I'll Give a Million

For some strange Hollywood reason, the lovely, talented, adorable Marjorie Weaver had only about 45 credits -- despite the fact she stole this movie and many if not most of the others she played in.

Watching her here, in "I'll Give a Million," one has to be just grabbed by her gorgeous eyes, first, then by her bubbly personality, and I was really taken by her speech: She is a native of Tennessee, retaining the charm of the Southern belle.

Warner Baxter is the nominal star and here he gives one of his best casual performances. He plays the put-upon millionaire quite believably.

Peter Lorre gives a very different portrayal for him and is charming and likable, proving that he had an extraordinary range as an actor.

Jean Hersholt is mostly hidden by his role, as is John Carradine, as a rather flamboyant tramp.

Several exotic players give performances ranging from understated to over the top, but overall are quite watchable and enjoyable.

"I'll Give a Million" is fun, with settings ranging from a millionaire's yacht to a circus to the police station. I recommend it, and there is a quite good print at YouTube.

20th Century-Fox did this Hollywood remake of a 1935 Italian film of the same translated title, the setting switched to the South of France, featuring a cast filled with contract players led by Warner Baxter ("The Prisoner of Shark Island"). His character, Tony Newlander, is the millionaire tiring of the sycophants around him, none of whom he can rely on as a trusted friend, who rescues a drowning man known as Louie 'The Dope' Monteau (Peter Lorre), a homeless derelict. Tony would be happy just to find one person who could befriend him without the promise of monetary gain, leaving Louie a million dollars for his troubles. Once the newspapers publish a story claiming that a millionaire is masquerading as a bum, a fortune awaiting the person who shows him any kindness, the entire city is quickly overrun with derelicts looking for handouts, while Tony finds himself falling for an impoverished circus performer (Marjorie Weaver) with a trained chimp named Darwin, who excels at judo and cigarette smoking. Amidst the Moto series, Peter Lorre thoroughly enjoys this comic change of pace, joined in mischief during the latter stages by John Carradine's Kopelpeck, resplendent in top hat and cane. Among the many familiar faces are Fritz Feld, Jean Hersholt as a clown, and Frank Reicher as the Prefect of Police, who himself takes in a bum off the street and ends up getting robbed.

Warner Baxter plays a millionaire who is sad to discover that no one cares about him for anything but his money. This includes his butler (and he thought friend) of many years, as we see in one pathetic scene early on. He's drowning himself in pity on a yacht when he sees hobo Peter Lorre drowning himself in the ocean. So he jumps in and helps out. This leads to some soul-searching on Baxter's part and some wrong assumptions on Lorre's part, which sets up the movie's game of telephone screwball plot where the word gets out that a millionaire is disguising himself as a hobo and will give a million dollars to anyone who is kind to him.

I enjoyed this movie but I admit to being a little let-down it wasn't better than it is. Lorre is not in it much, for one thing. He's great when he's around but ultimately he's a minor character, screen time-wise. It's also not a particularly funny movie. Pleasant is a good word for it. The second half is weaker than the first. I would recommend you see it if you find the plot and cast interesting. After all my 6 might be your 7 or 8.

An amiable, workmanlike farce that's like "My Man Godfrey" without the archness, this Hollywood studio product has an unusually European flavor, perhaps due to the number of newly arrived Holocaust refugee actors in its cast. Especially worth seeing for Peter Lorre's engaging turn as a kittenish hobo.

In the heart of the Depression, moviegoers needed screwball comedies to cheer themselves up for a quarter. In that vein, they were heartily treated to some of the best comedy of all time from Laurel and Hardy to Frank Capra. This film is tn that tradition. Similar to Mr. Deeds Goes to Town and Sullivan's Travels in the sense that a powerful person is living as a common man among the masses of the poor, the film has a certain charm that is no longer found in films after the Golden Age of Hollywood. Fortunately, we have Youtube to access some of these gems from the past. Lots of fun.