powell play a politician for a change, though. He is quite the socialist in this production. He advocates redistributing farmland to the peasants - Hey Johan who exactly is going to have to "donate" this land in your scheme? - and he also advocates a reduction in armaments. If Johan recognized the winds of war that were in the air in Europe in1938, perhaps he would want to hold on to those armaments.

I'd say this film is probably a 6.5 rather than a 6 or a 7/10 if I was permitted a score with more granularity.

To introduce French film star Annabella to American audiences, 20th Century Fox got a European type product as a fitting vehicle for her. And to play the butler who goes to Parliament, Darryl Zanuck obtained the services of William Powell from MGM.

Like that other favorite butler role that Powell essayed in My Man Godfrey, Powell is a butler with a social conscience, a fact he keeps hidden from his employers Henry Stephenson, Helen Westley and their daughter Annabella. How he kept secret the fact that his left wing party has nominated him for a seat in the Hungarian Parliament is beyond me. Nevertheless on election eve the family learns that Stephenson will be returned as Prime Minister and Powell will be occupying a seat on the back bench.

The Baroness And The Butler is the kind of film that would have been made in any number of European countries, a delightful bit of Frou-Frou that definitely did not have any relation to Hungary in 1938 with Admiral Miklos Horthy running things as a fascist learning military dictator. Those parliamentary elections have about as much relevance as those that were still going on in Nazi Germany where Reichstag elections were dutifully held with only one party being allowed to participate.

Still Powell and Annabella are nothing less than charming and capable players and they pull this film through and you can actually enjoy it if you'll completely suspend disbelief. Of course Powell and Annabella are in love, but she's unhappily married to a philandering Joseph Schildkraut. And Schildkraut like Captain O'Shea in Ireland is going to make the scandal make his career. As usual Schildkraut is letter perfect playing the part of an unscrupulous schemer, characteristics he patented at the height of his career.

If you're a fan of the stars you'll enjoy The Baroness And The Butler.