Each Dawn I Die

Although innocent, reporter Frank Ross (James Cagney) is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life and his optimism turns into bitterness. He meets fellow-inmate Stacey (George Raft) and they decide to help each other.

Rather than be the good guy ("G Men") or the bad guy ("Public Enemy"), here we have Cagney as an innocent newspaper reporter framed and then sent to prison, where he becomes a little bit hardened. Maybe not quite a bad guy, but not really the good guy, either. It is a nice transformation, and an interesting commentary on prison life.

I am not very familiar with George Raft (I actually know him more from reading Mafia history than from film), but if he is like he is here in other films, I need to see more George Raft.

Folks, It doesn't get much better than "Each Dawn I Die" with James Cagney and George Raft... This is one of my top-5 all-time gangster / prison films from the golden era of Hollywood film-making...

I thought James Cagney, George Raft, George Bancroft and Jane Bryan were just terrific in this film... I can watch this movie three or four times a year, depending on my mood and state of mind... I never seem to grow tired of this film... Probably never will, either....

I am much more into the tough guy and mobster roles' actors like Cagney, Bogie, Robinson & George Raft made in their peak years in Hollywood... I never was big on Musicals' or Song and Dance films..... The years between 1930 to 1950 are no doubt my favorite years of classic film-making..... "Gangster & Horror" were at their best....

MR.BILL Raleigh

The main reason for watching this 1939 Warner Bros. picture is the allure of excellent ensemble performances by the cast that was assembled for it. William Keighley directed this black and white movie with great style in the way he staged the picture.

The teaming of James Cagney and George Raft proved to be an added attraction. James Cagney, who had been seen as a bad guy in most of his gangster oriented movies, plays a good guy here who ends up in jail for a crime he didn't commit. George Raft practically steals the movie and makes it his own. The chemistry between both stars is what makes the movie work. It was notorious how both Mr. Cagney and Mr. Raft enjoyed working with one another, and it translates to what one sees in the finished product.

The other great asset going for "Each Dawn I Die" is the strong ensemble cast that was put together to support the principals. George Bancroft, Max Rosenbloom, John Wray, Victor Jory and Edward Pawley are seen doing incredible work. Jane Bryan plays Joyce Conover, the good girl who believes in the innocence of her boyfriend and fights for his release.

Even though some aspects of the film are far fetched, it involves the viewer like other films of this genre thanks to the direction of Mr. Keighley and the excellent work he got out of his cast and crew.

A reporter is framed and sent to prison, but with the help of a fellow con he'll try to clear his name and set things straight. That's about as far as the plot ever gets developed and it's full of holes and completely implausible events. The characters are hopelessly cliche, mostly overacted, and the melodrama of the ending goes so far over the top as to be almost laughable. And yet somehow the film has a feeling of quality and sincerity which is able to overcome all of this.

Similar to "Fugitive from a Chain Gang", this is a 1930s Warner Brothers film with a conscience, taking aim at corrupt politicians and brutal prisons. The flaws in the film are not due to lack of effort or creativity, but simply because this is the way they used to make those types of films. Jimmy Cagney and George Raft use their talent and star appeal to draw you in and keep you on the edge of your seat throughout the entire movie. It isn't necessarily a film you'd go out of your way to see, but it's definitely worth watching if you get the opportunity.

Raft and Cagney, in their only appearance together, doing what they did best. While the plot of this film noir is a little contrived, aren't they all, the pleasure watching true greats perform is a joy and a pleasure.