Each Dawn I Die

The investigative reporter Frank Ross (James Cagney) finds evidence of corruption against a powerful politician Jesse Hanley (Thurston Hall) that is candidate to Governor in the elections. Hanley sends his gangsters to catch Frank to frame him. They knock his head and soak him with whiskey and then they put him fainted in car that hits another and kills the driver and two passengers. Frank can not prove that he is innocent and is sentenced to twenty years of hard labor in Rocky Point Prison.

The newspaper direction tries to find evidence of Frank's innocence while he befriends the gangster Stacey (George Raft) that was sentenced to 199 years. Stacey asks Frank to help him to be accused for a crime that he had not committed since he has planned to escape from the courthouse. In return, he would help to find who has framed him up using his contacts in the underworld. Will Stacey really find the responsible for the frame-up?

"Each Dawn I Die" is and engaging prison movie, despite the unrealistic plot. Stacey spontaneously returning to Rock Point is absolutely unbelievable and destroys the story. My vote is seven.

Title (Brazil): "A Morte me Persegue" ("The Death Chases me")

Although innocent, reporter Frank Ross (James Cagney) is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life and his optimism turns into bitterness. He meets fellow-inmate Stacey (George Raft) and they decide to help each other.

Rather than be the good guy ("G Men") or the bad guy ("Public Enemy"), here we have Cagney as an innocent newspaper reporter framed and then sent to prison, where he becomes a little bit hardened. Maybe not quite a bad guy, but not really the good guy, either. It is a nice transformation, and an interesting commentary on prison life.

I am not very familiar with George Raft (I actually know him more from reading Mafia history than from film), but if he is like he is here in other films, I need to see more George Raft.

This is a great prison film--with lots of unusual twists, a great story and stellar actors. While many of the usual 1930s prison film clichés are definitely present, the overall package is so enjoyable that many will forgive its excesses. I must point out, though, that many modern audiences might laugh a bit at the dialog, but fans of Warner films of the age have come to expect and love these type films.

The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.

At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.

Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.

Prison classic. Even in 1939 this must have been predictable. But James Cagney and George Raft keep this prison yarn on its feet. A top notch newspaper reporter(Cagney)is railroaded into a prison sentence on a trumped up murder charge. Even with help on the inside from a slick convict(Raft)it is just too hard to prove his innocence to the warden(George Bancroft). This busy crime drama also features: Maxie Rosenbloom, Victor Jory, Emma Dunn, Stanley Ridges and John Wray. The melodrama is a little thick and most characters are over acted, but this is still too good of a flick to pass up.

A reporter is framed and sent to prison, but with the help of a fellow con he'll try to clear his name and set things straight. That's about as far as the plot ever gets developed and it's full of holes and completely implausible events. The characters are hopelessly cliche, mostly overacted, and the melodrama of the ending goes so far over the top as to be almost laughable. And yet somehow the film has a feeling of quality and sincerity which is able to overcome all of this.

Similar to "Fugitive from a Chain Gang", this is a 1930s Warner Brothers film with a conscience, taking aim at corrupt politicians and brutal prisons. The flaws in the film are not due to lack of effort or creativity, but simply because this is the way they used to make those types of films. Jimmy Cagney and George Raft use their talent and star appeal to draw you in and keep you on the edge of your seat throughout the entire movie. It isn't necessarily a film you'd go out of your way to see, but it's definitely worth watching if you get the opportunity.