The Housekeeper's Daughter

In some ways an odd mix, "The Housekeep's Daughter" is generally well done and extremely well acted.

Joan Bennett looks more beautiful than ever, but doesn't have much to do, except look beautiful.

Adolph Menjou is simply always great, although his character makes a change that doesn't really ring true -- but so what?

Some of the finest of Hollywood's character actors make this just so much fun to watch, and seeing Victor Mature in an early role additionally makes "The Housekeeper's Daughter" a joy.

John Hubbard gives a good portrayal of a rather spacey character, but for some reason never did become the star he probably deserved to be, though he did keep busy most of the rest of his life.

I can recommend "The Housekeeper's Daughter" despite its minor flaws. Those flaws are vastly outnumbered by the joys.

Joan Bennett (was "Mom' in Father of the Bride) plays Hilda, the daughter and Adolphe Menjou and John Hubbard are reporters in Housekeeper's Daughter. Everyone involved (except Mature) had made tons of movies by 1939, so the story moves right along. In Housekeeper's Daughter, Benny (George Stone, was in the "Boston Blackie" films )helps serve Hilda's guests, and there's a murder to be solved. The newspaper reporters go on a bender and get fact and fiction confused. The dashing Victor Mature (Samson & Delilah 1949) is one of the mobster's men who goes to visit Hilda, the housekeeper's daughter to see just how much she knows. Keep an eye out for the always funny character actor Donald Meek ("You Cant Take it with You" and "My Little Chickadee" ) as the newspaper editor Mr. Wilson. Reminded me a little bit of "His Girl Friday" which would come out a year later in 1940, but not nearly as clever as H.G.F. How could anyone compete with Cary Grant & Rosalind Russell? See also "Big Brown Eyes" from 1936, also Cary Grant, also a newspaper caper....

Unworldly professor's son John Hubbard returns to his father's house, ambitious to become a newspaper. He's encouraged in this by The Housekeeper's Daughter (1939), Joan Bennett, who has just quit Marc Lawrence's mob in disgust. Newspaper editor Donald Meek wants a story on Lilian Bond's death, apparently form falling off a houseboat, and after a night of drinking with ace reporter Adolphe Menjou, Hubbard writes a story claiming he knows who did it and falls soddenly asleep. Lawrence thinks he's going to be framed, so he continually sends henchman Victor Mature (in his screen debut) to beat up Hubbard, failing because he is a wimp.

Hal Roach not only produced this movie, he directed it, and it's pretty uneven: best when Menjou, Lawrence or Miss Bennett is about, while Hubbard is uninteresting as the mild-as-water lead. At least part of the problem with this movie seems to lie with the editing by William Ziegler, which introduced a couple of plot points which it then ignores, or has people do things simply to set up a gag. But the comedy keeps this one continually interesting.

The sultry Joan Bennett adds some class to this tame comedy about a rookie reporter who stumbles upon a murder involving a mentally challenged serial killer and gangsters (one of whom is a debuting Victor Mature). It's slow to start and doesn't quite seem to know where it's going, but builds up to a decent finale.

I couldn't believe my eyes..one of the most stupid movies I got to watch. I mainly watched cause from reading of various forums on movies that Joan Bennett struck a startling resemble to the gorgeous Hedy Lamarr. True, there was that...but she lacked what Hedy had. It was suppose to be slapstick, but to me it was so annoying to watch a pro like Manjou and Gargan sunk so low...slapstick were not their forte. Only one, Victor Mature showed that there was more to come from this actor in the future. The lines were so stupid, that they were embarrassing. Hal Roach must of thought he had the cast of a Harold LLoyd or slapstick cops. Avoid this trash.