The Buccaneer

I caught this movie on TCM today and found myself throughly entertained. To my knowledge this was my first ever viewing. The cast was simply superb.....practically everyone. Fredric March was so dashing and effective, I had never realized what a talent this guy was. He even pulled off a French accent flawlessly....whoa! This version of The Buccaneer is simply far superior to the 1958 film which I've seen a couple of times. There was real magic in Hollywood during the 1930s, I'm not sure that town has ever totally recaptured what they had back then. This movie definitely belongs in there with the A list that includes Gone With the Wind, The Wizard of Oz, Captain Blood, Beau Geste, Tarzan, The Hunchback of Notre Dame, Gunga Din, King Kong and all the rest. The script was by a GREAT historical novelist named Harold Lamb. This was a huge bonus for this movie. The story sticks fairly close to history and has a terrific pace. My only complaints are relatively minor....the battle at the end didn't quite live up to my expectations(though it probably did realistically portray the excitement and confusion of the participants) and Lafitte could have simply told the truth about the ship Corinthian which was sunk on the orders of another Pirate, not Lafitte. This was the reason Lafitte got chased away from New Orleans (according to the movie at least) Great movie, great leading man, great writing, great cast, great direction, great sets.....a classic. Oh yes, the actor portraying Andrew Jackson was dead on.....not that I have actually met Old Hickory mind you!

An excellent action movie with good pacing and development. There is never a dull moment. The movie shows more of Laffite's business dealings than with his pirate actions. In actual fact Laffite was quite a businessman that the governor did want captured and did put a price on his head of $500. Laffite did respond to that but not for the $10,000 the movie stated. One must never accept a movie's version of history but "The Buccaneer" does a quite credible job of drawing you into life in 1814 in New Orleans. Laffite was offered $30,000 and other inducements by the British and the Americans did not believe him (this was very accurate). His base in Barataria was destroyed though at a later time. When the battle was over he did go back to sea as a pirate. His days in New Orleans were indeed over. So, sit back and enjoy a movie that is good entertainment and is also pretty good history. This movie is proof that you can learn history from the movies.

Plenty of action! Not a movie anyone will ever sleep through! The highs and lows of pirate life well depicted, even a "walking the plank" episode.

When Lafitte the notorious pirate (Fredric March) comes a-courtin' to the home of his lady-love, Annette (Margot Grahame), a matron cries out in alarm to hide the silver as he might steal it. Here was an instant recall of similar words uttered in the film "Les Miserables," an earlier role March played so well, where as Jean Valjean he was looked on with suspicion by the housekeeper after seeking shelter in a priest's home. But as the pirate Lafitte he has plenty of stolen goods to pass on.

Gretchen (Franciska Gaal) as a young Dutchwoman has a little terrier in tow at the beginning, and both are spunky! She soon encounters and falls in love with Lafitte and lets him know about it but sadly, his heart is elsewhere.

I really enjoyed seeing Akim Tamiroff portray Dominique with such flair. As a supporting actor his fine style has always been colorful and convincing in serious or lighter roles. He's fun to watch in this one.

Andrew Jackson (Hugh Sothern) gives us a glimpse of what war and fighting was really like in those early frontier days when militiamen were more often local recruits ill-prepared and ill-equipped.

One can only wonder what would have been the course of American history if Lafitte had lived elsewhere.

Cecil B. DeMille in 1938 turned his talent for spectacle to the legend of pirate Jean Lafitte and his contribution for saving New Orleans from British occupation in 1815 at the battle that bears the city's name.

The ironic part is that the Treaty of Ghent ending the War of 1812 had been signed a few weeks earlier, but news had neither reached the invading army commanded by General Edward Pakenham, brother-in-law of the Duke of Wellington; nor the Americans either in Washington, DC or the civil and military authorities in New Orleans. Had the British won they probably would have stayed for several years, I'm sure they wouldn't have given up so valuable a possession as the city that controlled the mouth of the Mississippi river.

Jean Lafitte is one of those characters not from antiquity about whom we know neither the date of his birth or death. He was born either in France or Haiti around 1780 and probably died sometime in the 1840s. As soon as the Louisiana territory was purchased from France, he set himself up in business nearby New Orleans in the swamps of Barataria and did a flourishing business in the smuggling trade. He may have had as many as a thousand men under his command.

Even after the fledgling American Navy attacked his stronghold, Lafitte for reasons of his own sided with the Americans in the fight for New Orleans that had nothing to do with the fictional romance portrayed in The Buccaneer. He did however provide men and supplies to Andrew Jackson's army and may have tipped the balance of the fight. Though he got a pardon as shown in the film, he resumed his pirate ways and eventually left New Orleans for Galveston Island. Eventually he was driven out of there in the next decade and after that we have no idea what really happened to him, though there is speculation.

Fredric March makes a dashing Jean Lafitte and DeMille staged the battle up to his usual high standards of spectacle. In addition to the fictitious romance between Lafitte and the Governor of Louisiana's daughter played by Margot Grahame, the other part of the film that is wholly fictional is that involving the traitorous United States Senator played by Ian Keith. No such a person was around New Orleans, though there was an anti-war movement breaking out here, but in New England which saw its commercial trade ruined by both Jefferson's Embargo and the War of 1812.

One thing that DeMille didn't do either in this film or the remake in 1958 was focus on Pakenham. The army that went to its slaughter in the swamps near New Orleans in a headlong assault were a veteran bunch of troops who had fought in the Peninsular War against Bonaparte. The commander was a much beloved brother-in-law of the Duke of Wellington and he fell gallantly leading his men. Wellington thought of Ned Pakenham more like a kid brother of his own than his wife's brother. He took the news of the defeat pretty badly. In fact the news cast a pall over Great Britain so recently celebrating Napoleon's exile to Elba. Fortunately they and Wellington recovered to route Bonaparte in his comeback attempt at Waterloo.

Walter Brennan has a nice role as Andy Jackson's personal aide and Hugh Sothern is an impressive Jackson. DeMille introduced actress Franciska Gaal from Hungary in the role of castaway passenger from a ship that was plundered by one of Lafitte's ships. She didn't make much of an impression on the American public, perhaps it was her thick Magyar accent. After a film with Bing Crosby the following year, Paris Honeymoon, Gaal returned to Europe just in time for World War II and to a country allied with the Axis at that point. She was not heard from again on film.

When the remake came out in 1958, Paramount shelved this version of The Buccaneer and was rarely shown for the rest of the century. I got to see it during a TCM retrospective of Cecil B. DeMille. It's good DeMille, but far from good history.

...from Paramount Pictures and director Cecil B. DeMille. During the War of 1812, New Orleans-based privateer Jean Lafitte (Fredric March) struggles to organize the pirates and outlaws of the bayou into a fighting force for the United States against the British forces. Also featuring Evelyn Keyes in her debut.

I've seen the 1958 remake with Yul Brynner a few times. That one was directed by Anthony Quinn, with an ailing C. B. DeMille supervising. So I can't help but compare the two. The '58 version isn't any kind of high art, but I enjoyed it for what it was. This version seems like a tamer, less energetic version. March seems to be having fun with his hammy French accent, although his dialogue isn't as grating as Tamiroff's tireless mugging. Brennan wears his best Daniel Boone outfit, but not his false teeth. I'm not familiar with Hugh Sothern, the raw-boned older gentleman playing Andrew Jackson, but he pales in comparison to Charlton Heston's scenery chewing turn in the later version.

Forgotten Hungarian star Franciska Gaal made her American movie debut here. She's somewhat charming at times, but her characterization gets tiresome. She'd only make two more US movies before heading back to Europe. In the end, I found this overlong, corny, loud, entertaining in bits, but overall too clunky and lacking in pace and focus. It earned an Oscar nomination for Best Cinematography. This is in black and white, but one scene was tinted green.