The old west range war story transported to Georgia, with Autry as the hero.The old west range war story transported to Georgia, with Autry as the hero.The old west range war story transported to Georgia, with Autry as the hero.
LeRoy Mason
- Len Parker
- (as Le Roy Mason)
The Tennessee Ramblers
- Comic Musicians
- (as Tennessee Ramblers)
Fred 'Snowflake' Toones
- Sam
- (as Snowflake)
Chris Allen
- Rodeo Spectator
- (uncredited)
W.J. Blair
- Member, The Tennessee Ramblers
- (uncredited)
Charles Brinley
- Cattleman
- (uncredited)
Buck Bucko
- Cowhand
- (uncredited)
Featured reviews
This entry is on everyone's must-see list because it co-stars the legendary Betty Bronson. Betty had actually retired from movie-making in 1932, and after this "comeback", she didn't make another movie until A Pocketful of Miracles in 1961. Betty is absolutely lovely here and it's a thrill to see what a fine pair Gene and Betty make in this really top-notch script that helps to make it (as far as I'm concerned) one of Gene's top five pictures. Other assets include a fine support cast led by Smiley Burnette (who excels in what amounts to a character role), LeRoy Mason (a well-spoken heavy), Charles Middleton (Gene's dull-witted dad), and Russell Simpson (a delight as a really nasty piece of work). Good slots are also provided by Jack Dougherty (the heavy's partner in crime), Henry Hall (the sheriff), Jack Ingram and even Art Mix. Mr Toones, on the other hand, has – thankfully! – but one brief moment.
Despite its somewhat off-putting title, this entry shapes up as one of Gene's most vibrant and exciting. Even Joseph Kane, normally a rather humdrum director, seems to have realized the movie's potential and pulled out all stops to make it as thrilling as possible. Production values are great. (If you're quick, you can plainly spot Kane in a rare on screen appearance as one of the turpentiners. As far as I know he actually faced the camera only five times in his lengthy directorial and editing career).
Please note that while the Platinum Disc print is of good quality, it's mastered from the TV cut-down that's missing six minutes of essential footage, including the opening scenes of the street parade, other bits and pieces here and there, and the entire episode where Gene rides away from his home ranch after being dismissed by his dad, encounters Betty who asks him when he's coming back. Gene tells her that he doesn't know. A tearful Betty promises to wait for his return.
Despite its somewhat off-putting title, this entry shapes up as one of Gene's most vibrant and exciting. Even Joseph Kane, normally a rather humdrum director, seems to have realized the movie's potential and pulled out all stops to make it as thrilling as possible. Production values are great. (If you're quick, you can plainly spot Kane in a rare on screen appearance as one of the turpentiners. As far as I know he actually faced the camera only five times in his lengthy directorial and editing career).
Please note that while the Platinum Disc print is of good quality, it's mastered from the TV cut-down that's missing six minutes of essential footage, including the opening scenes of the street parade, other bits and pieces here and there, and the entire episode where Gene rides away from his home ranch after being dismissed by his dad, encounters Betty who asks him when he's coming back. Gene tells her that he doesn't know. A tearful Betty promises to wait for his return.
In Georgia or the Florida Panhandle, the ranchers think the turpentiners are stealing their cattle. Only Gene Autry knows better, and is kicked out by his father, Charles Middleton. The turpentiners hate him too, despite Betty Bronson speaking up for him. Her father, Russell Simpson is mad at her. Autry gets a job with Smiley Burnette's Wild West congress and investigates.
It's a nice B western for Autry, with the Tennessee Ramblers providing a far more hillbilly sound than usual for the series. With good performers, a script that offers a handsome variation on a stock western plot, and Joseph Kane directing, there's good music and handsome camerawork by William Nobles proceeding at a good pace thanks to editing by Lester Orleback.
Betty Bronson rose to fame when she was chosen to play the title role in the silent version of Peter Pan. She was a fine actress, but tastes changed, her producers didn't know what to do with her, and she largely abandoned the screen after her marriage in 1933. This would be her last screen appearance for two dozen years. She died in 1971, largely forgotten, at the age of 64.
It's a nice B western for Autry, with the Tennessee Ramblers providing a far more hillbilly sound than usual for the series. With good performers, a script that offers a handsome variation on a stock western plot, and Joseph Kane directing, there's good music and handsome camerawork by William Nobles proceeding at a good pace thanks to editing by Lester Orleback.
Betty Bronson rose to fame when she was chosen to play the title role in the silent version of Peter Pan. She was a fine actress, but tastes changed, her producers didn't know what to do with her, and she largely abandoned the screen after her marriage in 1933. This would be her last screen appearance for two dozen years. She died in 1971, largely forgotten, at the age of 64.
One reviewer on here said he "couldn't find a single yodel" in "Yodelin' Kid from Pine Ridge". He must have gone to the popcorn stand, or the restroom, just as the movie started, as Gene yodels the first few bars of the theme song over the credits of the movie. Yes, he did yodel, in a number of his early recordings. And yes, so did Roy Rogers. But my opinion is that Gene's yodeling was superior to Rogers'.
Gene Autry started making records in the late 1920s, and many of his early records were his versions of records made earlier by Jimmy Rodgers, who was famous for his yodeling. That's where Gene learned how to yodel.
Gene Autry started making records in the late 1920s, and many of his early records were his versions of records made earlier by Jimmy Rodgers, who was famous for his yodeling. That's where Gene learned how to yodel.
Excellent storyline. Beautifully upscale sets. Nice direction and marvelous character actors. Plus Autry gets the most interesting girl he's been paired with in his movies! Thank goodness we didn't have to see him in Africa again!!!!
Beats me why The Western Channel only rated this entry a 1 out of 4. It's easily one of Gene's best. Great mix of hard riding, fast shooting, big cast, and scenic location, plus Gene's way with a song. And get a load of that jug band. They could make music with a bathtub. Gene's trying to bring peace between cattlemen and turpentiners, all the while baddie LeRoy Mason is rustling and blaming it on the turpentiners. Got to admit this is first time I've seen turpentine trees involved in a plot, but it is a change from the standard formula. Look for some good stunt work, plus the grinning aside that the cowboys are just shooting blanks—a joke that I guess stayed in. Looks like one trip-wire episode with a horse going suddenly head over heels-- I hope I'm wrong. Anyhow, Frog gets to cut-up, this time as an impresario of a big time pageant show! And with a moustache, no less. All in all, a fine Autry mix, thanks to Republic. Next time The Western Channel ought to watch a movie before rating it.
A "9" on the matinée scale.
A "9" on the matinée scale.
Did you know
- Quotes
Col. Millhouse: Marvelous, Autry, marvelous! You certainly have that animal trained and I don't see how you do it. What's the secret?
Gene Autry: The secret in training a horse, Colonel, is that, ah, you have to know more than the horse!
- ConnectionsEdited from Annie Oakley (1935)
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Jodeljunge vom Pinienwald
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
- Color
- Aspect ratio
- 1.37 : 1
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