Shows the role the crime laboratory plays in the solving of cases, and how even the smallest detail can become a major clue.Shows the role the crime laboratory plays in the solving of cases, and how even the smallest detail can become a major clue.Shows the role the crime laboratory plays in the solving of cases, and how even the smallest detail can become a major clue.
- Nominated for 1 Oscar
- 1 nomination total
May Beatty
- Grocery Clerk
- (uncredited)
Helen Brown
- Eddie's Wife
- (uncredited)
John Butler
- Montel - Concession Stand Owner
- (uncredited)
James Conaty
- Reporter
- (uncredited)
Neil Fitzgerald
- Forensic Assistant
- (uncredited)
Harrison Greene
- Fireman Sturber
- (uncredited)
Chuck Hamilton
- Detective
- (uncredited)
Mahlon Hamilton
- Man in Forensics Lab
- (uncredited)
Tony Hughes
- Detective
- (uncredited)
Paul Kruger
- Detective
- (uncredited)
Claire McDowell
- Mrs. Fletcher
- (uncredited)
Ted Pearson
- MGM Crime Reporter
- (uncredited)
Larry Steers
- Man in Automobile
- (uncredited)
Morgan Wallace
- Big Matty - Crime Boss
- (uncredited)
Featured reviews
When reform mayor Charles Waldron is blown up with a car bomb by crooked aide John Eldredge, Louis Jean Heydt is accused and picked up. However crime lab scientist Stanley Ridges won't call anyone guilty without real proof. When he has it, though, the evil-doers will discover that CRIME DOES NOT PAY.
This entry in the long-running MGM series can be considered a precursor of all those science-based mystery shows that have become so popular in the past few years. In shows like BONES and CSI, it's always science that figures out whodunnit, and this was good enough to get an Oscar nomination and an expansion a few years later into the feature KID GLOVE KILLER.
It's remarkably low-key for the series, which often culminated in gun battles, fires and attendant deaths. The decision not to have any -- Waldron aside, and that happens offscreen -- it doesn't need it.
This entry in the long-running MGM series can be considered a precursor of all those science-based mystery shows that have become so popular in the past few years. In shows like BONES and CSI, it's always science that figures out whodunnit, and this was good enough to get an Oscar nomination and an expansion a few years later into the feature KID GLOVE KILLER.
It's remarkably low-key for the series, which often culminated in gun battles, fires and attendant deaths. The decision not to have any -- Waldron aside, and that happens offscreen -- it doesn't need it.
The always interesting "Crime Does Not Pay" series from MGM, running from 1935 to 1947, checks in with an interesting tale of a crusading mayor, his betrayal and murder, a man who looks guilty but isn't , and the role of forensic science in solving the crime.
Always part dramatic, part documentary, these 20 minute shorts do a pretty good job of showing empathy when it is appropriate tempered with justice. In this case, the short focuses on the role of science in solving the crime. The mayor is killed with a car bomb and the culprit thinks the explosion will erase all evidence. But careful evidence collection by the police, the test tube, the microscope, and the spectrograph give the police a clear view of why the chief suspect could not be guilty, and who the actual murderer is. With a dramatic conclusion, think of it as Quincy M.E., 1938 without the colorful Jack Klugman.
Always part dramatic, part documentary, these 20 minute shorts do a pretty good job of showing empathy when it is appropriate tempered with justice. In this case, the short focuses on the role of science in solving the crime. The mayor is killed with a car bomb and the culprit thinks the explosion will erase all evidence. But careful evidence collection by the police, the test tube, the microscope, and the spectrograph give the police a clear view of why the chief suspect could not be guilty, and who the actual murderer is. With a dramatic conclusion, think of it as Quincy M.E., 1938 without the colorful Jack Klugman.
For the 1930's we can see how forensic science was on its way to crippling criminals in their tracks
I have watched a few of the Crime Does Not pay series and by far this is the best episode of the series. I am amazed that even in the 1930's science had already begun to take giant leaps in assisting criminal investigations to solve crimes. Okay so the archaic use of a simple microscope to verify strands of clothing may not be record breaking but the way these forensic scientists solved the crime by looking very closely at the minimal evidence the car bomb left behind was unique and as a result I was intrigued.
Great acting and a great episode. A must see.
I give it an IMDB rating of 8 out of 10.
Great acting and a great episode. A must see.
I give it an IMDB rating of 8 out of 10.
They're Always Caught (1938)
*** (out of 4)
Another nice entry in MGM's Crime Does Not Pay series. This time out a tough Mayor is trying to get all the corruption out of the city. He learns that the D.A. is working with a crime lord so he asks for his resignation. Later that night the D.A. plants a bomb in the Mayor's car, killing him and throwing blame on an innocent man. It seems like an easy case but the latest technologies make it far from being over. This short seemed to be made just to show criminals that there are new ways for them to get caught. The use of hair, fingernails and dust was something new back then and it was nice seeing the way the equipment was used to gather all the evidence. This film does a nice job at breaking everything down where people back then would be able to understand what was going on even though by doing this the actual story of the film takes a few hits. This film would later be remade as KID GLOVE KILLER but I've yet to see it to compare how close they are. Received an Oscar-nomination.
*** (out of 4)
Another nice entry in MGM's Crime Does Not Pay series. This time out a tough Mayor is trying to get all the corruption out of the city. He learns that the D.A. is working with a crime lord so he asks for his resignation. Later that night the D.A. plants a bomb in the Mayor's car, killing him and throwing blame on an innocent man. It seems like an easy case but the latest technologies make it far from being over. This short seemed to be made just to show criminals that there are new ways for them to get caught. The use of hair, fingernails and dust was something new back then and it was nice seeing the way the equipment was used to gather all the evidence. This film does a nice job at breaking everything down where people back then would be able to understand what was going on even though by doing this the actual story of the film takes a few hits. This film would later be remade as KID GLOVE KILLER but I've yet to see it to compare how close they are. Received an Oscar-nomination.
A city's new mayor is a hard-nosed old cuss who's tough on crime. Naturally someone croaks him. The police use some newfangled scientific methods to solve the crime. A good entry in the Crime Does Not Pay series. Really neat seeing the police using scientific techniques not too far removed from today's. Most movies from back in those days tended to focus only on the he-man aspects of crime fighting, shoot-outs and roughing up suspects and so on. Nice to see some brains to go with the brawn. Fine cast of character actors that includes John Eldredge, Louis Jean Heydt, and Stanley Ridges helps a lot too. Best scene is when the cops trick the killer into letting them vacuum his hair for evidence. That has to be seen to be believed.
Did you know
- TriviaThe story in this 22-minute short was expanded into a feature film called Kid Glove Killer (1942), starring Van Heflin and Marsha Hunt as crime lab experts.
- Quotes
Dr. John Pritchard: I want you to remember this: we are trying just as hard to clear you as we are to convict you.
- ConnectionsFollowed by Kid Glove Killer (1942)
Details
- Release date
- Country of origin
- Language
- Also known as
- Crime Does Not Pay #18: They're Always Caught
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 22m
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content