A Yank at Oxford

A black-and-white trip back to the glory days of the studio system, "A Yank at Oxford" was MGM's first feature movie filmed in England. Released in 1938 as the Depression was slowly losing its grip on America and the shadow of an inevitable global conflict was sensed by too few, this rollicking comedy about a clash of cultures - small town America and elitist Oxford - is a glimpse of a world that never existed except in movie theaters.

Robert Taylor is super-athlete Lee Sheridan from somewhere in quintessential, rah-rah, white America. His newspaper publisher dad, Lionel Barrymore, holds the presses so that his son's latest track and field victory can be bannered on the front page. Lee is the All-American collegiate sports hero.

Along comes an opportunity for Lee to go to Oxford and he's sent off with a parade, the first of several big processions in this film.

Lee is a boastful American but he's received with good humor and sharp pranks by the English students at the fictional Cardinal College. Conflict develops when Lee is attracted to Molly Beaumont, played by Maureen O'Sullivan. Molly is the sister of Paul, Griffith Jones, a fellow student whose rivalry with Lee is fueled by the latter's arrogant and, from an English viewpoint, unsportsmanlike behavior. The contretemps between the two handsome men is the center of the fable about competition and honor.

Complicating everything is Paul's relationship with pretty, flirtatious Mrs. Elsa Craddock, wife of a curmudgeonly and older bookshop proprietor. Elsa, clearly to our eyes an adulteress, may have been for original audiences little more than a simple charmer who professes love for serial college males but is never shown doing anything less chaste than planting quick kisses. Elsa is acted by Vivien Leigh who two years later had a starring role in some Hollywood spectacle about the Civil War.

"A Yank at Oxford" is a funny, light period piece most interesting for its reflection of a Hollywood that would soon shift gears as the world burned. It did allow Taylor to recast his image as a more manly character, his athleticism a change from the more effete roles for which he was better known. MGM had a plan here and it worked.

7/10 - worth renting.

A skilled, albeit highly egocentric young athlete becomes A YANK AT OXFORD when he accepts a scholarship to the English university. Romance and various personal problems help punch a hole through his self-conceit.

Robert Taylor gets to show-off his athletic prowess (running, rowing) in this pleasant, lightweight film. Produced by MGM's British division, it is an enjoyable look at a privileged world about to be changed forever by World War Two.

Taylor does a fine job in the title role, but he is also aided immensely by excellent co-stars from both sides of the Atlantic: Lionel Barrymore, giving another acting lesson as Taylor's peppery, loyal father; lovable Edmund Gwenn, as the long-suffering Dean of (fictional) Cardinal College, Oxford; beautiful Maureen O'Sullivan, as Taylor's English girlfriend; and enchanting Vivien Leigh, one year before her tremendous success in GONE WITH THE WIND, as a philandering young wife with an eye for male students.

Equally impressive is a gaggle of less well known British actors: stalwart Griffith Jones, as Taylor's main college rival; Robert Coote, as a cheery student forever looking for new ways to get sent down; Walter Kingsford, as a benevolent dean; ancient C. V. France as a delightfully forgetful academician; and cuddly Edward Rigby as Taylor's elderly attendant.

Claude Gillingwater appears as Barrymore's caustic banker. Movie mavens will recognize Ethel Griffies as an Oxford proctor.

A YANK AT OXFORD is notable for several reasons. This was MGM's first British production with Mayer in charge (co-produced by Michael Balcon who quit after a fight with Mayer). Despite Mayer's reservations, Balcon hired Vivien Leigh for one of the leads, and this was a key film in getting her noticed by Selznick for the Scarlett casting battle. Star Robert Taylor thought highly of Leigh, and they were reteamed several years later. A-level film boasted a big cast and used quite a few British actors. Besides Taylor (who did his own stunts) and Leigh, film also boasted Lionel Barrymore, Maureen O'Sullivan, Edmund Gwenn, and Griffith Jones (fairly big star in UK). Also C.V. France, Robert Coote, Claude Gillingwater, Tully Marshall, Edward Rigby, and Richard Todd as an extra. Stock footage of Oxford but film was mostly shot as Denham Studios. No idea where the boating scenes were filmed. I didn't recognize anything.

What struck me about the film was that MGM had dusted off the old William Haines formula of braggart goes off to (fill in the blank) where he acts like an a-hole until he gets his comeuppance and rallies the team for a big win and becomes a true hero, In this case, film follows the general plot of Haines' BROWN OF HARVARD minus the homoerotic subtext (sort of) right down to the crewing scenes.

Breezy performance by Robert Taylor in one of his best films.

In the glory days of Hollywood, young stars in amid the studio system were given several chances to display their talent. Here is one for the budding young star later known as Robert Taylor. In this movie of which there are several versions is entitled " A Yank at Oxford " it is Taylor who plays Lee Sheridan, an U.S. athlete who wins a athletic scholarship to prestigious Oxford University in England. Lionel Barrymore plays Dan Sheridan his proud father, while beautiful Maureen O'Sullivan is Molly Beaumont his college sweetheart. Vivien Leigh, Edmund Gwenn, Griffith Jones as Paul Beaumont all gather to recreate life at the Oxford during the depression. Wedged between light humor and serious attention, the movie sails easily along and Taylor is able to deliver one of his many renditions of an up and coming actor. A good B/W film and notable offering. **

This film is a humorous examination of the differences between American and British college youth just prior to WWII with an American take on the situation. Robert Taylor plays Lee Sheridan, an American who comes to Oxford to study and also to run track and field. He runs into difficulty with everything from the English driving on "the wrong side of the road" to the British valuing tradition and teamwork over rugged individualism. Not helping matters is that Lee is a swaggering over-confident albeit talented braggart by the standards of any nation. To complicate matters, Lee's chief rival on the track team is the brother of a girl (Maureen O'Sullivan) in whom Lee is romantically interested.

To make such an "American fish in British waters" film just three years later after the war broke out and the US and England were allies would have been practically a precode in the eyes of the censors, even though cultural differences are always a problem, especially where boisterous youths are involved. It's an enjoyable little film featuring a young Vivien Leigh as she was waiting to become Scarlett O'Hara, and some fine character actor work from Edmund Gwenn as a dean who is still lovable as always even though he is openly contemptuous of Lee whose forward ways leave him shocked and flustered.