Playboy Bill Carey woos a half-caste beauty in French Indochina, but her second-class legal status makes a formidable barrier.Playboy Bill Carey woos a half-caste beauty in French Indochina, but her second-class legal status makes a formidable barrier.Playboy Bill Carey woos a half-caste beauty in French Indochina, but her second-class legal status makes a formidable barrier.
- Directors
- Writers
- Stars
- Awards
- 1 win total
Marguerita Padula
- Madame Kya
- (as Margaret Padula)
Leon Belasco
- Assistant to Manager
- (uncredited)
Abner Biberman
- Wardrobe Buyer
- (uncredited)
Gino Corrado
- Waiter
- (uncredited)
Vernon Downing
- Ship Passenger
- (uncredited)
Willie Fung
- Ling
- (uncredited)
Charles Halton
- Manager of Rubber Company
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10whpratt1
Hedy Lamarr, (Manon DeVargnes Carey) was so beautiful in this film and her acting was outstanding along with Robert Taylor, (William Carey). Bill Carey played the role as a playboy with plenty of money and sails to Saigon and meets Manon in a bar and the two of them fall in love with each other once they look into each other eyes. Bill does not know very much about Manon or the fact that she has a lover named Pierre Delaroch, (Joseph Schildkraut) who lives a very shady life and is up to all kinds of tricks. Pierre becomes jealous once he finds out about Manon falling in love with Bill Carey and makes contact with his friends in the government of Saigon in order not to grant her any visas to the United States or Paris, France. Manon is a lady who tells many lies and is really a very sly and tricky lady when it comes to men or anyone. There is plenty of romance in this film and extremely dramatic situations which face these two lovers. If Hedy Lamarr did not star in this film, I am sure Betty Davis would have done a great job, but never as beautiful. Enjoy.
I remember when I was living in Vietnam, I was told that Eurasian women were the most beautiful in the World. The French-Vietnamese women that I saw were indeed exquisite. Hedy Lamarr was perfectly caste as one of these women, and her performance in this film was so romantic that one would want to see it over and over.
This fine film featured Oscar-nominated cinematography, a script by the great Ben Hecht (Wuthering Heights, Notorious, The Scoundrel, Underworld), and Robert Taylor as the leading man.
The story is as old as time and you cannot fail to be moved by the tragedy.
This fine film featured Oscar-nominated cinematography, a script by the great Ben Hecht (Wuthering Heights, Notorious, The Scoundrel, Underworld), and Robert Taylor as the leading man.
The story is as old as time and you cannot fail to be moved by the tragedy.
Certainly two of the most beautiful stars in films were Hedy Lamarr and Robert Taylor, and here they are together in "Lady of the Tropics," a 1939 film directed by Jack Conway.
It's the story of a half-caste named Manon who, as a second class citizen, can't get a passport to leave Saigon. Taylor is a playboy who falls for her; the two marry, incurring the wrath of Manon's sometime boyfriend Delaroch (Joseph Schildkraut).
Made under the Hays code, the ending of the film is obvious and inevitable; also, it closely follows the story of Manon Lescaut, told twice in opera, once by Puccini and once by Massenet. There's a scene from the Puccini version in the film.
The film is beautifully photographed. Lamarr has a lovely, tender quality as Manon, and she is stunning in her Adrian gowns and hats. Taylor has a role similar to his Alfred in Camille, and he does it well, resplendent in his white suit and brilliant smile.
One of the posts suggested Francis Lederer in the role. Lederer was a handsome and wonderful actor, very romantic, and would have brought a more exotic persona to the part. I admit, however, to liking the rugged, earthy, American quality Taylor brings, as the character should be truly out of his element in Saigon. This makes Manon's inability to get a passport all the sadder and more desperate.
Joseph Schildkraut was a master at portraying the kind of evil manipulator he did as Laroch, so while his Oriental makeup is a little disconcerting, his performance isn't.
A lovely film. Too bad about the code.
It's the story of a half-caste named Manon who, as a second class citizen, can't get a passport to leave Saigon. Taylor is a playboy who falls for her; the two marry, incurring the wrath of Manon's sometime boyfriend Delaroch (Joseph Schildkraut).
Made under the Hays code, the ending of the film is obvious and inevitable; also, it closely follows the story of Manon Lescaut, told twice in opera, once by Puccini and once by Massenet. There's a scene from the Puccini version in the film.
The film is beautifully photographed. Lamarr has a lovely, tender quality as Manon, and she is stunning in her Adrian gowns and hats. Taylor has a role similar to his Alfred in Camille, and he does it well, resplendent in his white suit and brilliant smile.
One of the posts suggested Francis Lederer in the role. Lederer was a handsome and wonderful actor, very romantic, and would have brought a more exotic persona to the part. I admit, however, to liking the rugged, earthy, American quality Taylor brings, as the character should be truly out of his element in Saigon. This makes Manon's inability to get a passport all the sadder and more desperate.
Joseph Schildkraut was a master at portraying the kind of evil manipulator he did as Laroch, so while his Oriental makeup is a little disconcerting, his performance isn't.
A lovely film. Too bad about the code.
Truly I don't understand the poor reviews of this film.
It's a melodramatic romance in the vein of "Camille" or "Waterloo Bridge." (Both of which also starred Robert Taylor). It is certainly no worse than those, and the overall theme is not that much different.
Hedy Lamarr's role here is very subtly played. She lies and deceives because she doesn't want anyone to be hurt. That is key to understanding her character. Placed in an impossible situation, Manon tries her best to rise above it the only way she knows how. Lamarr captures this struggle magnificently. It's written on her face in so many scenes.
Sometimes I've heard she is "wooden" in this role. Are you kidding? In her scenes with evil Delaroch, she masks her agony with a Mona Lisa smile, trying to reveal nothing. That is acting, folks. Sorry you don't recognize it. Perhaps it is because so many stars of the era regularly chewed the scenery, and in comparison, Lamarr's portrayal is too realistic. It's the only thing I can fathom.
As for Robert Taylor, also a favorite of mine...I think he plays the American playboy perfectly. One of my favorite scenes is where he's trying to buy a "hat" for his heiress girlfriend early in the film. He supplies humor in just the right amounts, and his eventual adoration of Manon is well done, hauntingly.
I have seen this movie probably more than any others of hers, and I never get tired of it.
It's a melodramatic romance in the vein of "Camille" or "Waterloo Bridge." (Both of which also starred Robert Taylor). It is certainly no worse than those, and the overall theme is not that much different.
Hedy Lamarr's role here is very subtly played. She lies and deceives because she doesn't want anyone to be hurt. That is key to understanding her character. Placed in an impossible situation, Manon tries her best to rise above it the only way she knows how. Lamarr captures this struggle magnificently. It's written on her face in so many scenes.
Sometimes I've heard she is "wooden" in this role. Are you kidding? In her scenes with evil Delaroch, she masks her agony with a Mona Lisa smile, trying to reveal nothing. That is acting, folks. Sorry you don't recognize it. Perhaps it is because so many stars of the era regularly chewed the scenery, and in comparison, Lamarr's portrayal is too realistic. It's the only thing I can fathom.
As for Robert Taylor, also a favorite of mine...I think he plays the American playboy perfectly. One of my favorite scenes is where he's trying to buy a "hat" for his heiress girlfriend early in the film. He supplies humor in just the right amounts, and his eventual adoration of Manon is well done, hauntingly.
I have seen this movie probably more than any others of hers, and I never get tired of it.
Was Ben Hecht a damnable racist, or does it merely seem so? The fact that this frankly racist film doesn't shock our sensibilities maybe due to its not being that much outside of the norm. Hollywood has been called leftist, but no miscegenation is allowed, not even after the war. And all participants in this charade pretend to have creative freedom, or to desire it. This film could well have been called "No Miscegenation!" at a time when someone else in Europe was crying "No Miscegenation!" Congratulations Hollywood!
Did you know
- TriviaThe American Film Institute Catalog of Feature Films 1931-1940 states that this was Hedy Lamarr's last film under her MGM contract; it was her first. AFI also adds that Mary Taylor was signed to a long-term MGM contract as a result of her work in this picture; in fact, she would be seen in only four feature films in her entire career, and only one more of them, Blossoms in the Dust (1941) would be made at MGM.
- Quotes
Bill Carey: Father... Father, help us.
Father Antoine: My son, she goes where there is no east or west. And she will be judged by one who alone knows how great or how little were her sins.
- ConnectionsFeatured in From the Ends of the Earth (1939)
- SoundtracksEach Time You Say Goodbye (I Die A Little)
(1939)
Music by Phil Ohman
Lyrics Foster Carling
Sung by Gloria Franklin (uncredited) (dubbed by Harriet Cruise (uncredited))
- How long is Lady of the Tropics?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Flor del trópico
- Filming locations
- Cambodia(cambodia)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $913,000 (estimated)
- Runtime
- 1h 32m(92 min)
- Color
- Aspect ratio
- 1.37 : 1
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