A man is framed and sent to prison for a crime he didn't commit. When he is let out on limited parole, he sets out to clear his name and find the real criminals.A man is framed and sent to prison for a crime he didn't commit. When he is let out on limited parole, he sets out to clear his name and find the real criminals.A man is framed and sent to prison for a crime he didn't commit. When he is let out on limited parole, he sets out to clear his name and find the real criminals.
Maude Eburne
- Mrs. Magruder
- (as Maud Eburne)
Ted Billings
- Bar Patron
- (uncredited)
George Cleveland
- Gas Station Attendant
- (uncredited)
Lester Dorr
- Bank Teller
- (uncredited)
Jane Keckley
- Hawkins' Landlady
- (uncredited)
Donald Kerr
- Barfly
- (uncredited)
Frank LaRue
- Orbison's Boss
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Five years ago, Sidney Blackmer framed Robert Kent for a robbery. Now Kent's friends have gotten him out on parole, and he's to work for Blackmer, who wants to keep a watch on him; he figures he can always violate him back to prison. Kent is trying to find the witnesses who falsely identified him, but he and Blackmer's sister, Anne Neagle, have fallen in love.
It's a B movie plot, and John Krafft's script is B movie material, and it's a Monogram picture. The cast is good, though, and the director is Lambert Hillyer, who had been an A director for William S. Hart, and he works the scenes at a crackling pace and his actors make their lines sound convincing, turning the film into a variation of the Good Bad Man movies that Hillyer and Hart had done. It's clear that the production was done on the cheap, and Hillyer would never venture beyond B westerns and the occasional serial again. However this is a nice little movie to cap his non-western career.
It's a B movie plot, and John Krafft's script is B movie material, and it's a Monogram picture. The cast is good, though, and the director is Lambert Hillyer, who had been an A director for William S. Hart, and he works the scenes at a crackling pace and his actors make their lines sound convincing, turning the film into a variation of the Good Bad Man movies that Hillyer and Hart had done. It's clear that the production was done on the cheap, and Hillyer would never venture beyond B westerns and the occasional serial again. However this is a nice little movie to cap his non-western career.
Robert Kent is Dave Tyler, sent to prison for a bank job he didn't do. Kent played a bunch of B film roles, and died quite young at 46. In the story, Tyler is paroled, and wants to find out who dunnit. He seems to be spending all his time convincing his friends and his employer that he really didn't do it. One of his friends "Gregory" is played by Sydney Blackmer, whose best known role was probably the cult leader in Rosemary's Baby. Tyler gets into a couple of fist fights, but has to be careful not to break parole, or he'll be back in the big house! it's all quite droll. The gang that framed Tyler is following him around town as he tries to track down those who did him dirty. He walks the line of crossing the line of breaking parole, which could land him back in prison. It all moves pretty slowly.... this IS just a short 62 minutes from Monogram Pictures. Showing on Moonlight Movies... one of the free channels on roku.
Directed by Lambert Hillyer, who had started directing in the early days of the silent films. In the 1950s, Hillyer moved to television, and directed TV series until 1956. Hillyer had filmed the early serial version of Batman in 1943! He seems to have retired about then, having reached the age of 66. The film is pretty average... it DOES have some OLD scenery of Los Angeles. sadly, no filming locations listed on imdb as of Sept 2018.
Former football star Dave " Whizz " Tyler is convicted of a robbery and spends three years in jail . Given parole he faces completing the remaining six years if he breaks his parole but vows that he's innocent of the crime and will do everything to prove it
You don't need to be a jailbird to know the convicts code - you don't snitch . If a tunnel suddenly appears in the next cell and you suddenly find a pneumatic drill in your own cell then you invoke the Nuremberg defence of " I didn't hear anything , I didn't see anything , this has got nothing to do with me " and you'll probably live long enough to complete your sentence
With a title like CONVICT'S CODE you could be forgiven for thinking you're going to be watching the similar sounding premise of EACH DAWN I DIE where an innocent man who has been framed trying to clear his name surrounded by hardened criminals . This isn't how the film works out . Instead we get Whizz Tyler walking about from one cheap studio set to another with not very good actors who are marginally just less wooden than the sets
There's also something that puzzled me and that is Whizz continually claims to be innocent to everyone including the prison Warden and his parole officer and I kept wondering how the parole board works in America . In Scottish and English law someone is only eligible for parole if they admit to the crime and are genuinely sorry they did the crime . Someone claiming they are innocent wouldn't in theory qualify . Of course the practise is entirely different and we've been treated to some truly hideous sights like Johnathan King calling a press conference on his day of release saying his victims were lying and he can prove it . Needless to say we're still waiting for this evidence to surface . I was under the impression that America does tend to be a lot stricter about parole and its granting of it
You don't need to be a jailbird to know the convicts code - you don't snitch . If a tunnel suddenly appears in the next cell and you suddenly find a pneumatic drill in your own cell then you invoke the Nuremberg defence of " I didn't hear anything , I didn't see anything , this has got nothing to do with me " and you'll probably live long enough to complete your sentence
With a title like CONVICT'S CODE you could be forgiven for thinking you're going to be watching the similar sounding premise of EACH DAWN I DIE where an innocent man who has been framed trying to clear his name surrounded by hardened criminals . This isn't how the film works out . Instead we get Whizz Tyler walking about from one cheap studio set to another with not very good actors who are marginally just less wooden than the sets
There's also something that puzzled me and that is Whizz continually claims to be innocent to everyone including the prison Warden and his parole officer and I kept wondering how the parole board works in America . In Scottish and English law someone is only eligible for parole if they admit to the crime and are genuinely sorry they did the crime . Someone claiming they are innocent wouldn't in theory qualify . Of course the practise is entirely different and we've been treated to some truly hideous sights like Johnathan King calling a press conference on his day of release saying his victims were lying and he can prove it . Needless to say we're still waiting for this evidence to surface . I was under the impression that America does tend to be a lot stricter about parole and its granting of it
Former college football star Dave Tyler (Robert Kent) maintains his innocence even after three years in prison. He gets released on parole and sets about finding the real culprits. His new bosses are actually the criminals who had set him up and he falls for the bosses' sister.
This is a B-movie crime drama. The filmmaking is simple without much style. The acting isn't any better. The writing is the most problematic. One would think that the perpetrators would keep their distance from Tyler especially since he seems clueless to their scheme. It is solidly stuck in B-movie territory and can't rise above it.
This is a B-movie crime drama. The filmmaking is simple without much style. The acting isn't any better. The writing is the most problematic. One would think that the perpetrators would keep their distance from Tyler especially since he seems clueless to their scheme. It is solidly stuck in B-movie territory and can't rise above it.
I was unfamiliar with Robert Kent and Anne Nagel. After reading their bios on IMDb, I was glad I didn't have a razor blade nearby. And Victor Killian of Mary Hartman fame was murdered, which I didn't know. A very sad group.
Dave Tyler (Kent) is released on parole. He was accused of murder unjustly, with the jurors paid off. He is determined to clear himself. He goes to work for a man (Sidney Blackmer) - who is the one who actually framed him, though he is unaware of this.
As an added problem, he falls for Blackmer's sister (Nagel).
Victor Killian plays Tyler's parole officer, and he's very strict. I don't know if they're that strict today, but Tyler really had to toe the line.
Not terribly interesting - but the biographies of these actors are something else.
Dave Tyler (Kent) is released on parole. He was accused of murder unjustly, with the jurors paid off. He is determined to clear himself. He goes to work for a man (Sidney Blackmer) - who is the one who actually framed him, though he is unaware of this.
As an added problem, he falls for Blackmer's sister (Nagel).
Victor Killian plays Tyler's parole officer, and he's very strict. I don't know if they're that strict today, but Tyler really had to toe the line.
Not terribly interesting - but the biographies of these actors are something else.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Paroled to Exile
- Filming locations
- Malibou Lake, Agoura Hills, California, USA(across Malibou Lake Mountain Club)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 2m(62 min)
- Color
- Aspect ratio
- 1.37 : 1
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